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Callous-unemotional (CU) traits, characterized by lack of empathy, guilt, and deficient affect, are linked to facial emotion recognition (FER) deficits in children. While anxiety is also associated with FER anomalies, these relationships are often examined in isolation despite co-occurrence. This study aims to concurrently investigate unique contributions of CU traits and anxiety on children’s FER patterns. We recruited 107 children aged 6 to 11 from community settings, assessing CU traits through caregiver reports and anxiety via caregiver and child reports. FER performance was evaluated using a computer-based task. Results indicate that CU traits negatively impact overall FER accuracy, particularly when controlling for parent-reported anxiety. CU traits were inversely related to total FER accuracy for children self-reporting high anxiety levels. These findings enhance our understanding of how CU traits and anxiety interact to influence FER deficits, suggesting that interventions targeting CU traits should consider anxiety symptoms as a critical factor in emotional processing challenges among children.
Pierre-Louis Gatier, almost twenty years ago in 1996, presented to the academic community an attempt to sketch the state of play of studies concerning the relationships between the ‘caravan city’ par excellence, Palmyra, and its closest western neighbour, the city of Emesa. That contribution constituted the first attempt at reconsidering and putting into discussion hypotheses and opinions, which, despite being formulated in the fifties, mainly by Henri Seyrig, were still prevalent in modern research. Gatier’s contribution affirmed Emesa’s right to an autonomous identity and an independent historical evolution despite the enormous disparity in the information available between the two cities. This chapter tries to show, through putting into discussion the epigraphic sources used to prove a direct link between the two cities and presenting some brand new ones, that if, on the one hand, Gatier’s Emesa could exist ‘sans Palmyre’, there is no convincing reason, on the other, to think that the Palmyrene trade network needed Emesa and that the goods from the East had to pass through Palmyra’s western neighbour to reach the Mediterranean coast.
Edited by
Martin Nedbal, University of Kansas,Kelly St. Pierre, Wichita State University and Institute for Theoretical Studies, Prague,,Hana Vlhová-Wörner, University of Basel and Masaryk Institute, Prague
In 1708 and 1710, after Saxon Elector Friedrich August I (August II, as King of Poland) converted to Catholicism, public Catholic churches were established in Dresden and Leipzig. Their organisation was set out in an undated, incomplete draft document by the king’s confessor, Fr. Maurizio Vota SJ, who advised that the principal establishment at the Dresden court would comprise six chaplains from the same order, and six choristers, or clercs. The final set of royal decrees, however, increased the music establishment to include an organist and four instrumentalists, and both churches came to be served by musicians and Jesuits from the province of Bohemia. This chapter reports on the migration of a succession of young Bohemians who musically served both royal Catholic churches. While many returned home when their voices broke, others remained to become important contributors to the musical life of Dresden during the Polish-Saxon Union era.
Edited by
Martin Nedbal, University of Kansas,Kelly St. Pierre, Wichita State University and Institute for Theoretical Studies, Prague,,Hana Vlhová-Wörner, University of Basel and Masaryk Institute, Prague
During the epochal 1895 Czechoslavonic Ethnographic Exhibition, the musicologist Otakar Hostinský described folksong as “one of the most significant and simultaneously most noble expressions of the people’s spiritual life.” In this chapter, the discourse is explored that gave rise to Hostinský’s statement by analyzing the relationship between Czech folk and art music– and the dialectical interdependence of those two terms– through the case studies of Bedřich Smetana’s operas Dvě vdovy (1874, rev. 1877) and Hubička (1876). These operas, and the reception of Smetana’s music more generally, were crucial components in the larger process of institutionalizing folk music as one of, if not the primary resource for musical nationalism in the toolbox of Czech composers. If we are to appreciate the fullness of Czech composers’ oeuvres in all their complexity, it behooves us to understand, and to dismantle wherever appropriate, the dominant narrative of their reliance on folksong.
This Element argues for the value of biography in studying trade Gothic – that is, Gothic novels published by unprestigious trade publishers during the Romantic period. As Section 1 argues, biography has been central to the study of canonical Gothic and, indeed, to the very formation of the Gothic canon, whereas the biographical obscurity of trade novelists has reinforced the marginalization of their works. The following sections draw on the case of Isabella Kelly (c. 1759–1857) to show how biographical knowledge can provide insight into seemingly formulaic Gothic novels. Section 2 uses new archival findings to offer an updated biography of Kelly, while Section 3 traces covert pieces of life writing embedded in her fiction. Section 4 focuses on Kelly's acquaintance with Matthew Lewis, drawing on her fiction to offer a speculative reassessment of their relationship and to question assumptions about the flow of influence in the Gothic literary marketplace.
Mi país imaginario / My Imaginary Country. Dir. Patricio Guzmán. Prod. Arte France Cinema (Francia) / Atacama Producciones / Market Chile. Chile, 2022. 83 mins. Disponible en Prime Video.
El que baila pasa / He Who Dances Passes. Dir. Carlos Araya Díaz. Prod. María Paz González, Carlos Araya Díaz. Chile, 2023. 70 mins. Disponible en Miradoc.
Oasis. Colectivo MAFI. Prod. Alba Gaviraghi y Diego Pino Anguita. Chile, 2024. 70 mins. Disponible vía Miradoc.cl.
The Proetida likely represent the only surviving trilobite clade past the Devonian mass extinction event(s). Although members of order Proetida have long been studied, the global phylogenetic relationships across this pivotal time are still unresolved. I used a Bayesian phylogenetic approach to construct a subordinal level tree for members within the superfamily Proetoidea. Two models, a relaxed and strict clock model, were compared and used to assess past reconstructions of clades within the order. The trees from both models highlight key relationships among proetides across the Devonian and show paraphyly in groups that have been considered monophyletic in the past. Trees from both models also suggest that major groups, e.g., the genus Gerastos Goldfuss, 1843 and the family Phillispidae (which represents the most diverse post-Devonian proetide group under current taxonomic schemes) are polyphyletic. This in turn suggests, in a paleobiological context, a more complex pattern of survivorship over the Late Devonian than previously suggested as well as pervasive parallelisms toward certain ‘Gerastos’ or ‘phillipsid’ morphotypes.
Figure 1 shows an arbitrary triangle Z1Z2Z3, the base triangle, with similar isosceles triangles Z1Z2V1, Z2Z3V2 and Z3Z1V3 drawn outwards on the respective sides Z1Z2, Z2Z3 and Z3Z1, all with base angles (the angles at Z1, Z2 and Z3) equal to α. We call ΔV1V2V3 the outer α-triangle of ΔZ1Z2Z3. Note that, if ΔZ1Z2Z3 is positively oriented (that is, if the labels go around the triangle in anticlockwise order), then so is ΔV1V2V3, but the triangles Z1Z2V1, Z2Z3V2 and Z3Z1V3 are negatively oriented (that is, the labels go around the triangle in clockwise order).
In this Article the author hopes to present an unusual view of the Riemann zeta landscape when Re (s) > 0, to show how the prime numbers are discoverable by the altered configuration, and to show a correlation amongst the primes, the regular polygons and a set of complex numbers with real part${1 \over 2}$.
Well-known shuffles, such as the riffle shuffle and the standard over- hand shuffle [1], are meant to randomise the order of the cards, making it difficult to predict the appearance of specific cards in games like poker or blackjack. However, shuffles have a different purpose in self-working card tricks: they reorder the cards so that the position of the target card (the card revealed at the end of the trick) is known to the magician, but not to the observer. This Article generalises three self-working card tricks that are based on the milk and Monge shuffles and have appeared on social media.
A long-standing conceptual debate regarding the identification and independence of first Mack and cross-flow instabilities is clarified over a Mach 5.9 sharp wing at zero angle of attack and varying sweep angles. Their receptivity of the boundary layers to three-dimensional slow acoustic and vorticity waves is investigated using linear stability theory, direct numerical simulation and momentum potential theory (MPT). Linear stability theory demonstrates that the targeted slow mode appears as the oblique first mode at small sweep angles ($0^\circ$ and $15^\circ$) and transitions to the cross-flow mode at larger sweep angles ($30^\circ$ and $45^\circ$). Direct numerical simulation indicates that both the oblique first mode and cross-flow mode share identical receptivity pathways: for slow acoustic waves, the pathway comprises ‘leading-edge damping–enhanced exponential growth–linear growth’ stages. For vorticity waves, it consists of ‘leading-edge damping–non-modal growth–linear growth’ stages. Momentum potential theory decomposes the fluctuation momentum density into vortical, acoustic and thermal components, revealing unified receptivity mechanisms: for slow acoustic waves, the leading-edge damping is caused by strong acoustic components generated through synchronization. The enhanced exponential growth stage is dominated by steadily growing vortical components, with acoustic and thermal components remaining at small amplitudes. For vorticity waves, leading-edge disturbances primarily consist of vortical components, indicating a distinct mechanism from slow acoustic waves. Non-modal stages originate from adjustments among MPT components. Vortical components dominate the linear growth stage for both instabilities. These uniform behaviours between first Mack and cross-flow modes highlight their consistency.
Workspace analysis is a crucial step in designing any robotic system and ensuring its safe operation. This article analyzes the workspace of a six degree-of-freedom (6-DOF) hybrid robot, which includes two separate modules with parallel architectures placed above each other. The upper module is a 4-DOF Delta-type parallel mechanism, and the lower module is a 2-DOF rotary mechanism with a circular rail. With this design, the hybrid robot represents a relative manipulation system, and workspace analysis is performed in the relative motion of the modules. This approach differs from other similar studies that combine the workspaces determined for each module independently, and we propose a method and derive results more suitable for practical use. To solve the workspace analysis problem, the paper develops a discretization-based approach, which considers all mechanical constraints. These constraints include joint constraints of each module and link interference between the modules. To analyze this interference, we apply the Gilbert–Johnson–Keerthi algorithm and represent the links as convex polytopes. Multiple numerical examples illustrate the developed techniques and show the translation and orientation workspaces of the robot for various relative configurations of its modules. Computer-aided-design simulations validate the proposed theoretical algorithms. The results demonstrate that the link interference between the modules, often ignored in other works, limits the workspace and should be considered for the proper workspace evaluation and design of similar hybrid robots.