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Xiangranggounan is an intensively occupied settlement associated with the Kayue culture on the north-eastern Qinghai-Tibet Plateau. Excavations in 2022 and 2023 revealed five house types with clear stratigraphic relationships that help to expand current understanding of the evolution of prehistoric settlement patterns in harsh plateau environments.
Abordamos aquí la problemática de la identificación de los referentes de los motivos rupestres de la localidad arqueológica de El Carrizal. Hasta el momento, la gran mayoría de las imágenes de cuadrúpedos ha sido reconocida como una representación de camélido, al tiempo que frecuentemente dichos atributos coexisten con otros propios de otras especies. Calculamos las proporciones anatómicas de las imágenes de cuadrúpedos plasmadas en los distintos paneles de los sitios, con el fin de compararlos con casos de referencia de otros ámbitos del Noroeste Argentino. Analizamos los rangos de variación de dichas proporciones en los sitios de referencia y los de El Carrizal, donde destacan, en primer lugar, una alta frecuencia de representación de terminaciones perpendiculares en las extremidades, asimilables a vasaduras; y, en segundo lugar, una longitud de cola mayor a aquellas propias del camélido, según se registra en las variedades vivientes actuales. Al comparar estas imágenes con las de cuadrúpedos del arte alfarero santamariano, interpretamos la presencia de este último rasgo (en figuras con el resto de los atributos asimilables a los de los camélidos), como expresión de un ser híbrido o quimérico, para el cual proponemos el nombre de “zoomorfo de naturaleza múltiple”.
En este trabajo presentamos el hallazgo, la identificación y el análisis de dos colecciones de artefactos etnográficos fueguinos recolectados por Martin Gusinde durante sus trabajos de campo con los pueblos originarios Selk'nam, Yagan y Kawésqar en Tierra del Fuego entre 1918 y 1924, y luego transportados a dos museos europeos. Se trata de 391 artefactos etnográficos fueguinos resguardados en el Missionshaus Sankt Gabriel y el Weltmuseum, ubicados en Viena (Austria). Identificamos los artefactos según la sociedad fueguina que los produjo: 118 selk'nam, 125 yagan y 83 kawésqar; y los analizamos de acuerdo a la clase de artefacto, morfología y materia prima. Caracterizamos así cada colección y la estudiamos de forma comparativa, evaluando su proveniencia e infiriendo que su “representatividad etnográfica” puede ser asignada a Gusinde. Sin embargo, las colecciones son internamente heterogéneas, y muestran recurrencias inter-colección que remiten a las distintas agencias de los pueblos originarios fueguinos, mostrando cómo la ontología de la colección subsume no sólo la agencia del coleccionista, sino también la agencia de los productores/usuarios originarios de los artefactos.
The examination of funerary landscapes in ancient Egypt has traditionally encountered challenges in establishing comprehensive perspectives that could facilitate the formulation of theories explaining the paradigms governing the creation and evolution of these spaces. Indeed, in recent decades, with the advent of new methodological and epistemological approaches, certain foundational principles explaining the placement of necropolises, the organization of tombs and the symbolism inherent to these environments have been called into question. This article seeks to introduce a fresh perspective on the Egyptian funerary landscape and its role in shaping cosmogonic narratives, establishing sacred spaces and contributing to the cultural transmission of these elements. Employing a methodological framework rooted in emerging fields of study like cognitive archaeology, fractal geometry and a reexamination of Egyptian protoculture, we aim to provide a novel understanding of this landscape. Given the evidence we have presented, it has become necessary to articulate a new concept that crystallizes these innovative viewpoints and offers a fresh interpretive framework for the study of landscape archaeology, not only within Egyptology but also in the broader realm of archaeology as a whole.
Grand solar minima are periods spanning from decades to more than a century during which solar activity is unusually low. A cluster of such minima occurred during the last millennium, as evidenced by reductions in the numbers of sunspots observed and coeval increases in cosmogenic isotope production. Prior to the period of instrumental records, natural archives of such isotopes are the only resources available for detecting grand solar minima. Here, we examine the period 433–315 BCE, which saw a sustained increase in the production of the cosmogenic isotope, radiocarbon. Our new time series of radiocarbon data (Δ14C), obtained on cellulose extracted from known-age oak tree rings from Germany, reveal that the rise in production that occurred at this time was commensurate with patterns observed over recent grand solar minima. Our data also enhance, and to a degree challenge, the accuracy of the international atmospheric radiocarbon record over this period.
Behavioural studies suggest that awareness of one's mortality, known as mortality salience, enhances the inclination to respond positively to prevailing societal values, fostering an adherence to social practices, for example, the treatment of the dead. Nevertheless, when acceptance of these societal values wanes, there is an increased motivation for their modification. This results in a series of subtle changes that eventually reshape the entire set of practices that define a community's social identity. This paper delves into the impact of mortality salience on the emergence, maintenance, and evolution of mortuary practices in south and west Messenia during the Middle Helladic and Late Helladic periods (c. 2050/2000 bce to 1200/1190 bce). This analysis explores how individuals addressed their mortality salience by adjusting their proximal (e.g. practices) and distal (e.g. ideology) defences. Moreover, it incorporates the notion of the ‘taming of the terror’, suggesting that individuals may adopt new practices as a strategy to manage or alleviate the fear associated with mortality. The analysis explores the introduction of new practices, providing valuable insights into how people navigate and comprehend the existential challenges brought about by the recognition of their mortality.
Written accounts suggest there were major changes in agricultural practices in Anatolia as the region switched between Roman, Byzantine, Arab and Turkic control, yet archaeological evidence of these changes is offered only on a site-by-site basis. This article presents the first synthesis of archaeobotanical, palynological and zooarchaeological evidence for changes in plant and animal husbandry in Anatolia through the first and second millennia AD. Available data indicate a minimal role of climate change in agricultural shifts but offer evidence for substantial changes towards short-term-return agricultural strategies in response to declining personal security, changing patterns of military provisioning and distinct taxation regimes.
This article articulates a regional, diachronic approach to precontact central Andean tombs by interpreting differences in materiality and function as evidence for distinct religious traditions. I analyze a sample of 788 tombs from 30 sites in the Sacred Valley and adjacent tributary valleys (Cusco, Peru), built and used during the Late Intermediate and Inka periods (ca. AD 1000–1532). Combining primary and published datasets, this sample includes a wide variety of tombs that variably facilitated or impeded certain interactions and relationships between the living, the dead, and the environment. To understand this diversity, I develop a typology comprising six tomb types based on morphological traits, which exhibit overlapping distribution patterns at local and regional scales. In contrast to studies that emphasized commonality and timelessness in central Andean mortuary practices, these data attest to considerable diversity in belief and value systems during half a millennium. As such, this study challenges existing models and presents new interpretations of late precontact tombs, considering that central Andeans across time and space held divergent beliefs about life and death. Recognizing diversity in past and present Indigenous societies is required for an empirical and decolonial archaeology that rejects stereotypes of cultural homogeneity.
The earliest pottery vessels in the Arabian Gulf, appearing in the mid-sixth millennium BC, belong to two distinct traditions: Ubaid Ware was imported from Mesopotamia, but the origins of the Coarse Red Ware have remained obscure. Geochemical examination of pottery from Bahra 1, in modern-day Kuwait, and geological samples from the surrounding area reveal a regional origin for the clay. Further exploration of the Bahra 1 assemblage indicates that Coarse Red Ware was probably made at the site by low-skilled potters. This research provides insights into the organisation of pottery production and distribution in the Arabian Neolithic.
In 2017, the authors supervised the recovery of a pre-Hispanic stone sculpture near the community of La Victoria, in the Sierra de los Tuxtlas, southern Veracruz, Mexico. The fortuitous discovery of this monument afforded a rare research opportunity to conduct a controlled, systematic archaeological investigation of a known, but poorly documented, Early Classic–period (a.d. 300–450) sculptural tradition. Moreover, this archaeological salvage project facilitated a crucial dialogue with local stakeholders regarding the recovery and final disposition of the monument. This collaborative effort enabled researchers to wed governmental oversight and academic interests with the concerns of local stakeholders, thereby furthering the investigation, conservation, and public appreciation of Classic-period archaeology along Mexico's southern Gulf Lowlands.
Provenance has been one of the major scientific applications in archaeology for a hundred years. The 'Golden Age' began in the 1950s, when large programmes were initiated focussing on bronzes, ceramics, and lithics. However, these had varying impact, ranging from wide acceptance to outright rejection. This Element reviews some of these programmes, mainly in Eurasia and North America, focussing on how the complexity of the material, and the effects of human behaviour, can impact on such studies. The conclusion is that provenance studies of lithic materials and obsidian are likely to be reliable, but those on ceramics and metals are increasingly complicated, especially in the light of mixing and recycling. An alternative is suggested, which focusses more on using scientific studies to understand the relationship between human selectivity and processing and the wider resources available, rather than on the simple question of 'where does this object come from'.
Infrared spectroscopy is the study of the interaction between infrared radiation and matter. Its application to the characterization of archaeological sedimentary contexts has produced invaluable insights into the archaeological record and past human activities. This Element aims at providing a practical guide to infrared spectroscopy of archaeological sediments and their contents taken as a dynamic system, in which the different components observed today are the result of multiple formation processes that took place over long timescales. After laying out the history and fundamentals of the discipline, the author proposes a step-by-step methodological framework, both in the field and the laboratory, and guides the reader in the interpretation of infrared spectra of the main components of archaeological sediments with the aid of selected case studies. This title is also available as Open Access on Cambridge Core.
The seventh chapter explores the developing aesthetic value now attached to Rome’s ruins, tracing for instance the way in which they move up scale from illustrations in books or in the background staffage of Renaissance painting to become the foregrounded subject matter in the paintings of the Baroque era and especially the eighteenth century. Engraved views, vedute and photographs provided tourists with inexpensive and portable souvenirs. The ruins have by now acquired full aesthetic validation as the principal subject matter of paintings by Claude or in the engravings of Piranesi. Thanks to the aesthetic appreciation of the ruins, images of them become common features of interior decoration.
The emergence of a ruin-aesthetic comes after Petrarch, and is initially owed to architects like Brunelleschi and to painters like Raphael. Architects wanted to build in the Roman manner, all’antica, and painters introduced Roman ruins into the background of their pictures. Such was the commitment to the study and imitation of the Roman style that the need to conserve the ruins was recognised and advocated. Hitherto it had never occurred to anyone anywhere to urge that a ruined structure should be preserved for its historical value. But a further value was now attached to the ruins of Rome, namely the aesthetic: the ruins were looked upon as attractive in themselves. The ruins also became the object of study and analysis by a new breed of scholar, the antiquarian and topographer, such as Flavio Biondo, who also wanted to ensure their preservation for future ages to admire. This is a new feature of ruin-mindedness: whatever is deemed beautiful must be preserved for later generations to study and admire and imitate. Since those later generations will include foreign visitors, tourism comes to be recognised as a sound economic reason for conserving the handsome material remains of ancient Rome.
Conservation is a fundamental feature of true ruin-mindedness, but the early attempts to preserve the ruins of Rome were unsuccessful until the tourism of the eighteenth century made it clear that there was an economic benefit to the preservation and attractive presentation of the city’s ruins. Once this was appreciated, care for the preservation of the ruins from further damage and decay became an issue. Towards the end of that century, soil and rubble were removed from the bases of a number of the more significant ruins, and steps were taken to isolate them so as to protect them from harm, an innovative measure. Rome took the lead in guarding the heritage of its built environment. But since no one had ever tried to protect a building out of doors before, novel means of preservation and even of conservation and rebuilding were devised to ensure that the ruins looked their best for visitors and for posterity. Further projects of excavation were undertaken by the French and the Kingdom of Italy in the nineteenth century, and in the twentieth century the ruins were furbished up for propaganda purposes by the Fascist regime.