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Chapter 4 develops a framework for understanding how multinational corporations (MNCs) manage climate risks. It identifies five distinct strategies: accepting the risk as a cost of doing business, adapting through proactive investments or compliance measures, transferring risk to other actors, diversifying operations geographically, and avoiding risk by limiting exposure to vulnerable regions. After outlining the logic and trade-offs of each approach, the chapter investigates whether firms systematically avoid the countries that are most exposed to climate threats. Using cross-national data on foreign direct investment, the analysis explores variation across sectors and dimensions of climate vulnerability, such as ecosystem, infrastructure, and water-related risks. The findings demonstrate that MNCs avoid climate-vulnerable countries, while also showing that firms’ risk management strategies vary by sector and climate risk type.
People have the basic need to experiment control over the most important aspects of their environment. Even though the Sense of Control Scale is one of the most used instruments to measure sense of control, its psychometric properties have not been thoroughly assessed in a Spanish-speaking context. This preregistered study adapts the Sense of Control Scale into Spanish. To achieve this, 605 adults (Mage = 33.09, SD = 14.18) filled out an online questionnaire containing the relevant measurements. Evidence of the structure of two first-order dimensions and a second-order dimension was obtained (CFI = .960; TLI = .949; RMSEA = .044; RMSR = .039). The measure showed measurement invariance across gender at the configural, metric, and scalar levels. The perceived constraints and personal mastery dimensions, as well as the overall score of the Spanish Sense of Control Scale (SP-SCS) showed good reliability. Moreover, lower levels of sense of control, whether considering scores on its two dimensions (i.e., perceived constraints and personal mastery) or the overall score, were indicative of worse subjective well-being (i.e., life satisfaction and happiness), greater psychological distress (i.e., anxiety, depression, and stress), and higher perceived financial threat. The findings of this study reveal that the SP-SCS is a promising instrument to assess sense of control in the Spanish-speaking population.
To mark the 10th Anniversary of BJPsych Open, we explore the contributions of papers published in BJPsych Open to advance cultural psychiatry practice and policy. In our overview of papers published in BJPsych Open, we found examples of good practice where authors detailed the translation methods and interpretation models in the research. The task facing clinicians and public health practitioners is to evolve applied, locally relevant, culturally competent interventions in which specific adaptations are shaped by the potential beneficiaries, alongside theoretical and practical issues of cultural adaptation. Researchers and clinicians will need to provide evidence of acceptability and effectiveness of adapted interventions, alongside considering financial and implementation realities.
The article examines the artistic project Esploratori dell’Infinito as a paradigmatic case of intermedial theatre grounded in a research-through-practice methodology, in which sound, music, voice, text and scenic space operate on an equal ontological and functional footing. Rather than a narrative transposition or the layering of heterogeneous media onto a pre-existing dramaturgical framework, the work is conceived as a perceptual device whose dramaturgy arises from the dynamic interplay of multiple semiotic systems.
Central to the analysis is the role of sound and music, not as a decorative or illustrative layer but as autonomous dramaturgical material capable of producing space, meaning and imagination. Drawing on practices of musique concrète, soundscape composition, electroacoustic processing and the live performance of acousmatic music, the project fosters an embodied listening that transforms the spectator into a co-author of the performative event. The article situates this process within current theories of intermedial adaptation, listening modes and sonic spaces, arguing that Esploratori dell’Infinito advances a counter-model to linear production logics and proposes an operative framework for genuinely integrated sonic dramaturgy.
This chapter explores the psychological impacts of climate change, focusing on how communities adjust to disruptions in place caused by extreme events. It argues that global adaptation frameworks, including those of the Intergovernmental Panel on Climate Change, often overlook psychological factors such as grief, place attachment, and the need to repurpose or redefine damaged environments. Drawing on examples from Australia and the United States, the chapter shows how these psychological dimensions shape community resilience, adaptation, and collective action. By critically examining existing adaptation policies, it identifies significant gaps in acknowledging the central role of psychology in shaping sustainable responses. The chapter advocates for integrating psychological insights into policymaking and community engagement to support more effective, equitable climate strategies. Ultimately, it stresses that recognising these relationships with place is essential for addressing the difficult choices that arise when beloved environments become unliveable due to escalating climate risks.
Southeast Asia is a booming region which is nevertheless among the most vulnerable to climate change. This book assesses how Southeast Asian countries – from the wealthiest to the poorest – are adapting to meet climate change challenges across several key sectors: agriculture and fisheries, conservation, energy, health, and migration. In the broad context of the global system, it celebrates some of the region's remarkable successes, whilst also examining serious adaptive issues. Through a political economy lens, the author describes growing private-sector control over adaptations, shining a light on who benefits and loses from these systems. He untangles the complex interconnectedness of different sectors, examining how adaptations to one can undermine progress in others. This sharply focused volume is a vital reference on a rising global issue for graduate students and researchers, and offers invaluable lessons for policymakers in countries around the world that share similar development challenges.
This chapter selects two case studies to examine the presence of global experimentalist governance in ocean acidification governance: the Ocean Acidification Alliance and the International Maritime Organization. The selection distinguishes between ‘suitable’ institutions (addressing one OA activity) and those with ‘significant potential’ (addressing multiple activities within one concern or across concerns). Using a comprehensive table that maps actors and instruments, the chapter analyses how institutions address OA’s three concerns: causes (CO2, NOx/SOx), stressors (e.g., climate change, pollution, and fishing), and adaptation (blue carbon, marine protected areas, and fisheries management). Most institutions show significant potential by addressing concerns in depth and/or breadth. The OA Alliance was selected as the only institution explicitly focused on OA, addressing CO2 emissions and coastal activities. The IMO was chosen for its role in shipping emissions (both CO2 and NOx/SOx) and broader pollution control mandate. These cases differ in legalisation levels and institutional structure, providing diverse perspectives on experimentalist governance challenges. Both have significant potential and focus on CO2, the primary OA driver, making them ideal candidates for testing the implementation of global experimentalist governance.
Ocean acidification (OA) science has rapidly developed since 2005; however, international action remains limited. This chapter explains the complex scientific background of OA to non-scientists. OA is measured on a logarithmic pH scale, with oceans becoming 40 per cent more acidic since pre-industrial times. Three groups of compounds contribute to acidification: CO2 (the primary driver), nitrogen oxides (NOx), and sulphur oxides (SOx). These substances enter the oceans through various means, such as anthropogenic emissions, geoengineering, coastal activities, and scrubber effluents from ships. Additional ocean stressors, such as climate change, pollution, and overfishing, compound the effects of OA, making adaptation more challenging. OA threatens calcifying organisms such as corals and oysters, disrupts food webs, and impacts human ecosystem services valued at potentially $1 trillion annually by 2100. Adaptation options include blue carbon ecosystems, marine protected areas, and fisheries management. The issue encompasses ocean, atmosphere, and land systems across multiple timescales and spatial levels, necessitating diverse governance approaches that address both global CO2 emissions and local stressors.
There are few evidence-based suicide prevention interventions tailored for adolescents living with HIV (ALWH) in sub-Saharan Africa. The safety planning intervention targets acute suicidal behavior through co-creation of actionable coping strategies for use at the onset of suicide-related distress. We utilized the Assessment-Decision-Adaptation-Production-Topical Experts-Integration-Training–Testing framework to adapt and integrate safety planning into an existing Friendship Bench + peer support model for depressed ALWH in Malawi. We conducted interviews with ALWH who reported suicidal ideation or behaviors, their caregivers, healthcare facility leadership and police officers, and focus group discussions with healthcare facility staff, community and religious leaders and teachers in Lilongwe. The study team produced adapted manuals, sought and integrated expert topical feedback, trained interventionists using a training-of-trainers model and theater tested the protocol. Formative data yielded insights into acceptability, feasibility, delivery, content and implementation of safety planning. The final safety planning + Friendship Bench + peer support program consists of one safety planning session, five problem-solving sessions with suicide risk assessment and six peer support sessions. We revised the written Safety Plan to account for limited emergency services, modified the protocol for engaging guardians, integrated suicide assessment into the problem-solving sessions and incorporated suicide prevention activities into the peer support sessions.
This research article examines the role of immigrant labour and micro-innovations in transferring glass-making knowledge in early modern Britain. It argues that immigrants played a crucial role in adapting European products to local conditions by providing new recipes and access to trade routes. Furthermore, it emphasises the significance of mobility and secrecy in knowledge transfer. Immigrants created innovations through mobility by tailoring their roles to encourage movement and maintaining the confidentiality of their skills. The article also examines the demands of local settings and conditions for integrating new technology.
One of the riddles of human communication is interlocutors’ ability to adapt to “noisy” inputs. It is argued that it is the interpersonal coordination of rhythmic structure underlying this ability, which can be selectively activated. This process is described as a set of mechanisms operating on linguistic and phonetic structures: Interaction Phonology. Interaction phonology provides the necessary scaffold for enabling an alignment of phonetic-phonological and potentially also higher-order linguistic representations. This coordination process relies on the rhythmic structure of the individual language or register pertaining to the ongoing communication. That way, interlocutors can attend to relevant phonetic detail unveiling higher-order symbolic information and adapt their own rhythmic pattern to enhance mutual comprehension. The testable predictions of Interaction Phonology are discussed in the light of recent empirical evidence, and the initial version of Interaction Phonology is modified: Perception–production coupling is marked as optional, and the automaticity between rhythmic entrainment and higher-order symbolic alignment is questioned.
One of the remarkable characteristics of spoken language is that it is constantly undergoing change. The plasticity of sound patterns, that is, their susceptibility to short- and long-term changes, is driven by processes of mutual adaptation during conversational interactions and thereby reflects a constant interplay of perceptual and motor processes of spoken language. Existing models of speech motor control largely neglect the environment-driven phonetic plasticity by focusing on single-person accounts of spoken language production. This chapter addresses the roles of cortical and subcortical structures in the accommodation of speakers and listeners in interactive language use. It reviews investigations of the propensity of patients with different neurologic conditions to align with or adapt to others’ speech, with a particular focus on the role of speech rhythm.
Adaptation has been embedded into Homer’s Odyssey since its origins in the oral traditions of ancient Greece. With each new age, creative artists find fresh ways to re-tell the story of the poem’s world and its protagonist—who is himself known for his adaptability—recasting his adventures and quest for home in ways that speak to the concerns of the contemporaneous moment. The range of these adaptations has been vast, with the epic being appropriated sometimes for diametrically opposed purposes: in support of imperialism or to contest it; as a vehicle for patriarchal dominance or feminist autonomy; as a narrative in support of refugees or condemning the indigenous inhabitants of certain lands. Some of these works have themselves become foundational, inspiring stories and genres in their turn, and with the imminent release of Christopher Nolan’s blockbuster adaptation, we have a new chance to see what the Odyssey might be in our current moment.
This study examined the behavioral characteristics of psychiatric inpatients following disasters.
Methods
Data were collected from 2 psychiatric hospitals in Japan, 1 affected by the Northern Osaka Earthquake (magnitude 6.1, seismic intensity 6) on June 18, 2018, and the other impacted by torrential rainstorms (total rainfall reaching 1800 mm; 224 fatalities, 8 missing) between June 28 and July 8, 2018. Focus group interviews were conducted with 24 nursing staff members from each hospital, divided into 8 groups.
Results
A total of 158 inpatient behaviors were identified and organized into 19 themes. To delineate behavioral patterns, these behaviors were interpreted as adaptive (53.1%), maladaptive (22.2%), or unclassifiable (24.7%). Among maladaptive behaviors requiring prioritized care, 56.8% were associated with psychiatric disorders, while 43.2% reflected general disaster-related reactions.
Conclusions
Psychiatric inpatients demonstrated adaptive responses alongside typical disaster-related behaviors, with some behaviors attributable to underlying psychiatric conditions. Post-disaster care for psychiatric inpatients should emphasize strategies that support adaptability and protection. Additionally, targeted care for maladaptive behaviors specific to psychiatric conditions and vigilant observation of patients who do not display overtly agitated behaviors are critical.
Problematic Internet use, defined as excessive, disproportionate, or inappropriate use of the Internet leading to distress, significant time consumption, and impaired normal functioning in various crucial life domains, is emerging as a major issue in many developed countries. The growing interest in exploring this phenomenon has led to the proliferation of assessment tools designed to evaluate it. The present study aims to adapt Basque the Generalized Problematic Internet Use Scale-2 (GPIUS-2), a questionnaire specifically designed to assess the cognitive and behavioral aspects of problematic Internet use and its associated consequences, and to evaluate the psychometric properties of the new instrument. The study was carried out with two independent samples, one composed of adults (n = 283, 18–62 years of age, 56.5% female) and the other of adolescents (n = 943, 11–16 years of age, 52.0% female). Three models were tested by confirmatory factor analysis: a one-dimensional model, the original five-factor model, and a four-factor model. The results indicated that both the 4-factor and 5-factor models obtained adequate fit indices, and consequently, the most parsimonious model was chosen. Invariance testing revealed comparable measurement properties of the GPIUS-2 in both men and women, and adults and adolescents. Furthermore, the scores of the GPIUS-2 subscales revealed strong positive correlations with Internet addiction and moderate positive correlations with depression, anxiety, and stress. The results therefore indicate that the Basque version of GPIUS-2 is a reliable instrument with adequate evidence of validity that will enable professionals to assess problematic Internet use in this population.
This chapter examines Elizabeth Bowen’s relationship to audiovisual art forms. Given Bowen’s own relative lack of interest in film, one may wonder why adaptation should be included in an overall analysis of her work and its impact. One argument is largely commercial: be it through television, film, or radio, dramatisations of Bowen’s works contribute to increased public scrutiny of her fiction. For those already familiar with Bowen’s fiction, adaptations revitalise readings of her fiction. How her texts correspond to traditions and tropes of other media tells us much about the interplay of genres – from novel of manners and social satire to spy story or historical fiction – as they manifest themselves in the traditions of those media. Ultimately, an adaptation is also an interpretation and analysis of its source text. This examination of adaptations focuses on The Last September and The Heat of the Day, two of Bowen’s most-read works. These adaptations are the best known and most accessible audiovisual adaptations of her fiction.
While living in exile in a divided Berlin after the 1973 military coup and Pablo Neruda’s death twelve days later, Antonio Skármeta created his own version of Neruda in Ardiente paciencia (Burning Patience), a humane image of the poet that contrasted with the one-dimensional communist martyr projected after his death. Skármeta wrote the base story for four different media under the same title: a radio drama, a play, a film, and a novel. The story has since been freely adapted by others, such as Michael Radford’s film Il Postino (The Postman), Daniel Catán’s opera, with Plácido Domingo as Neruda, and Rodrigo Sepúlveda’s recent film released by Netflix. Aside from clarifying the confusion in the critical bibliography regarding these multiple stories, this chapter focuses on Skármeta’s two media versions of Ardiente paciencia, the play and the film, to show how a single artistic creation can captivate audiences worldwide.
This chapter surveys modern experiences with irregular warfare from the Second World War until today. Specific attention is paid to the ‘golden age of counterinsurgency’ during the Cold War as well as its more recent ‘renaissance’ and expansion, to include counterterrorism, in Iraq, Afghanistan and globally. The themes here are continuity and change: the former in the shape of relatively unchanging principles based on best practices, and the latter in terms of organisational adaptation, most frequently in the form of specialised units. The chapter identifies and explores four pathologies related to irregular warfare that make countering or conducting it difficult, including mistaking ways for ends, politicisation, over-inflating or mirror-imaging an opponent and the agency of groups too often assumed to be under your control. It concludes by addressing myths associated with specialised forces and irregular warfare and suggests that success results from understanding this form of warfare’s highly political nature.
This concluding chapter notes how changes in the strategic and intellectual environments have been reflected in the three editions of Understanding Modern Warfare. At the same time, it is noted that certain themes and principles have remained constant through all editions. This reflects warfare itself, which is characterised by continuity and change. To illustrate, the chapter identifies eleven constants and five areas of change. It is concluded that the art of war is, at least in part, concerned with finding an equilibrium between these two positions. The practitioner must adapt to change, while still respecting the enduring nature of war.
This Element examines Tian Qinxin (1969– ), one of the most prominent theatre directors in contemporary China, and her significant contribution to the development of mainstream Chinese theatre in the 21st century. Since her debut productions in the late 1990s, Tian has cultivated a distinctive directorial style, marked by a syncretic fusion of Western and traditional Chinese theatrical elements. While she has worked across a variety of genres, her primary focus has been on stage adaptations. Adaptation is not only a defining feature of her theatrical practice but also a central aspect of her professional life, where shifting political and cultural contexts necessitate her “performance” of various expressions of both femininity and masculinity. Tian's remarkable adaptability enables her to skillfully navigate the evolving landscape of Chinese theatre, the demands of state cultural policy, and the requirements of the commercial theatre sector.