On 21 April, Dominic Raab resigned as Lord Chancellor and Secretary of State for Justice, to be replaced by Alex Chalk KC. On 8 May, The Times reported that the Bill of Rights Bill was to be dropped and that the Ministry of Justice had told its reporters that the new Justice Secretary had been ‘looking carefully’ at the Bill, while another Government source had described the Bill as a ‘complete mess’.

Establishing causal relationships in observational studies is an important step in research and policy decision making. The association between an exposure and an outcome can be confounded by multiple factors, often making it hard to draw causal conclusions. The co-twin control design (CTCD) is a powerful approach that allows for the investigation of causal effects while controlling for genetic and shared environmental confounding factors. This article introduces the CTCD and offers an overview of analysis methods for binary and continuous outcome and exposure variables. Tools for data simulation are provided, along with practical guidance and accompanying scripts for implementing the CTCD in R, SPSS, and Stata. While the CTCD offers valuable insights into causal inference, it depends on several assumptions that are important when interpreting CTCD results. By presenting a broad overview of the CTCD, this article aims to equip researchers with actionable recommendations and a comprehensive understanding of the design’s strengths and limitations.

This article attempts to develop a more systematic theoretical framework for investigating the international dissemination of devotional books in early modern times. In terms of the concept of cultural translation, the devotional genre offered fertile ground for the dynamics of selection, appropriation, decontextualization, and recontextualization. In this study, a case is made around one particular bestseller: The Practice of Piety, written by the Welsh clergyman Lewis Bayly (c.1575–1631). By studying this book's various editions and translations, we are able to consider more clearly the circumstances under which a devotional book and its textual content were governed by these dynamics. We are also able to gain greater understanding and insight into some of the actors involved: how, by whom, through which channels, and for which audiences. The primary analysis focuses on the language area of the source text: the English-speaking world. It also looks at some of the areas that, first, differ from the original context in terms of the confessional communities in which Bayly's book was translated, printed, and read; and second, for which the production, distribution, and reception of Bayly's text has been sufficiently studied, namely the Dutch- and German-language areas. The result is a premise that offers a springboard for further investigation into the dynamics at play in the international circulation of devotional books—especially in terms of text, illustration, and reading behavior.

This article challenge scholars of religion in the early Soviet Union specifically, and scholars of early Soviet history more generally, to reconsider the ways in which we have conceived of religiosity and Soviet identity in the early years of the USSR. It argues that there was a significant subset of people who considered themselves to be both religious and Soviet in these years, in which what it meant to be both was still not clearly defined. The article draws on archival interrogation records and trial testimonies from the 1922 “Trial of the Fifty-Four” in which thirty-two laymen were charged with counterrevolutionary activity. We have the unique opportunity of hearing the voices of believers from various educational, social, and class backgrounds as they describe what they think it means to be religious and Soviet. The sources thus not only contribute to our understanding of early-Soviet religiosity, but also of early-Soviet identity in general.

This paper proposes an approach to the representation of mental musical space, understood here as a mental ‘hologram’ of a musical structure created while composing or listening to a piece of music. Composers claim to ‘hear’ music in their mind and ‘see’ it in their spatial imagination; normally we see music graphically represented on two-dimensional staves, but we could mentally decode it in a three- or multi-dimensional space, and I argue that Violeta Dinescu's musical vision occupies a non-Euclidean imaginary musical space rather than the Western classical-music template. Dinescu's graphical design suggests a hyperbolic space, distorting the musical parameters accordingly. Two of her works are discussed: Gehen wir zu Grúschenka, for cello with voice ad libitum, and Herzriss – Aus deinem Herzen kannst du die Liebe nicht ausreißen, an opera for solo voice(s), percussion and cello. The first views the behaviour of musical parameters as if in an imaginary hyperbolic space; the latter exemplifies intertextuality in a cultural hyperbolic space. Both are metaphors of the woman's soul.

The Enabling Act 1919 provided for a new National Church Assembly able to make Measures with the same force and effect as an Act of Parliament. The 1919 Act was without question a constitutional moment with far-reaching effects; and it was about law, not morals: legalists triumphed over moralists. However, it was just one stage in a much longer trajectory of thinking about the constitution of the Church of England. This article, which started life as a lecture to the Ecclesiastical Law Society's day conference on 2 April 2022, takes the story further back – and widens it. It presents the key elements of thinking about the constitution – accidents, continuity, change – in the works of English ecclesiastical lawyers – civilians, common lawyers and clerical jurists – from the Reformation to the Act of 1919. To what extent, if at all, in their understandings of the church constitution, were our historic ecclesiastical lawyers legalists, or moralists, or both? Was the ecclesiastical constitution itself simply a legal category, or did it, and its basics, also have a moral quality? This article explores these questions in relation to: (1) the nature, sources, and purposes of the constitution of the Church of England; (2) legislative, administrative and judicial power; and (3) the rights of the individual enforceable against the decisions of ecclesiastical government. This article is based on a paper delivered to the Ecclesiastical Law Society's 2022 day conference.