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Surveys the literature on middlemen (i.e., intermediation in exchange) reviewing, extending and consolidating key developments in the field. This is important because intermediated trade is common in reality but absent in standard general equilibrium theory. The authors focus on research using search theory. In various models, agents may act as middlemen when they are good at search, bargaining, recognizing quality, storing inventories, using credit, etc. The theory applies to markets for goods, inputs or assets. The authors discuss versions with indivisible or divisible goods, fixed or endogenous participation, stationary and dynamic equilibria, and some implications for efficiency and volatility.
Disability is central to the Gothic imagination. Few accounts of Gothic literature, however, interpret this genre with attention to experiences of disability, or to the socially determined aspects of disability, such as physical environments or disabling cultures. Disability and the Gothic: The Nineteenth Century examines the place of Gothic in the fundamentals of disability theory, tracing how Gothic became emblematic of problematic accounts of disability within Disability Studies. From here, it traces the subsequent development of Gothic Disability Studies into a subfield. The main sections of this Element offer close readings that illustrate a range of modes in which Gothic bodies and minds articulate and shift their relationship to the aesthetic and affective frameworks of the nineteenth century. The book aims to show that while disability frequently represents the Other in Gothic texts, the Gothic imagination also prompts us to think of disabled people in manifold ways.
This Element investigates the challenges and possibilities of writing histories of trauma. Interpreting trauma as not only an event but also as an analytical framework and an apparatus for working on suffering, it explores how the historiography of trauma intersects with pressing matters of postcolonialism, historical subjectivity, and modernity. It is designed to illuminate the pressing theoretical matters that histories of trauma touch upon, whether explicitly or implicitly. Drawing from histories of trauma as well as foundational theoretical work in literary studies and memory studies, it argues that thinking traumatic histories requires a commitment on the part of historians to theoretical self-reflexivity, to querying not just the past or the archive for the traces of trauma, but the concept itself in its historical and historiographical modulations.
More than half a century ago Clifford Leech published a useful essay called 'On editing one's first play', intended to 'save newly commissioned editors from a sense of frustration and an expense of time' by providing 'some guiding-lines'. The intervening years have seen massive changes in attitudes towards editing and in the technical expertise required. Neither editor nor reader can any longer be assumed to be white, male and Christian, or trained in the classics and the Bible. Editing is now recognized as a crucial intersection between critical and textual theory. Yet the skills required are not usually taught in graduate schools, and many competent scholars are uncomfortable answering such questions as 'what do editors actually do when they edit an early modern play?' This Element focuses both on the practical steps of editing (e.g. choosing a base text, modernizing, emending, etc.) and the theoretical premises underlying editorial decisions.
This Element examines aviation English as a global lingua franca through the lens of communities of practice. Pilots and air traffic controllers involved in international operations belong to multiple communities, including local professional, broader local aviation, and international aviation communities. Their ongoing learning within these communities and the repertoire they develop – which influences their interactions – are explored. Against this framework, the inadequacy of the current internationally applicable language proficiency requirements is critically evaluated, alongside an analysis of four notable aircraft accidents that motivated these standards. The focus then shifts to analysing live radiotelephony discourse in abnormal situations, incorporating insights from domain specialists. Findings show that language-related aspects alone are insufficient; when combined with limited domain knowledge, it can lead to unsafe and ineffective communication. The Element highlights accommodation – both for linguistic and domain-specific – as a crucial skill in this intercultural communication context and recommends greater standardisation for handling abnormal situations.
Gothic Dementia: Troubled Minds in Gothic Timelines introduces Gothic studies as a valuable lens through which to critically consider how we think about dementia. It argues that the Gothic's foundational narrative techniques can be useful tools to approach dementia symptoms that share similar traits and behaviours, such as chronological confusion, fragmentation, cyclical storytelling, repetition, unreliable narrators, unstable identities, uncanny behaviours and Otherness. If we can navigate these challenging narrative elements in literature, can we navigate similar challenging dementia signs using interpretive strategies? Gothic Dementia considers this question in two ways: (1) through Gothic literary elements that correlate to characteristics of dementia and (2) through contentious horror film depictions of characters with dementia and their caregivers. Reading gothic works and horror films within the context of dementia studies and vice versa can contribute valuable insights into a feared disease that threatens the core of who we imagine ourselves to be.
Eighteenth- and nineteenth-century mass-print-generated, along with the railways, telegraph, information-relays national and global, and the gradual development of specialized and sometimes incommunicable forms of technological, scientific, economic, and medical knowledge, a sea of discourse belying Jurgen Habermas's vision of a cogent 'public sphere.' The author's interest is in a special problem that poetry and poetics can help us understand. In short – because, when they appear in verse, claims about reality have been characterized, or have self-characterized, as unreal, Romantic and post-Romantic poetry has repeatedly returned to, and tried to make perceptible, other ways in which, in other precincts, utterance becomes, in his word, virtualized. Sometimes, by the psychological turbulences of the citizen-as-creature, appropriating world-events to the need to self-assert; sometimes, as a result of affective matrices that put the lie to the idea that we are the authors of our own opinions.
This Element approaches large game hunting through a social and symbolic lens. In most societies, the hunting and consumption of certain iconic species carries deep symbolism and is surrounded by ritualized practices. However, the form of these rituals and symbols varies substantially. The Element explores some recurring themes associated with hunting and eating game, such as gender, prestige, and generosity, and trace how these play out in the context of egalitarian versus hierarchical societies, foragers versus farmers, and in different parts of the world. Once people start herding domestic livestock, hunting takes on a new significance as an engagement with what is now defined as the Wild. Foragers do not make this distinction, but their interactions with prey animals are also heavily symbolic. As societies become more stratified, hunting large animals may be partly or entirely reserved for the elite, and hunting practices are elaborated to display and build power.
How does archaeoastronomy assist archaeologists in comprehending the past of human societies? Archaeoastronomy is an interdisciplinary field that combines scientific principles and astronomical measurements to enhance our understanding of ancient cultures. Its interdisciplinary character appears by blending areas of the natural sciences, such as astronomy, physics, mathematics, and even geology or biology, with others of the social sciences and humanities, such as archaeology, history, prehistory, geography, or anthropology. Throughout this Element we are going to see what archaeoastronomy is about, how it works, and what topics it is applied to, for which we are going to introduce a series of concepts from astronomy, mathematics, and other disciplines.
Progress is defined as change towards the better. This definition, comprising both a descriptive and a normative element, can be applied in the organic domain to the history of living organisms. If evolutionary biologists struggle to live with organic progress, they also seem unable to live without it. Are there any theoretical arguments for using the normative terms 'good' and 'better' within evolutionary theory? How do we clarify the idea that some 'change towards the better' is conceptually implied by evolutionary theory? The author argues that there are specific kinds of value, that is, organic value, that allow us to speak meaningfully about improvements in living beings. A large part of this Element is devoted to showing how this applies to the concept of adaptation at a local scale. The final section broadens the investigation to a global scale, tentatively suggesting evolvability as a promising candidate for global progress.
Since Heidegger's reading of Aristotle covered three decades and presented itself in many courses, seminars, and essays, some still unpublished, one objective here is to provide a much needed and currently unavailable overview of this material. This Element seeks to determine what Heidegger's reading can tell us not only about Aristotle but also about Heidegger whose own thought was in many ways a 'repetition' of Aristotle. However, the ultimate aim is to identify the philosophical questions raised by 'Heidegger and Aristotle' and show how this can help us grapple with them. These questions include the distinctive way of being that defines life, the nature of time and specifically lived time, the nature of being itself and whether it is to be understood as static presence or as something more active, the nature of human action and its relation to production, and the relation between nature and technology.
This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks: from dances to fights, from parades to murders, or other human behaviour. Movement directing is an increasingly common role as it helps forge an ensemble and build 'worlds' on stage, and plays a crucial part in shaping how actors work with and in space. The Element's autoethnographic approach draws on the author's movement direction for ten productions in the UK, most with director Katie Mitchell, based on his research into and experience with Gardzienice Theatre Association, Poland, from 1989. The Element offers a perspective that is missing in accounts of Mitchell's oeuvre and much British movement scholarship by examining the influence of the Grotowskian lineage on British theatre and by discussing voice work and text delivery, something often overlooked.
Opera Remixed critically examines operatic hybridity and considers the opportunities and challenges of disrupting traditional paradigms of classical singing. Accounts of crossover forms like 'popera' and musical theatre explore alternative approaches to operatic vocality, examining how entrenched genre ideologies are challenged by creative agents, practices, and technologies at work near opera's borders. To illustrate these dynamics, the second half of the Element presents a case study of operatic arias reimagined for TikTok as one possible blueprint for how opera might embrace innovation and 'remix' itself for a contemporary audience. Opera Remixed concludes with a critique of the elitist traditions that hinder opera's capacity for renewal, arguing that the art form will only be able to embrace a truly inclusive future by relinquishing constraints of canonical purity.
This Element argues that settlers from Western Europe shaped European state formation and transformed the political and economic fate of Eastern Europe and Scandinavia between 800 and 1800. While existing work on European colonization focuses on overseas settlers, and studies of Europe's development tend to concentrate on the continent's western regions, the Element highlights a significant internal wave of settlement from Western to Eastern and Northern Europe. Beginning around 1100 and tapering off after 1400, this settler movement spurred economic development and the spread of local self-government across Eastern Europe and Scandinavia. Settlers also provided institutional templates that local rulers adapted in their efforts to build states. These rulers were increasingly compelled to bargain with politically autonomous and large cities. Over time, the emergence of new states in Eastern Europe intensified geopolitical competition across the continent.
This Element contributes to a better understanding of the burning question of why voters support politicians who subvert democracy. Instead of focusing on the usual explanations such as polarization or populism, the Element breaks new ground by focusing on the interplay between democracy and nationalism. By relying on the experiences of five countries (Serbia, Poland, Hungary, Israel, and Turkey) and using exclusive data obtained through surveys and interviews with actors involved, the Element answers three key questions: (1) How the subversion of democracy in the name of the nation unfolds, (2) Why many voters acquiesce to the subversion of democracy by nationalist elites, and (3) What matters in resisting the attacks on democracy with nationalist appeals. The answers to these questions reconcile demand-side and supply-side findings on democratic backsliding and shed new light on how to fight back more successfully.
Across history, lotteries were used in political selection to combat corruption, ideological polarization, and inequity in access to governance. Today, democracy seems to be facing similar challenges – are lotteries a potential solution? This Element responds to recent calls to incorporate lotteries in democracy, by analyzing historical cases of their use. We focus on the rationale behind and benefits of lotteries – to prevent elite capture, equalize access to power, and improve deliberation – and then the details of their implementation. Drawing on academic research, our chapters analyze the use of lottery-based selection in pre-modern Greece and medieval Florence, and present original micro-level empirical data on lottery-based selection in the construction of the 1848 Danish constitution and in parliaments in 19th century Europe. We conclude with a discussion of how these analyses inform the use of lotteries in modern day governance. This title is also available as Open Access on Cambridge Core.
Popular music and football rank among the most globally widespread and culturally significant practices in contemporary society. While neither defines the other, their intersections reveal a rich site of musical interaction. This Element investigates how and why popular music and football interact within the context of elite-level national league matches. Grounded in observations from several European case matches over the past decade, the Element examines these interactions as they unfold in stadium environments, focusing on three primary modes: intra-type music interactions, inter-type music interactions, and music–match interactions. In doing so, it engages with one of the most pervasive, multi-layered, and contested arenas for the distribution and significance of popular music in everyday life. Particular attention is given to emotionally charged, identity-infused mega-performances by musical amateurs – many of whom may be otherwise musically inactive and overlooked but embrace the stadium as a space for emotional release and collective expression.
This Element aims to provide evidence-based, research-informed applications of translanguaging pedagogies across various multilingual classroom contexts. By offering both theoretical implications and specific examples of translanguaging in action, the Element aims to help educators to implement translanguaging pedagogy that challenges monolingual norms in educational institutions. The Element also explores new theoretical notions derived from translanguaging, such as translanguaging sub-spaces, transpositioning, transknowledging, transmodalities, transculturing, transbordering, transsemiotising, and transprogramming. Additionally, it critically examines various methodological approaches for researching translanguaging in classroom settings, proposing a combination of Multimodal Conversation Analysis and Interpretative Phenomenological Analysis to capture the complexity of classroom translanguaging practices. This Element concludes by asserting that adopting a translanguaging perspective is an ethical and pedagogical imperative, providing the essential theoretical and methodological frameworks for creating equitable, inclusive, and transformative multilingual learning environments.