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This pioneering study of migrant journeys to Britain begins with Huguenot refugees in the 1680s and continues to asylum seekers and east European workers today. Analysing the history and memory of migrant journeys, covering not only the response of politicians and the public but also literary and artistic representations, then and now, this volume sheds new light on the nature and construction of Britishness from the early modern era onwards. It helps to explain why people come to Britain (or are denied entry) and how migrants have been viewed by state and society alike. The journeys covered vary from the famous (including the Empire Windrush in 1948) to the obscure, such as the Volga German transmigrants passing through Britain in the 1870s. While employing a broadly historical approach, the book incorporates insights from many other disciplines and employs a comparative methodology to highlight the importance of the symbolic as well as the physical nature of such journeys.
Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides an interdisciplinary account of performance in film and television and examines a much neglected area in people's understanding of how popular genres and performance intersect on screen. The advent of star studies certainly challenged the traditional notion of the director as the single or most important creative force in a film. Genre theory emerged as an academic area in the 1960s and 1970s, partly as a reaction to the auteurism of the period and partly as a way of addressing popular cinematic forms. Television studies have also developed catalogues of genres, some specific to the medium and some that refer to familiar cinematic genres. The book describes certain acting patterns in the classic noirs Maltese Falcon, The Big Sleep, Out of the Past and the neo-noirs Chinatown. British television drama in the 1970s had a special interest in the genre of horror. There is no film genre to which performance is as crucial as it is to the biopic. To explore comedy performance is to acknowledge that there is something that defines a performance as 'comic'. The book also examines drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.
For much of the twentieth century women police often played a key role in the detection and prevention of child abuse, neglect and the 'policing of families'. This book examines the professional roles, identities, activities and experiences of women police in the United Kingdom. It comments on the gendering of modern surveillance technologies, on the relationship between justice and welfare, and on the changing situation of women in the twentieth century. The book shows that assumptions about class, status, gender and sexuality were both challenged and reinforced by women police. Although institutional structures and hierarchies - including those of gender -shaped the women police officers' professional experiences, the senior officers achieved considerable success in creating their own professional networks. The book examines the status and 'respectability' associated with women's work in the police service, and focuses on personal testimony in order to discuss women's perceptions of themselves. It analyses women's operations within the technologies of physical surveillance, dealing with both uniform beat patrol and undercover observations. The regulation of specific groups was done through policewomen's 'specialist' role: firstly, the policing of family, youth and child welfare; and secondly, the regulation of sexuality in relation to adult women. Given that police duties were shaped by legislative frameworks and by institutional strategies, opportunities to transform daily practice were ultimately limited. Despite positive and approbatory statements from women officers regarding integration, women as a whole were far less likely to be promoted than male colleagues in the 1970s and 1980s.
Historians relying upon hostile contemporary sources have dismissed Charles d'Albert, duc de Luynes, as an inept mediocrity. Luynes took the oath of office as constable on Friday 2 April 1621 in the long gallery of the Louvre overlooking the Seine. Cardinal Richelieu considered Luynes to be the implacable enemy of the Queen Mother, and blamed him for her quarrel with her son. Cardinal Richelieu, a client of the Queen Mother, despised Luynes whom he savaged in his memoirs in a devastating character assassination that significantly influenced later historiography. This book presents a more positive assessment of his career as a favorite, and long-overdue recognition of his contributions to Louis XIII's government. It provides another look at Luynes untainted by the malice of Richelieu. The occupation of falconer reveals something about Luynes's character; it is said to be like the falconer-patient, goodtempered, shrewd, and inventive with keen eyesight, sharp hearing, a strong voice, and a habit of sleeping lightly. The book discusses the nature of the king's relationship with Luynes as demonstrated by their staging of royal ballets. The book discusses Concini's murder and the Order of Saint Esprit, which became the most prestigious military order in France, as well as the dilemma faced by the court nobility. The siege of Montauban, executed by Luynes is also discussed. The pamphlet attack on Luynes began with the Queen Mother's revolt in 1620. The anti-Luynes attack accelerated with the southwestern campaign against the Protestants, and continued for a year after his death.
This book examines the careers and lives of regular Italian police personnel against the background of Benito Mussolini's rise to power and his attempted construction of a new fascist civilisation. It analyses how, and to what extent, the new regime transformed the existing structures and functions of the Italian police. The book explores the cultural environment in which Mussolini's policeman acted. In spite of notable levels of support for fascism among policemen, Mussolini's movement was hesitant in its relations with the police, particularly the institutions of the Interior Ministry. It analyses how effectively a fascist culture penetrated the police. The book contrasts the regime's official and much propagandised integration of the Public Security forces into the new political order with the ideological and professional shortcomings behind recruitment and training procedures. The professional tasks entrusted to the regular organs of the Interior Ministry Police and the Carabinieri at the level of the community and the type of relationships that arose are then examined. An assessment of the quality of performance of the regular police and the effectiveness of internal hierarchical structures governing them during the fascist years follows. The book reviews the profiles of the careers and lives of a selection of members of the Interior Ministry Police, with a view to consolidate an understanding of the various issues. Finally, it considers how the Italian police forces reacted to the gradual demise of fascism, underlining how their growing dissociation from the regime reflected its failure to engender lasting loyalty among personnel.
Paradoxes of Internationalization deals with British and German trade union responses to the internationalization of corporate structures and strategies at Ford and General Motors between the late 1960s and the early twenty-first century. Based on research in more than a dozen archives in Britain, Germany and the United States, the book is unique in its attempt to bridge historical and contemporary approaches to the study of trade union politics in multinational firms. Conceptually, Paradoxes of Internationalization draws not only on the mainstream industrial relations literature but also on scholarship in comparative and international political economy, transnational history and nationalism studies.The book points to the paradoxical effects of internationalization processes. First, it demonstrates how internationalization reinforced trade unions’ national identities and allegiances. Second, the book highlights that internationalization made domestic trade union practices more similar in some respects, while it simultaneously contributed to the re-creation of diversity between and within the two countries. Third, the book shows that investment competition was paradoxically the most important precondition for the emergence of cross-border cooperation initiatives although the interest-driven nature of these initiatives also limited their scope.
The global financial crisis of the early twenty-first century focused attention on the processes that sustain the excesses of corporate capitalism. This book gives an account of the role played by literature in human subjectivity and identity under the working conditions of late-capitalism as these affect the well-being of specialist, middle-class and public sector professionals. It explores how the organisation struggles to reconcile the flexibility and responsiveness characteristic of modern business with the unity and stability needed for a coherent image. Next, an examination of business survivor manuals addressing the needs of employees failing to cope with time-pressure and the required transformation into perfect new economy workers discovers their use of appealing narrative principles. The book covers the theoretical foundations on which assumptions about the subjectivity and identity of the professional middle class have been made, including the ideological pressures and contradictions. It also investigates satisfying work more fully through analysis of popular practical instruction books on cookery and horticulture. The book considers how organic activities involving slow time, such as horticulture, cookery and the craft of writing about them, give a strong cultural message concerning the current organisation of time, work satisfaction and relationships. In particular, it deals with how the human feels attuned to balance, continuity and interconnectedness through the cyclical patterns and regulated rhythms of slower evolutionary change evident in natural systems. The nature of the autobiographic text is also considered in the book.
The poor laws were a fundamental component of nineteenth-century government throughout the United Kingdom. Ratepayer, pauper, poor law guardian or functionary, almost everyone had an interest in the poor law system. This book presents a study of the nature and operation of the Irish poor law system in the post-famine period. It traces the expansion of the system to encompass a wide range of welfare services, and explains the ideological and political context in which the expansion took place. After a general survey of the poor law system in the nineteenth century, the book analyses the poor law system in Ireland and the role of central government in overseeing the system's operation. It explores the impact of board nationalisation both on poor law administration and on the relationship between central and local administrators. Nationalist guardians were quick to realise that their powers under the Evicted Poor Protection Act could be used to support participants in the land campaign. The government's approach to distress in 1879-1880 was intended to avoid the mistakes made during the Great Famine. A more nuanced analysis of the labourers acts is provided here encompassing their origin, reception and operation. The poor law system catered predominantly for women, but was administered and staffed predominantly by men. The strength of Irish nationalism lay in its ability to construct a cohesive political community that cut across gender and class boundaries. By redefining criteria for relief, nationalist guardians helped to introduce a greater degree of flexibility into the relief system.
This book examines the ways in which women were able to deploy ambiguous concepts such as the 'career woman' and the 'bachelor girl' to simultaneously indicate and mask a lesbian identity. Contemporary anxieties about female same-sex desire which attached to these figures offered the opportunity to deploy them as an indication of potential sexual deviance. But their very ambiguity simultaneously afforded a protection from censure which more explicit terms such as 'lesbian' did not. These cultural connections between 'deviant' and 'normative' models of sexual identity have become the focus of considerable attention by queer theorists and historians in recent years. Queer historians have sought to analyse the institutional practices and discourses which produce sexual knowledge, and the ways in which these organise social life. They have concentrated their research on the binary opposition of homosexuality and heterosexuality as the dominant epistemological framework of knowledge about sexuality. The book seeks to explore the connections between space and cultural practices in lesbian history and is therefore concerned with the material world of post-war Britain. Identities such as 'tomboy' were invested with specific meanings in particular spatial contexts. As a child in rural Essex in the early 1950s, Nina Jenkins could use the term 'tomboy' to explain and excuse her desire to climb trees and be part of a boys' street gang.
Film sound merits study because it is an essential component of cinema. This book considers the ways in which one might come to terms with the materiality of film sound, both beyond and in relation to its semiotic or significatory dimensions. It discusses Michel Chion's proposal that any critical engagement with the film's materiality must be informed by the idea that what people term as 'the film' is marked by a relationship between sound and image. Running alongside the significatory is a parallel universe of materiality, with ways of knowing sound, and ways of registering sonic presences. Between the First and Second World Wars a series of experimental concrete sound mirrors was constructed to serve as an early warning system against airborne attack from mainland Europe. John Smith's work engages directly in a destabilisation of the model of sound-image relations that informs much of classical film practice. The book focuses on optical crackle and ground noise as sounds which signal just a sense of the past, and on the quality of compression that contributes to the sonic signature of older film soundtracks. The materiality of the strange sounds of electronica can be sounded by considering the ways in which tensions between the radical potential of noise, cinesonic codes, and the processes of history weave through the cinesonic text. Whitney Brothers' Five Film Exercises are of particular relevance to a study of the cinesonic. Cartoon sound begins with violence, or rather its threat, as evidenced by the Warner Bros. cartoons.
This book examines the changing nature of Catholicism in modern Scotland by placing a significant emphasis on women religious. It highlights the defining role they played in the transformation and modernisation of the Catholic Church as it struggled to cope with unprecedented levels of Irish migration. The institutions and care-networks that these women established represented a new age in social welfare that served to connect the church with Scotland's emerging civil society. The book examines how the church reacted to liberalism, legislative reform, the rise of evangelicalism and the continued growth of Irish migration between the late 1820s and the late 1850s. A mutual aversion to the Irish and a loyalty to nation and state inspired a recusant and ultramontane laity to invest heavily in a programme of church transformation and development. The recruitment of the Ursulines of Jesus, the first community of nuns to return to Scotland since the Reformation, is highlighted as a significant step towards legitimising Catholic respectability. The book focuses on the recruitment and influence of women religious. It also focuses on the issue of identity by considering how gender and ethnicity influenced the development of these religious communities and how this was connected with the broader campaign to transform Catholic culture in Scotland. The book also examines the development of Catholic education in Scotland between the late 1840s and 1900 and prioritises the role played by women religious in this process.
This book sets out to explain how - in a particular provincial context - the widespread public consumption of science underpinned a very considerable expansion of know-how or technological capability. In other words, it explains how conditions conducive to 'Industrial Enlightenment' came into being. Industrial Enlightenment appears to fit best as a characterisation of what was taking place in eighteenth-century Britain. Diffusing knowledge among savants was not at all the same as embedding it in technological or industrial processes. In the matter of application as opposed to dissemination, Europe's science cultures are revealed as very far from being evenly permeable, or receptive. The book explores whether the religious complexion of Birmingham and the West Midlands, and more especially the strength of protestant Nonconformity, might explain the precocious development of conditions favourable to Industrial Enlightenment across the region. It also focuses on the international ramifications of the knowledge economy, and the very serious dislocation that it suffered at the century's end as a consequence of the French Revolution and the Napoleonic Wars. Whilst these late-century interruptions to the free flow of knowledge and technical know-how served mainly to thrust English provincial science in an ever more utilitarian direction, they signally retarded developments on the Continent. As a result, overseas visitors arriving in Birmingham and Soho after the signing of the peace treaties of 1814-15 were dismayed to discover that they faced a very considerable knowledge and know-how deficit.
Far from a trivial topic, the post-war train spotting craze swept most boys and some girls into a passion for railways, and for many, ignited a lifetime's interest. This book traces this post-war cohort, and those which followed, as they invigorated different sectors in the world of railway enthusiasm. Today Britain's now-huge preserved railway industry finds itself driven by tensions between preserving a loved past which ever fewer people can remember and earning money from tourist visitors. It was Hamilton Ellis and Philip Unwin who were the joint pioneers of the 'Railway Book Mania' which ran from 1947 to the dwindling of popular and mid-depth railway history writing in the 1970s. British railway enthusiasts suffer from an image problem. Standing forlorn on station platforms, train spotters are butts for every stand-up comic's jokes. Like some other collectors, train spotters collect ephemera: locomotive numbers are signs unconnected to any marketable commodity. Train spotting had its own rich culture. As British railways declined from their Edwardian peak, enthusiasts' structure of feeling shifted steadily from celebrating novelty to mourning loss. Always a good hater as well as a skilled engineer, more than seventy years ago Curly Lawrence identified issues which still bounce around modelling sections of the British railway fancy. The book discusses toy trains, model engineering and railway modelling. British railway enthusiasm remains a remarkably varied activity today, articulated through attachment (of whatever kind) to prototype railways' life-world.
Discourses on the social and cultural aspects of deafness emphasise the vital role played by deaf clubs in nurturing and maintaining deaf communities. Despite this, there has been virtually no previous research into the social and leisure activities provided for deaf people by the deaf clubs or the specific nature of deaf communal leisure. This book, based on an extensive longitudinal study of British deaf clubs between 1945 and 1995, presents the first detailed analysis of the social lives of deaf people in the UK.British Deaf News was the major deaf newspaper throughout the 20th century, with deaf clubs reporting their activities and those of their members in each issue, providing a vital information and dissemination service for the geographical isolated pockets of deaf people across the country. Contributors shared information that was of interest to other deaf people and thus provide contemporary historians with extensive insights into the lived deaf experience that is not available from any other written source. The book outlines the volume and variety of leisure activities deaf people engaged in and discusses the vital role this played in maintaining and sustaining the sense of shared experiences and outlooks that are represented by the term ‘deaf community’. The book sets this discussion within a wider analysis of the role of leisure and sport in wider society, to emphasise both the similarities and the unique aspects of the social lives of one of Britain’s least understood minority groups.
Seeking to better understand what it means to grow older in contemporary Britain from the perspective of older people themselves, this richly detailed ethnographic study engages in debates over selfhood and people’s relationships with time. Based on research conducted in an English former coal mining village, the book focuses on the everyday experiences of older people living there. It explores how the category of old age comes to be assigned and experienced in daily life through multiple registers of interaction. These include ‘memory work’ about people, places and webs of relations in a postindustrial setting that has undergone profound social transformation. Challenging both the notion of a homogenous relationship with time across generations and the idea of a universalised middle-aged self, the author argues that the complex interplay of social, cultural and physical attributes of ageing means that older people can come to occupy a different position in relation to time and to the self than younger people. This account provides fascinating insight into what is at stake for the ageing self in regards to how people come to know, experience and dwell in the world. It describes the ways in which these distinctive forms of temporality and narrativity also come to be used against older people, denigrated socially in some contexts as ‘less-than-fully adult’. This text will be of great interest to researchers and students in anthropology, sociology, human geography and social gerontology working on interests in selfhood, time, memory, the anthropology of Britain and the lived experience of social change.
French crime fiction and the Second World War explores France's preoccupation with memories of the Second World War through an examination of crime fiction, one of popular culture's most enduring literary forms. The study analyses representations of the war years in a selection of French crime novels from the late 1940s to the 2000s. All the crime novels discussed grapple with the challenges of what it means for generations past and present to live in the shadow of the war: from memories of French resistance and collaboration to Jewish persecution and the legacies of the concentration camps. The book argues that crime fiction offers novel ways for charting the two-way traffic between official discourses and popular reconstructions of such a contested conflict in French cultural memory.
This pioneering study examines regional British television drama from its beginnings on the BBC and ITV in the 1950s to the arrival of Channel Four in 1982. It discusses the ways in which regionalism, regional culture and regional identity have been defined historically, outlines the history of regional broadcasting in the UK, and includes two detailed case studies – of Granada Television and BBC English Regions Drama – representing contrasting examples of regional television drama production during what is often described as the ‘golden age’ of British television. The conclusion brings the study up to date by discussing recent developments in regional drama production, and by considering future possibilities. A Sense of Place is based on original research and draws on interviews by the author with writers, producers, directors and executives including John Finch, Denis Forman, Alan Plater, David Rose, Philip Saville and Herbert Wise. It analyses a wide range of television plays, series and serials, including many previously given little attention such as The Younger Generation (1961), The Villains (1964-65), City ’68 (1967-68), Second City Firsts (1973-78), Trinity Tales (1975) and Empire Road (1978-79). Written in a scholarly but accessible style the book uncovers a forgotten history of British television drama that will be of interest to lecturers and students of television, media and cultural studies, as well as the general reader with an interest in the history of British television.
This book studies the twentieth-century Irish Catholic Bildungsroman. This comparative examination of six Irish novelists tracks the historical evolution of a literary genre and its significant role in Irish culture. With chapters on James Joyce and Kate O'Brien, along with studies of Maura Laverty, Patrick Kavanagh, Edna O'Brien and John McGahern, this book offers a fresh new approach to the study of twentieth-century Irish writing and of the twentieth-century novel. Combining the study of literature and of archival material, the book also develops a new interpretive framework for studying the history of sexuality in twentieth-century Ireland. The book addresses itself to a wide set of interdisciplinary questions about Irish sexuality, modernity and post-colonial development, as well as Irish literature.
The chapter contends that trade unions can be conceptualized as actors who contribute to the reproduction of nationalism through the ‘banal’ everyday framing of concerns and aspirations in terms that reflect traditional rhetoric of nationalist ideology. Following Anthony Smith’s influential definition, nationalist ideology is understood as embodying a set of three core ideals, namely national identity, autonomy and unity. The chapter’s main argument is that internationalization – as exemplified in the cases of Ford and General Motors – can paradoxically reinforce rather than diminish the significance of such banal nationalist rhetoric.