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In 1934 C.V. Raman, Nobel Prize laureate in physics, founded the Indian Academy of Sciences in an attempt to create a single unified national scientific society for India. Instead, due to actions of Raman, the Royal Society and other British and Indian scientists, three distinct Indian science academies emerged and have persisted to the present day. Taking place against a background of British imperialism, Indian nationalism and scientific internationalism, Raman’s actions provide a fascinating case study of scientific production and the shaping of scientific networks in (British) India. This paper scrutinizes this hitherto unexplored late imperial stage of the Indian scientific landscape and highlights the versatile role of British imperialism in influencing the founding and functioning of the Indian Academy of Sciences under Raman. The latter’s national and international career and leadership testify to a complex relationship where the personal and the political became intertwined with science in (British) India.
Received scholarship by H.T. Huang and others has argued that the high incidence of lactose intolerance in East Asians discouraged the Chinese from adopting dairy on health grounds before the twentieth century. However, such wisdom overlooks Chinese medical literature that prescribes fresh dairy to treat chronic diarrhea. This essay considers what famed healer Sun Simiao (581–682) had to say about the uses of dairy products in treating digestive ailments. Towards this end, we consider the Essential Formulas Worth a Thousand Pieces of Gold for Emergencies (Beiji qianjin yaofang 備急千金要方) and the Supplemental Formulas Worth a Thousand Pieces of Gold (Qianjin yifang 千金翼方). We then compare the uses of dairy in the Sun corpus to both contemporary and earlier texts. Our analysis shows that Tang-dynasty (618–907) healers regarded milk products as generally good for the gut, and, in some cases, recommended using fresh dairy for cases of flux.
This article examines the relationship of the Argentine Socialist Party (PS) with international socialist organizations between 1889 and 1940. During this period, the PS emerged as the leading Latin American social-democratic organization and one of the few non-European members of both the Second International and the Labour and Socialist International. The article argues that the PS’s unique trajectory is best understood through the concept of “peripheral inter-nationalism”. This framework analyses how a socialist party in a non-colonial state built by mass European immigration engaged in a competitive nation-building project. The PS sought to construct its own version of the nation for a largely immigrant working class while simultaneously confronting the official nationalism being forged by the Argentine state. By analysing this dual challenge, the article complicates existing understandings of socialist “inter-nationalism”, revealing a distinct path to reconciling national and international loyalties. Drawing on archival research on the PS and the Internationals, the article shows how Argentine socialists actively translated and contested European norms, ultimately contributing to the historiography of international socialism by addressing the underexplored role of non-European parties.
At the outbreak of the First World War the Hallé Orchestra was entering a new phase. The retirement of Hans Richter as its Principal Conductor in 1911 had led to the appointment the following year of Michael Balling, a German who, like Richter, was associated with the Bayreuth circle. Although Balling had clear ideas as to the direction in which he wished to take the orchestra, the declaration of war against Germany in 1914 made his continued tenure impractical. Although the outbreak of war in 1914 initially appeared a major blow to the orchestra’s fortunes, the engagement during the war years of a number of interim conductors, not least Sir Thomas Beecham, ultimately enabled the Hallé’s programming to expand beyond its hitherto rather German-heavy repertoire. It also provided openings for women, previously unrepresented in the orchestra, to take the places of absent male players, thereby setting a precedent would ultimately to lead to women being offered permanent contracts. Sources in the Hallé Orchestra’s own archives and those at Manchester Central Library shed light on the issues faced by the Hallé Concerts Society in maintaining the orchestra’s important contribution to the musical life of Manchester during the war years.
This article is about state responsibility and its unique interaction with environmental law. While remedies in the main are reparative in nature, the ‘guarantees of non-repetition’ are qualitatively distinct, intended to prevent recurrence of a breach and, as such, this remedy brings added value to environmental law. Utilizing the Montara oil spill as a conceptual testing ground, this article argues that the future-oriented guarantees of non-repetition create an untapped opportunity for an injured state. Benefiting from the leverage attached to receiving guarantees of non-repetition, an injured state may evoke the International Law Commission’s Articles on Prevention of Transboundary Harm to negotiate future prevention and, where it sees fit, to seek to institutionalize future oversight by various joint-monitoring mechanisms, going so far as to call for a bilateral intergovernmental organization.
It was by chance that John Morrogh (1849–1901) became an imperial player. Leaving Ireland as an almost penniless young man moulded by the Catholic nationalism of the Christian Brothers, he joined the early diamond rush to Kimberley, South Africa, and returned home twenty years later a director of Cecil Rhodes’s De Beers Consolidated Diamond Mines. He joined the Irish Parliamentary Party (IPP) and his diamond fortune eased his path to a seat in the House of Commons. As the IPP fragmented, he took the side of the anti-Parnellite, Tim Healy, until he resigned his seat and returned to Cork where he became an influential figure in business and local government. This article traces the fortunes and sensibilities of an Irish migrant who in many ways exemplifies Ireland’s ‘ambivalent heritage’ of nationalism and empire.1
This article explores the early development of Japan’s recording industry, focusing on locally driven “minor transnational engagements” between emerging Japanese record companies and foreign recording experts. The initial phase of Japan’s recording history mirrored the pattern in most countries from the early 1900s, with major record companies organizing international recording expeditions equipped with new acoustic disc recording technology. However, it was homegrown firms in the 1910s, especially the Nipponophone Company (Nihon Chikuonki Shōkai 日本蓄音器商會), that positioned themselves as the main producers of Japanese titles and gramophones. In the second half of the 1920s, the industry evolved further with the introduction of electrical recording technology, and Japanese record companies embraced it by partnering with international labels to establish multinational ventures. With a focus on the acoustic recording era of the 1910s and early 1920s, this article investigates Nipponophone’s recruitment of foreign recording experts, who not only shared their technical knowledge but also served as strategic conduits for expanding the company’s presence across regional and international markets. Nipponophone and other domestic record companies grew through expert collaborations and secondhand emulation. Their efforts, rather than global campaigns led by the multinational major labels, played a decisive role in shaping Japan’s early recording industry.
During the Imjin War (1592–1598), a new type of warfare centered on the harquebus was introduced into Korea. This led to the formation of a new infantry-based military composed largely of harquebusiers. Existing scholarship on the military change of Korea in this period has primarily focused on the emergence of the standing army. However, most of the troops were militiamen, similar to those of the prewar military. This article examines the broader contours of Korea’s military organization during this transformative period, with particular attention to the composition and roles of the forces. To be sure, a new standing army unit was organized, but its proportion was small both in absolute numbers and in participation in actual warfare. Instead, the militia continued to constitute the core of the Korean military and carried out the majority of wartime operations. The Korean court did not intend to raise a standing army as the new center of military power. This was due to its strong ideological commitment to the militia system and the actual military environment that Korea was facing. The Korean case presents a distinctive example of how the introduction of harquebus could coexist with the persistence of militia-based military structures.
Contention about representations of history and the purposes of History education has long surrounded Japanese History textbooks. From 2012, the ascent of powerful nationalist Prime Minister Abe Shinzō raised questions about possible political pressures on textbook content. This article analyzes recent market-leading junior high school and high school History textbooks to discover how pedagogical format and content related to controversial topics or national identity have changed since 2012. It finds that leading junior high school textbooks have largely maintained their representation of controversial topics, while developing investigative, analytic pedagogical approaches. Coverage of some aspects of ethnic and cultural diversity within Japan has increased. Following the implementation of a new curriculum from 2022, some high school textbooks for the new compulsory subject “Integrated History” facilitate a more analytic, “disciplinary” pedagogy than previously evident in compulsory high school History. Nonetheless, an “enhancing collective memory” approach to History pedagogy remains central throughout secondary education. These developments suggest that power over History education in Japan is distributed between a range of actors. The state, the market, and social pressures all influence the content of History textbooks in Japan.