The protein composition in goat milk undergoes changes throughout the different lactation periods, displaying distinct characteristics that are influenced by the dynamic nature of protein composition and concentration during the transition from colostrum secretion to mature milk. To evaluate the dynamics of whey proteins of Saanen goats during the colostral phase and the first month of lactation, 110 milk samples from 11 healthy mammary halves of seven Saanen goats were selected through a clinical evaluation. Whey was obtained by rennet coagulation of the mammary secretion. The biuret method determined total protein concentration, and their fractions were identified by 12% dodecyl sulfate-polyacrylamide gel electrophoresis. Maximum concentrations of all protein fractions were observed in the first 12 h of lactation, reducing throughout the study. Modification of the protein predominance was also observed. The transition from colostrum secretion to milk occurred 5 or 7 d postpartum.

All archives have silences, which may come to resonate, even if they may never speak. What is unsaid or unsayable may be understood and appreciated even if never enunciated and never heard. The photographs of the Cameroonian photographer Jacques Toussele from 1960 to 1980 were taken against a background of violence: the uprising of the Union des Populations du Cameroun (UPC), which started before Cameroonian independence and continued for the next decade. The fight against UPC ‘terrorists’ by the Cameroonian state and the French military was marked by violence on all sides. There is no evidence of this in the Toussele archive, which consists of administrative ID portraits and recreational shots depicting friends and family and various displays of intimacy. The Toussele photographic archive shows young people in Mbouda exhibiting the global tropes of modernity. Soon after independence in Ouest Cameroon, both the violence and the promises of 1960s modernity were challenges to traditional sociality. A local reading makes it clear that the violence was ever present in its absence and denial: to perform an event was no small achievement and, like the birth of a child, was to be celebrated and marked by photography. Intimacy was achieved against a background of violence and celebrated for this very reason.

What is perceived today as “living in an unknown moment” with global pandemics and ecological disasters has long become the “new normal” that structures everyday life at the margins of Europe and the Middle East, particularly in places with rising authoritarian regimes. As scholars working in and on Turkey, for instance, we have witnessed or experienced firsthand several moments of crisis over the recent years. We have seen the collapse of peace negotiations between the Turkish state and the Kurdistan Worker's Party (Partiya Karkeren Kurdistane; PKK) in 2015 and the resulting surge in state violence in Turkey's Kurdistan, the 2016 coup attempt against the Justice and Development Party (Adalet ve Kalkınma Partisi; AKP) government by the Gülen movement, and the long-standing suppression, criminalization, and incarceration of dissent affecting, among others, students, politicians, journalists, and academics. These divergent yet interlinked moments of crisis have reshaped and often complicated, if not completely stopped, our research as ethnographers of Turkey. These moments of crisis have also pushed us to develop creative strategies and analytics to continue our fieldwork and provided opportunities to hone our research questions and methodologies in more nuanced ways.

The neoliberal enterprise of NGOs has transformed the left-leaning politics of the political theatre movement in the Punjab region of Pakistan. Commencing in the 1980s, this theatre acted as a vibrant movement of the Left, challenging the brutal military dictatorship of General Zia. At a later stage, its politics changed to the neoliberal politics of NGOs, giving way to economics and the agenda of international donor organizations of the Global North. This article demonstrates the turn-around of theatre company Ajoka’s recent production Saira aur Miara (2019) and focuses on the production’s politics, together with its text, design, and performance modes in aesthetic terms. A materialist and context-specific political approach examines to what extent class struggle and leftist ideas inform this company’s ideological imaginings and how much it has moved away from its original political position. It indicates the tensions and contradictions that have been created during this change and because of it.

This research paper addresses the hypotheses that Kluyveromyces marxianus can be cultured with good alcohol production on different whey-derived matrices, and that the fermented product can be used in order to develop alcoholic beverages with acceptable sensory characteristics by mixtures with yeast-fermented fruit-based matrices. Growth and fermentative characteristics of Kluyveromyces marxianus LFIQK1 in different whey-derived matrices were explored by culturing (24 h, 30°C) on reconstituted whey, demineralized whey, heat-treated whey and milk permeate media. High lactose consumption, ethanol production and yield were observed. Reconstituted whey matrix was selected for mixing with orange or strawberry juices fermented using Saccharomyces cerevisiae to obtain alcoholic beverages (W-OR and W-ST, respectively). Consumer evaluation of beverages was performed using acceptability and Check-All-That-Apply (CATA) questions. Good acceptance was observed, significantly higher for W-ST than for W-OR. CATA questions gave information about organoleptic characteristics of beverages. Penalty analysis showed W-R and W-ST were positively associated with smooth/refreshing and fruity/natural, respectively. Liking was represented, accordingly with penalty analysis, by natural/refreshing. A novel alternative for utilization of whey and whey-related matrices by alcoholic beverages production with natural ingredients is presented.

Markets are often seen as beneficial epistemic institutions because they can transmit information via the price mechanism. But real-life markets often create various epistemic pitfalls for participants. In market societies, individuals, qua consumers, must make numerous difficult decisions for which they need to find relevant information. Depending on their positions in society—which tends to disadvantage women, non-white individuals, and working-class individuals—their opportunities for doing so can be very different. Mechanisms such as time poverty, lack of relevant skills, lack of networks, inability to pay for advice, a scarcity mindset, or lack of knowledge about how to fight back when one's rights have been violated, mean that structurally disadvantaged individuals often end up making “bad” decisions that threaten their welfare and their ability to lead an autonomous life. Moreover, some market actors target individuals in difficult situations and make profit by exploiting their vulnerabilities. I discuss these epistemic mechanisms, which are intertwined with various other forms of harm, and also mechanisms that can help address the problem by public policy: strategies for empowering individuals, and ways of regulating or replacing markets in order to prevent the exploitation of epistemically vulnerable groups.

Contemporary Arab feminist writers such as Margot Badran and Mona Eltahawy describe their personal discovery of Arab “pioneers.” This label positions “pioneers” as exceptional figures, which untethers their legacy from contemporary Arab feminists, and from one another. Drawing on the Warwick Research Collective's concept of “combined and uneven development,” this essay rethinks how we understand the first wave to account for the feminist histories in al-mashreq, and therefore reimagines the feminist wave model to account for waves of transmission, of emotion such as inspiration drawn from solidarity with other women. Through analysis of Anglophone scholarship and biographies, translated autobiographical writings of “pioneers,” and analysis of L'Egyptienne magazine, this article offers a new way of framing the work of “pioneer” feminists as part of a wide network of collaborators, and a wave of feminist activism that is locally and globally imbricated. This paper examines women's journals and salons which contribute to a period of “invisible feminism” from 1860 to the early 1920s. The endeavors of three “pioneer” figures, Huda Sha'rawi (Egypt, 1879–1947), Anbara Salam Khalidi (Lebanon, 1897–1986), and May Ziadeh (Palestine/Lebanon, 1886–1941) are then discussed through the lens of their influential friendships with other women.