This paper examines the materialization of trauma as both a narrative and embodied phenomenon in Hassan Bani Ameri's 2006 novel, Gonjeshkha Behesht ra Mifahmand, using contemporary narrative and trauma theory. The postmodernist narrative, told from the perspective of a photojournalist, reconstructs events surrounding the death of a celebrated Iran-Iraq War commander. I argue that traumatic truths resist full integration into conventional frameworks of understanding, evident in the novel's non-linear, fragmented narrative and its shift from visual realism to confessional surrealism in an ending that challenges traditional storytelling and historical documentation. By vividly simulating the sensory processing of traumatic memories, the novel emphasizes the material reality of trauma that demands to be seen, heard, and physically felt, thus negating celebratory institutional narratives around the culture of war and martyrdom.

The Early Mississippian site of Willie's Hole in south-eastern Scotland hosts some of the earliest terrestrial tetrapods. This study reports on the palaeoenvironment, micropalaeontology and palaeoecology of this important locality. The 8 m thick section comprises saline–hypersaline lake facies (dolostones, evaporites), fluvial facies (conglomerate lags, rippled, planar-laminated, and cross-bedded sandstones and siltstones) and overbank facies (laminated grey siltstones, sandy siltstones, very fine sandstones and palaeosols). Numerous exposure surfaces characterised by rooting, desiccation or brecciation indicate the repeated wetting and drying of the floodplain. Vertebrate, invertebrate and plant fossils are concentrated in the overbank facies association, particularly in sandy siltstones. Macro- and microfossils present are tetrapods, rhizodonts, actinopterygians, gyracanthids, dipnoans, chondrichthyans (Ageleodus), bivalve molluscs, eumalacostracans, myriapods (diplopods), eurypterids, scorpions, branchiopods, ostracods, Spirorbis, Serpula, Calcitarcha, Monocraterion trace fossils, plant stems, arborescent lycopsids (Stigmaria, Lepidodendron) and megaspores of the creeping lycopsid Oxroadia conferta. Various palaeoenvironments coexisted on a tropical, coastal, low-lying floodplain: evaporitic saline lakes, small meandering river channels, brackish salinity temporary lakes, wet marshes and sub-aerial dry land with scrubby vegetation and trees. Tetrapods inhabited waterlogged floodplain marshes and were transported post-mortem by meteoric flooding events into brackish lakes and pools. The abundance of tetrapod and other fossils is attributed to taphonomic concentration and preferential preservation during rapid burial. The Willie's Hole succession gives a window into the rich ecology and habitats on coastal floodplains after life recovered from the end-Devonian extinction and tetrapods walked on land.

This introductory article defines somatic music/ology as music that emphasises and reflects on its embodied nature and an associated theoretical discourse that addresses this aspect. It further traces the genealogy of this concept to the convergence of different intellectual and artistic currents from the mid twentieth century, including the phenomenology of Edmund Husserl and Maurice Merleau-Ponty, ecological psychology associated with James J. Gibson, performance- and body-oriented musicology represented by Roland Barthes and Carolyn Abbate and later developments such as 4E cognition as well as the experimental music theatre emerging from the 1960s. Finally, it introduces the various contributions to the issue.

In the books reviewed there is a cumulative resistance to the normative discourse, shifting our attention away from the centre and to the margins. This might mean listening to marginalized women, from the poets themselves to characters in poetry, or people today who relate to those female characters’ experiences. It might mean pushing beyond spatial boundaries and encountering dislocation and disjunction in the hazy hinterland of the non-elite. It might mean moving the human to one side, so that nature and the nonhuman can come to the fore (and teach us about what it means to be human, along the way). These books give voice to suppressed groups including women, animals, and the land. They highlight axes of oppression, and give us tools to shift the balance of power: from the language we use to the way we relate to the world around us. And with stories of prophetic horses, sympathetic lions, and pensive pigs, their interpretations – as well as the classical tales they recount – are not to be missed!

According to Adam Smith, the “wretched spirit of monopoly” dogged the East Indies trade. The regulations that governed the East Indies trade established legal barriers or restrictions to entry and sustained a mercantile community whose interests were “the opposite to that of the great body of the people” (WN IV, ch. iii, p. 494). The East Indies charter conferred a special privilege that shielded the English East India Company from all domestic competition in Asian trade. The East India Company was the complete incarnation of a mercantile system against which Smith had determined to launch “a very violent attack” in Wealth of Nations (Smith 1987, p. 251). Smith’s mistrust of trading bodies like the East India Company was compounded by its having assumed political powers commensurate with the sovereign while still in possession of its monopolistic franchise. Smith’s proposal was, first, to abolish the monopolistic franchise to rid society of “the unfortunate effects of all the regulations of the mercantile system” (WN IV, ch. vii, p. 606), and, second, to reform the East India Company’s administrative duties and functions in the Indian territories. The contention of this paper is that Smith’s call to abolish the East Indies monopoly was inseparable from his appeal for reform of the English East India Company.

Inspired by K. Fujita's algebro-geometric result that complex projective space has maximal degree among all K-semistable complex Fano varieties, we conjecture that the height of a K-semistable metrized arithmetic Fano variety $\mathcal {X}$ of relative dimension $n$ is maximal when $\mathcal {X}$ is the projective space over the integers, endowed with the Fubini–Study metric. Our main result establishes the conjecture for the canonical integral model of a toric Fano variety when $n\leq 6$ (the extension to higher dimensions is conditioned on a conjectural ‘gap hypothesis’ for the degree). Translated into toric Kähler geometry, this result yields a sharp lower bound on a toric invariant introduced by Donaldson, defined as the minimum of the toric Mabuchi functional. Furthermore, we reformulate our conjecture as an optimal lower bound on Odaka's modular height. In any dimension $n$ it is shown how to control the height of the canonical toric model $\mathcal {X},$ with respect to the Kähler–Einstein metric, by the degree of $\mathcal {X}$. In a sequel to this paper our height conjecture is established for any projective diagonal Fano hypersurface, by exploiting a more general logarithmic setup.

Sonic Bothy is an inclusive experimental and new-music organisation with an ensemble of musicians with and without disabilities and neurodiversities. This article considers their audiovisual piece Verbaaaaatim (2020–21), its form marked by the context of its development and composition during the COVID-19 pandemic, using a set of interlayered perspectives that mirror the formal layers of the piece. Recorded in a single take, it comprises instrumental sounds, spoken words, written words, static and dynamic graphics and videos of the performers, aligned so that the piece seems consistently to flow onwards, although it is not always clear which element impels its forward motion. The article considers, in particular, Verbaaaaatim's presentation of modes of embodied conviviality between its performers, the ways these find resonance in wider histories of experimental music and the ways in which its elements can be understood in an ecological framework as ‘sound actions’.

In the early twentieth century, Korean Catholic and Protestant Churches found themselves in a period of significant power transition, from a neo-Confucian dynasty to a colonial regime. Imperial Japan and Christianity thus posed a mutual challenge: church leaders worked to sustain and increase their Evangelical mission field within Korea's new socio-political environment, while, simultaneously, the Japanese depended on the cooperation of the Korean Christian communities to fulfil their colonial project. In this dynamic of State-Church relations, Catholics and Protestants constantly vied for ascendancy. This article examines how the two Christian denominations engaged with each other and with Korea's coloniser, as imperial Japan's policies varied and its international status fluctuated.

This research delves into the works of contemporary Kurdish novelist Sayyed Qadir Hedayati, specifically focusing on two of his novels: Bull Roar and Bardinah. These selected novels fall within the Bildungsroman genre, a category not commonly explored in Kurdish literature. The scarcity of such novels in the language prompted the investigation into the underlying reasons for their emergence in Hedayati's works. While Bildungsroman focuses on the formation of the individual, Hedayati's novels, very much like the early German cases of the genre, delineate the social and cultural concerns of a community. Through analysis, it is revealed that Kurdish Bildungsroman can flourish within specific historical and political contexts. The driving force behind the plot of these novels lies in the quest for identity in a controversial historical and political context. Hedayati utilizes the Bildungsroman genre to amplify the voices of a community that has grappled with marginalization. By doing so, he invites readers to immerse themselves in the intricate fabric of Kurdish life and development.

I argue that the term ‘naturalism’ is so empty of meaning that it is not suitable for serious theorizing in philosophy. In particular, I argue that the question of whether or not some theory or thesis should count as naturalistic is an empty verbal dispute with no further theoretical significance. I also discuss naturalism construed as a methodological thesis and argue that any plausible version will collapse into triviality. Lastly, I briefly discuss the idea that naturalism is not a thesis at all but rather a ‘stance’ and suggest that this too succumbs to the charge of emptiness. I conclude that we should stop talking about naturalism altogether.