This paper examines how communities of naturalists in mid-nineteenth-century Britain were formed and solidified around the shared practices of public meetings, the publication and reading of periodicals, and the making and printing of images. By focusing on communities of naturalists and the sites of their communication, this article undermines the distinction between amateur and professional scientific practice. Building on the notion of imagined communities, this paper also shows that in some cases the editors and illustrators utilized imagery to construct a specifically British naturalist community. Following three ‘amateur’ natural-history periodicals (Science Gossip, Midland Naturalist and the Journal of the Quekett Microscopical Club) the article demonstrates how the production and reproduction of natural history in the nineteenth century was contingent on community debate – and that this debate both was highly visual and moved across printed and geographical boundaries. This paper investigates images both for their purported success and for their ascribed value to natural history. Additionally, it considers the debates over their limitations and alleged failures of printing. Altogether, the article argues that investigating the communal practices of observation, writing, drawing and engraving allows for a better understanding of the shared practices of nineteenth-century natural history.

Wolfgang Rihm's is one of the more radical – which is to say ‘deep’ and ‘rooted’ – relationships towards tonality among all post-war composers. In this article, I concentrate on the role psychosis plays in this relationship, arguing that tonality for Rihm often assumes the operations of what Jacques Lacan called a symbolic order: a network of laws and codes which sustain the world of subjects and others. In Lacanian terms, it is the subject's unsuccessful installation in the symbolic which triggers psychosis – a state organized by mimetic rivalries, the body's invasion by jouissance, and the de-hierarchization and loss of control of the drives. Tonality, for Rihm, is a poorly installed symbolic order, from which music ‘breaks’ psychotically. But it would be a mistake to pathologize Rihm's music. Rather, Rihm's is one of the more cunning, problematic, ‘neurotic’ solutions to one of modernism's oldest challenges: how to function creatively in the absence of (a) language. Both the challenge and the solution are themselves as old as aesthetic modernism; they can be understood as the two sides of modernism's ‘fundamental fantasy’, in which madness becomes a practicable sanity, and psychosis a saving symbolic order.

The traditional narrative of the development of musique concrète and elektronische Musik tells a story of esoteric, academic branches of musical modernism emerging out of Paris and Cologne in the 1950s. But this narrative clouds our understanding of the unique ways this music developed in Britain, largely filtered through the BBC, as a relatively populist, accessible iteration of Continental techniques. This article explores how British reactions to contemporary music and, in particular, musique concrète and elektronische Musik, reflected on the one hand continued suspicion towards Continental music and on the other a deep insecurity about Britain's musical position in the world. The predominantly hostile attitude towards electronic music from within establishment musical cultures betray profound concerns about trends that were seen to exert a harmful influence on British musical society.

La présente étude compare l’évolution récente du français parlé à Montréal et celle du français parlé à Welland (Ontario) où réside une minorité francophone. Le phénomène variationnel retenu est l'emploi des connecteurs (ça) fait (que), so, alors et donc. Les corpus utilisés ont été recueillis à l'aide d'entretiens enregistrés de 2011 à 2015 parmi des échantillons de locuteurs stratifiés selon l’âge, la classe sociale et le sexe. L'analyse des données révèle des différences marquées dans l’évolution de ces connecteurs dans les deux communautés. Par exemple, à Montréal on observe une forte montée de (ça) fait (que) et l'obsolescence d'alors et à Welland, une forte montée de so (forme absente à Montréal), le net déclin de (ça) fait (que) et le maintien relatif d'alors et donc. L’étude de la configuration sociale de la variation montre plusieurs points de convergence entre les deux variétés de français laurentien (ex. association de (ça) fait (que) avec les locuteurs de la CSE basse et d'alors avec ceux de la CSE haute). Toutefois, l'analyse de l'effet combiné des facteurs âge, CSE, sexe et bilinguisme sur la variation met au jour des différences importantes entre les deux parlers et l’émergence de normes endogènes divergentes.

The timing and nature of the emergence of art in human evolution has been one of the more debated subjects in palaeoanthropology in the last few years, and one of the areas where archaeology has made impressive advances. Here, we discuss the first evidence of figurative art on portable materials in the north of Spain. After analysis of the stratigraphic contexts of all examples potentially of this age, which eliminated those of uncertain provenance, only three examples can be said to be Gravettian with a degree of confidence. We examine their stratigraphic provenance, the integrity of their archaeological contexts, and the absolute dates available for them. We then discuss their thematic and stylistic traits, comparing them to the wider database of material in the adjacent regions of the French Pyrenees and Mediterranean Iberia. We conclude that figurative depictions were scarce in the Gravettian of south-western Europe, in contrast to the relatively abundant examples of cave art assigned to this period in the region. If this is correct, we should nuance our discussions of ‘Palaeolithic art’ by considering that parietal and portable art had their own trajectories and functions, at least in the Early to mid-Upper Palaeolithic.

An unpublished satirical work, written c.1848–1854, provides fresh insight into the most famous scientific voyage of the nineteenth century. John Clunies Ross, settler of Cocos-Keeling – which HMS Beagle visited in April 1836 – felt that Robert FitzRoy and Charles Darwin had ‘depreciated’ the atoll on which he and his family had settled a decade earlier. Producing a mock ‘supplement’ to a new edition of FitzRoy's Narrative, Ross criticized their science and their casual appropriation of local knowledge. Ross's virtually unknown work is intriguing not only for its glimpse of the Beagle voyage, but also as a self-portrait of an imperial scientific reader. An experienced merchant seaman and trader–entrepreneur with decades of experience in the region, Ross had a very different perspective from that of FitzRoy or Darwin. Yet he shared many of their assumptions about the importance of natural knowledge, embracing it as part of his own imperial projects. Showing the global reach of print culture, he used editing and revision as satirical weapons, insisting on his right to participate as both reader and author in scientific debate.

Forging and using personal networks were and still are common in the Chinese government. Scholars often connect officials’ networking to corruption and factionalism. This article, however, offers a different perspective, through an examination of how Southern Song local officials used personal connections to facilitate their official businesses. I argue that local officials operated networks as an informal means of dealing with governmental affairs outside the normative administrative system. This informal means enabled more efficient political communication that bypassed regular procedures. It also provided local officials with more effective negotiations, especially when defending the interest of their jurisdictions against other agents of the state. Furthermore, the article demonstrates that using connections for governmental affairs, in turn, consolidated and expanded officials’ networks. Altogether, the article depicts a political world in which the interest of “the public” intertwined with that of the “the private,” and the official and non-official means of governing were fused.

This article investigates whether beauty in nature can provide a global language to inform environmental governance, such as by providing shared values and collaborative approaches across and within different cultures. Because art mediates how many people experience environmental aesthetics, such as through photography and music, this enquiry extends to the arts. As is the case for other aesthetic values, beauty is ultimately about relationships and ways of knowing our environment, and the law can best engage with such values through interpretive guidance and processes for participatory decision making. Prescriptive codification of beauty ‘standards’ is generally not a realistic goal for lawmakers. The article enriches our understanding of how aesthetics can contribute to human beings’ emotional empathy and ethical commitment to environmental stewardship, and identifies some conceptual and methodological difficulties that militate against beauty being a lingua franca for environmental law.

The lakeshores of western Switzerland are one of Europe's best-known Neolithic settlement areas, thanks to dendrochronological dating and the exceptional preservation of organic materials. Against this outstanding background, this study uses zooarchaeological data to answer a series of questions regarding the Neolithic economy, environment and human-environment interactions at these lakeshore sites. It also discusses, within an interdisciplinary framework, the possible impact climatic fluctuations, cultural influence, topographical conditions, and demographic growth had on economic change. The results show that the faunal economy was mainly based on animal husbandry, with fluctuations in the cattle-pig ratio. Hunting also played an important role in the food system and focused mainly on large game, especially red deer, which contributed significantly to the meat supply. The results from comparing these animal bone remains also show that multiple factors, such as topography, climatic conditions, and cultural influence, played a part in the socio-economic organisation of the Neolithic communities. Exploratory procedures such as correspondence analysis support these interpretations.

Passivization played a central role in shaping both linguistic theory and psycholinguistic approaches to sentence processing, language acquisition and impairment. We present the results of two experiments that simultaneously test online processing (self-paced reading) and offline comprehension (through comprehension questions) of passives in German while also manipulating the event structure of the predicates used. In contrast to English, German passives are unambiguously verbal, allowing for the study of passivization independent of a confound in the degree of interpretive ambiguity (verbal/adjectival). In English, this ambiguity interacts with event structure, with passives of stative predicates naturally receiving an adjectival interpretation. In a recent study, Paolazzi et al. (2015, 2016) showed that in contrast to the mainstream theoretical perspective, passive sentences are not inherently harder to process than actives. Complexity of passivization in English is tied to the aspectual class of the verbal predicate passivized: with eventive predicates, passives are read faster (as hinted at in previous literature) and generate no comprehension difficulties (in contrast to previous findings with mixed predicates). Complexity effects with passivization, in turn, are only found with stative predicates. The asymmetry is claimed to stem from the temporary adjectival/verbal ambiguity of stative passives in English. We predict that the observed difficulty with English stative passives disappears in German, given that in this language the passive construction under investigation is unambiguously verbal. The results support this prediction: both offline and online there was no difficulty with passivization, under either eventive or stative predicates. In fact, passives and their rich morphology eased parsing across both types of predicates.

This article uses the pronunciation of stressed Intonational Phrase-final /ε/ and /e/ in two communities in Normandy, France, to illustrate the convergence of two sociolinguistic processes on the same phonological result: increasing application of the Loi de Position. In both communities (one rural and further from Paris, one urban and closer to Paris), there is now no consistent community-wide phonetic distinction between the two phonemes in that environment. It is suggested that the Loi de Position is already widely applied in the rural site, but speakers are still conscious of the formal norm whereby it is not applied; for the urban site, apparent-time changes for this variable reflect changes in Parisian speech. The theoretical implications of the study concerning speakers’ organisation of their vowel-space, and concerning the increasing application of the Loi de Position in the French of France, are examined. These conclusions are reached by per-speaker analysis of F1 and F2 separately from each other (rare in French linguistics). As a measure of community cohesion, the article introduces to linguistics the coefficient of variation (more common in biology and medicine).

This article examines the neglected sensory experience of visual physical colour in the city/town centre or what is now referred to as the Central Business District. It focuses on the post-war period when reconstruction, town planning, new architecture, novel materials and technologies, and investment were all transforming British city centres. The research uses film, photographs, planning documents, oral history and social media reminiscences to research the users’ experience of colour in the city centre streets. It argues that, although new materials in construction opened up the possibilities of bright, ‘non-natural’ colours in the urban built environment, the visual experience of colour was found mainly in the ephemera of everyday life. Furthermore, it argues that colour was an important component in constructing people's sense of place and belonging in the city.