Social, political, and economic institutions covary with one another in heterogenous ways across space and time. Social Network Analysis (SNA) offers a set of analytical tools and conceptual frameworks that have allowed for formal comparisons of interactions, affiliations, and relationships in reconstructing historical trajectories of institutional change. Although archaeologists have made full use of a range of metrics that describe the structural variation of social networks, formal approaches to analyzing the covariance of networks, and the institutions that structured networks in the past, remain undertheorized. In most cases, descriptive metrics are compared between networks built from different datasets or networks separated in time. Using quadratic assignment procedure (QAP) correlations to compare matrices of archaeological data, I draw on a ceramic dataset of approximately 350,000 sherds from the Southern Appalachian region to investigate how decisions related to manufacture choice and to stylistic design covaried with one another between roughly AD 800 and 1650. I explore how material attributes may or may not vary independently of one another and what that means for our analyses of the institutions they reflect. The results contribute to broader comparative analyses of institutional change and perennial discussions of social evolution.

Ceramics play a central role in the debates around the relationship between the Viru and the Moche. A recent model considers Negative and Moche-decorated ceramics produced by potters affiliated with the elites to be the cultural markers of the Viru and Moche populations, respectively. Due to the similarity of Viru and Moche plain-wares and the presence of Castillo Decorated ceramics in Viru and Moche contexts, this model sees both types of ceramics as domestic traditions, produced by independent potters and sharing a common technique. The research we present here supports this recent model by reconsidering the social and cultural meaning associated with these ceramic types: it uses a novel approach for South America of reconstructing the chaîne opératoire by studying the traces visible on ceramics at a macroscopic and microscopic scale. The study demonstrates how these potters used their own traditions to produce decorated and undecorated ceramics. Furthermore, we found that Castillo Decorated is a type produced only by Viru potters, and we argue that its presence in Moche contexts is evidence of the numerous exchanges maintained by these two populations.

Archaeological materials from the Mediterranean world in Southeast Asia are scarce and their social context and cultural implications are rarely considered, while objects in Mediterranean style are often misinterpreted or overlooked. Concomitant to the increasing implementation of laboratory analysis, the range of new evidence, especially coming from recently excavated sites in Thailand and Myanmar, along with the reinterpretation of earlier data now brings the potential to compare different regions, and to discuss possible variations in terms both of the diversity and density of Roman materials. This study includes Mediterranean imports produced between the last centuries bce and first centuries ce, as well as Asia-produced inspired objects that integrate Mediterranean elements to varying degrees, combining new data and re-analysed materials. The paper not only contributes to building the sequence of cultural exchanges, but also interprets in cultural terms the varying Mediterranean elements present.

A long-term project to map and catalog all precontact Native American burial mounds in Iowa provides information about the number, location, form, survivorship, and rate of loss of mounds. This analysis reveals previously undocumented mound manifestations, including a large cluster of 200 linear mounds along the central Des Moines River valley. Historical records reveal that at least 7,762 mounds were identified at 1,551 sites in Iowa between 1840 and the present. About 47% of the mounds from these sites can be possibly seen in lidar, with 33% of the total clearly seen in lidar. Data show that mound loss over time is linear. Extrapolation of data suggests that at least 15,000–17,000 mounds stood in Iowa in the nineteenth century, but the actual number was likely higher.

This paper presents the results of an excavation that uncovered c. 390 m of roadside plots within the ribbon development alongside the Fosse Way on the south-west periphery of the walled small town of Margidunum in Nottinghamshire. The roadside plots appear to have been used for a combination of domestic occupation and agricultural activity, and to the rear lay 54 inhumation burials in 52 graves (including two double burials) and a single urned cremation burial, whose skeletons bore evidence for the tough working lives of the individuals. These are interpreted as the remains of peasant farmers and as evidence for the agricultural focus of the settlement, and of ‘small towns’ more generally. A contrast is drawn between the apparent poverty of this community and the apparently more high-status occupation within the defended core of the town.

The Secundinus stone, with its combination of carved phallus and text, was found in 2022 in excavations within the stone fort at Vindolanda. We consider comparanda for the imagery from Vindolanda, Britannia and further afield, and textual parallels particularly from Pompeii. We offer several possible interpretations of the object and prefer an analysis which takes the text, SECVNDINVS CACOR, as it is carved. This interpretation would add an otherwise unattested verbal form to the Latin scato-sexual vocabulary.

The Bolivar Archaeological Project exemplifies the possibilities of archaeology as service, incorporating descendant communities and local stakeholders into the fabric of the research design and planning for a state infrastructure project. This collaborative, multidisciplinary project attends to marginalized histories to offer a model for how publicly funded cultural resources management archaeology can serve multiple goals. The Bolivar Archaeological Project was conceived as a public archaeology project, with dual goals of being community driven and yielding scholarly contributions. In the shifting rural–urban landscape of Denton County, a Texas Department of Transportation road improvement project has supported archaeological investigations of two nineteenth-century sites—a blacksmith shop and hotel—associated with the historic Chisholm Trail. The blacksmith shop belonged to Tom Cook, an African American freedman, whose descendants reside nearby and became active participants in the investigations, including as collaborative authors in this article. The project illustrates the importance of representation and praxis to realize inclusive community engagement, with this article outlining the development of the project and ongoing research. Informed by Black feminist archaeologies, the project works at the intersections of local communities and state infrastructure while navigating landscapes of fraught histories and presents to forge an archaeology for the twenty-first century.

This paper examines Master Lucas, a bell founder based in Venice who was active between the thirteenth and the fourteenth centuries. Through the examination of sixteen bells, some of which are no longer extant, the career of one of the earliest known Venetian bell founders can be traced. A catalogue of the bells describes their measurements, inscriptions and decorations. The distribution of his products to locations in Montenegro and central Italy demonstrate the importance of Venice as a bell casting centre in the Middle Ages. Written documents are cited to provide further information about Lucas’s life and some of the bells that he cast. Collation of this evidence sheds important light on the practices of bell casting in Venice around ad 1300.

Charles and Singleton have explained why Cassius Dio's claim (60.21.2) that elephants were among the equipment prepared for use in Britain during the Claudian invasion of a.d. 43 is probably untrue, if one assumes that by ‘elephant’ he means the animal of that name. It is argued here that the best explanation of this apparent error is that Dio preserves a reference to a type of military machine, probably a siege-tower, rather than to the animal of this name.