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This Element introduces a methodological framework that positions itself between site-specific archaeological investigations and broader regional approaches characteristic of historical and landscape archaeology. While traditional archaeological studies often focus on detailed analyses of individual sites, and regional studies aim to identify large-scale patterns and long-term processes, the proposed method bridges these scales through the calculation of the minimum mobility space linked to settlements or production centers. This concept enables the delineation of the effective area of influence or resource exploitation surrounding a site, thereby offering a more nuanced perspective on how past communities organized and interacted with their immediate landscapes. The approach incorporates diverse environmental and historical variables, including geology, soil types, and topographical constraints, to reconstruct the spatial logic behind site location and land use. It employs a suite of analytical techniques such as cost-surface analysis, statistical modeling, and historical-geographical integration.
More than half a century ago Clifford Leech published a useful essay called 'On editing one's first play', intended to 'save newly commissioned editors from a sense of frustration and an expense of time' by providing 'some guiding-lines'. The intervening years have seen massive changes in attitudes towards editing and in the technical expertise required. Neither editor nor reader can any longer be assumed to be white, male and Christian, or trained in the classics and the Bible. Editing is now recognized as a crucial intersection between critical and textual theory. Yet the skills required are not usually taught in graduate schools, and many competent scholars are uncomfortable answering such questions as 'what do editors actually do when they edit an early modern play?' This Element focuses both on the practical steps of editing (e.g. choosing a base text, modernizing, emending, etc.) and the theoretical premises underlying editorial decisions.
This Element describes the most common educational processes of religious communities in the late antique period. Through a combination of historical analysis and examples, it provides an overview of the methods used to teach the alphabet and basic rhetoric, which were central to Jewish and Christian – including Manichaean – knowledge production. It also explains how this knowledge was disseminated through liturgy. Rather than viewing the material remains of these communities in isolation, this Element examines them together, overcoming the usual scholarly focus on differences between religious communities and between religious and secular education. Instead, it highlights the dynamics created by mutual exchange and ambition. Since evidence of education is generally scarce, the synopsis demonstrates that, for example, while one religious community may have a surviving textbook with exercises, another community may only have the final products of those exercises.
This Element examines the origins, development, and prospects of forensic linguistics in Indonesia, drawing on a survey of 53 participants and a systematic review of studies from 2011 to 2023. Emerging from early language-related cases in the Old Order era and initially driven by scholars trained abroad, the field has grown through research, collaboration, and academic integration. Key topics include justice sector needs, linguistic diversity, standardization, and institutional strengthening. Despite limited capacity-building, training initiatives have enhanced the field's visibility. The Element outlines challenges and opportunities for advancing forensic linguistics' role in legal reform and fair justice, making it a valuable reference for scholars and practitioners.
Solar geoengineering (SG) is a set of highly controversial emerging technologies proposed to address climate change by reflecting sunlight away from the planet to reduce temperatures. SG may reduce climate risks, however it also presents novel risks, uncertainties, and challenges, necessitating broad and inclusive public engagement. This Element presents a briefing book and methods toolkit to build capacity for public engagement on SG. Part I of the Element explains the need to build capacity to enable public engagement on solar geoengineering, and presents three methods for doing so: capacity building workshops, participatory Technology Assessment, and Deliberative Polling. Part II presents a briefing book that provides accessible, balanced, and evidence-based information on critical topics including climate science, climate policy, SG science, SG governance and policy, and SG ethics and justice. This title is also available as open access on Cambridge Core.
Surveys the literature on middlemen (i.e., intermediation in exchange) reviewing, extending and consolidating key developments in the field. This is important because intermediated trade is common in reality but absent in standard general equilibrium theory. The authors focus on research using search theory. In various models, agents may act as middlemen when they are good at search, bargaining, recognizing quality, storing inventories, using credit, etc. The theory applies to markets for goods, inputs or assets. The authors discuss versions with indivisible or divisible goods, fixed or endogenous participation, stationary and dynamic equilibria, and some implications for efficiency and volatility.
Popular music and football rank among the most globally widespread and culturally significant practices in contemporary society. While neither defines the other, their intersections reveal a rich site of musical interaction. This Element investigates how and why popular music and football interact within the context of elite-level national league matches. Grounded in observations from several European case matches over the past decade, the Element examines these interactions as they unfold in stadium environments, focusing on three primary modes: intra-type music interactions, inter-type music interactions, and music–match interactions. In doing so, it engages with one of the most pervasive, multi-layered, and contested arenas for the distribution and significance of popular music in everyday life. Particular attention is given to emotionally charged, identity-infused mega-performances by musical amateurs – many of whom may be otherwise musically inactive and overlooked but embrace the stadium as a space for emotional release and collective expression.
Disability is central to the Gothic imagination. This Element draws together disability and Gothic literature in ways that show the interplay between them. The first chapter offers a brief history of Critical Disability Studies, and the manner in which Gothic has been integral to the evolution of disability theory. It shows the increasing centrality of the Gothic to the development of Critical Disability Studies, and describes the emergence of the subfield of Gothic Disability Studies. The second chapter and third chapters offer close readings of particular texts, showing how Gothic bodies and minds articulate and shift their relationship to the aesthetic and affective frameworks of the nineteenth century. While disability sometimes represents the 'other' in Gothic literature, this positioning far fromexhausts the ways in which disability is presented in this genre.
This Element critically examines the claim that United States economic sanctions on Venezuela constituted 'collective punishment' of the Venezuelan population, contributing significantly to the country's economic collapse and humanitarian crisis. Through comprehensive analysis of economic, developmental, and welfare indicators from 2013 to 2023, it demonstrates that the bulk of Venezuela's economic devastation - including 52 percent of GDP losses and 98 percent of import declines - largely occurred before financial sanctions were imposed in August 2017. Key welfare indicators such as infant mortality, undernourishment, and life expectancy had deteriorated substantially by 2017 and subsequently stabilized or improved following sanctions implementation, contradicting narratives that attribute Venezuela's collapse primarily to external economic pressure. The Element provides a timeline of Venezuelan economic and political events around sanctions and a critical review of the literature on their economic effects. This title is also available as Open Access on Cambridge Core.
Dialogue is often conceived of as verbal interaction between different people or groups. This Element focuses on how dialogue is manifested in dance and somatic practices, through sensory relationality and responsiveness to the environment. The attention then is less on conflict of specific 'actors' but rather dialogue as a more holistic system of embodied exchange. As a study of movement as dialogue, the authors focus on Amerta Movement, a free-from style of dance developed by Javanese dance artist Suprapto Suryodarmo (Prapto), which explores dialogue with oneself, nature, other people, and communities. They examine the work of seven performing artists in Indonesia who engage with Amerta Movement in their workshops and performances. They further consider how such movement practices can cultivate competencies for inter-religious and intercultural dialogue, while contributing to debates on social cohesion and social justice. This title is also available as Open Access on Cambridge Core.
For more than half a century, dualities have been at the heart of modern physics. From quantum mechanics to statistical mechanics, condensed matter physics, quantum field theory and quantum gravity, dualities have proven useful in solving problems that are otherwise quite intractable. Being surprising and unexpected, dualities have been taken to raise philosophical questions about the nature and formulation of scientific theories, scientific realism, emergence, symmetries, explanation, understanding, and theory construction. This Element discusses what dualities are, gives a selection of examples, explores the themes and roles that make dualities interesting, and highlights their most salient types. It aims to be an entry point into discussions of dualities in both physics and philosophy. The philosophical discussion emphasises three main topics: whether duals are theoretically equivalent, the view of scientific theories that is suggested by dualities (namely, a geometric view of theories) and the compatibility between duality and emergence.
This Element investigates the challenges and possibilities of writing histories of trauma. Interpreting trauma as not only an event but also as an analytical framework and an apparatus for working on suffering, it explores how the historiography of trauma intersects with pressing matters of postcolonialism, historical subjectivity, and modernity. It is designed to illuminate the pressing theoretical matters that histories of trauma touch upon, whether explicitly or implicitly. Drawing from histories of trauma as well as foundational theoretical work in literary studies and memory studies, it argues that thinking traumatic histories requires a commitment on the part of historians to theoretical self-reflexivity, to querying not just the past or the archive for the traces of trauma, but the concept itself in its historical and historiographical modulations.
This Element contributes to a better understanding of the burning question of why voters support politicians who subvert democracy. Instead of focusing on the usual explanations such as polarization or populism, the Element breaks new ground by focusing on the interplay between democracy and nationalism. By relying on the experiences of five countries (Serbia, Poland, Hungary, Israel, and Turkey) and using exclusive data obtained through surveys and interviews with actors involved, the Element answers three key questions: (1) How the subversion of democracy in the name of the nation unfolds, (2) Why many voters acquiesce to the subversion of democracy by nationalist elites, and (3) What matters in resisting the attacks on democracy with nationalist appeals. The answers to these questions reconcile demand-side and supply-side findings on democratic backsliding and shed new light on how to fight back more successfully.
The number of international human rights institutions and countries participating in them has risen dramatically in recent decades, precipitating debates about why countries make such commitments and whether these commitments improve member's human rights behavior. These debates have centered on a small number of human rights treaties, with far less attention paid to the larger number of international organizations (IOs) that aim to promote human rights. The Element argues and then demonstrates that state decisions about joining these IOs depends on the institutional design of the organizations, specifically sovereignty costs for member states. These costs stem from the constraints that IOs impose and vary substantially. Emerging democracies are most likely to enter high sovereignty cost IOs. Furthermore, organizations that generate higher sovereignty costs tend to produce better human rights outcomes than those generating fewer sovereignty costs for all regimes. This title is also available as Open Access on Cambridge Core.
This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks: from dances to fights, from parades to murders, or other human behaviour. Movement directing is an increasingly common role as it helps forge an ensemble and build 'worlds' on stage, and plays a crucial part in shaping how actors work with and in space. The Element's autoethnographic approach draws on the author's movement direction for ten productions in the UK, most with director Katie Mitchell, based on his research into and experience with Gardzienice Theatre Association, Poland, from 1989. The Element offers a perspective that is missing in accounts of Mitchell's oeuvre and much British movement scholarship by examining the influence of the Grotowskian lineage on British theatre and by discussing voice work and text delivery, something often overlooked.
Classical mechanics provided the conceptual and methodological foundations of neoclassical economics, which has its roots in economic individualism. Since the early twentieth century, statistical mechanics has underpinned a lesser-known approach to economics and finance, one that focuses on aggregates and the interactions between individuals. This has led to the emergence of a new field of research, known as econophysics, which brings to the fore concepts such as emergent properties, power laws, networks, entropy, and multifractality, thereby reshaping economic enquiry.
Gothic Dementia: Troubled Minds in Gothic Timelines introduces Gothic studies as a valuable lens through which to critically consider how we think about dementia. It argues that the Gothic's foundational narrative techniques can be useful tools to approach dementia symptoms that share similar traits and behaviours, such as chronological confusion, fragmentation, cyclical storytelling, repetition, unreliable narrators, unstable identities, uncanny behaviours and Otherness. If we can navigate these challenging narrative elements in literature, can we navigate similar challenging dementia signs using interpretive strategies? Gothic Dementia considers this question in two ways: (1) through Gothic literary elements that correlate to characteristics of dementia and (2) through contentious horror film depictions of characters with dementia and their caregivers. Reading gothic works and horror films within the context of dementia studies and vice versa can contribute valuable insights into a feared disease that threatens the core of who we imagine ourselves to be.
This Element is about the interacting socio-ecological relationships of a contemporary Aboriginal foraging economy. In the Western Desert of Australia, Martu Aboriginal systems of subsistence, mobility, property, and transmission are manifest as distinct homelands and networks of religious estates. Estates operate as place-based descent groups, maintained in both material egalitarianism (sharing, dispossession, and immediate return) and ritual hierarchy (exclusion, possession, and delayed return). Interwoven in Martu estate-based foraging economies are the ecological relationships that shape the regeneration of their homelands. The Element explores the dynamism and transformations of Martu livelihoods and landscapes, with a special focus on the role of landscape burning, resource use practices, and property regimes in the function of desert ecosystems.