The Attica Prison Uprising has come to emblematize militant political organization inside prisons, influencing carceral rhetoric and policy throughout the contentious War on Crime. Despite its stigma as a short-lived rebellion that ended in a massacre, the Attica uprising is best understood as a site of prefigurative politics—political organization that aims to produce new social and political relations through their embodiment in the present. Political actors at Attica achieved remarkable success by experimenting with social roles beyond the purview of carceral surveillance and control.

This response to “Horizontal Threads: Towards an Entangled Spatial History of the Romanov Empire,” reflects on shifting approaches to the structure of empires and the power of entanglement as an analytical tool for making sense of the incorporationist work of empire.

This article addresses a notable gap in the scholarship on rural settlement in northeastern Noricum (today’s Lower Austria/AUT), an area often overlooked despite its extensive archaeological sources. Employing underutilized data, the study scrutinizes settlement patterns in the Danube limes hinterland from the mid-1st to the late 5th c. CE. It identifies key centers – Arelape, Favianis, Augustianis, and Cetium – as essential nodes of functional regions in a diverse landscape of “integrated Roman rural complexes.” However, there was a shift from diversity to more centralized settlement in Late Antiquity, signaling the extensive decline of rural structures. The article examines several factors contributing to this decrease within a “system of ups and downs,” including demographic changes, geopolitical crises, and climatic fluctuations. Crucially, it situates these developments within a broader systemic framework, positing a multi-causal, long-term decline. The study’s findings provide vital insights into volatile societal changes and their implications for current global crises.

The question of the genre of The Kolyma Stories continues to perplex readers: the tales resemble fiction and are at the same time intended to serve as document, evidentiary proof of the evils of Stalinism. In this article I reconsider Walter Benjamin’s “Storyteller” essay, arguing that Shalamov is, in significant ways, a Benjaminian storyteller, updated to catastrophically unfree conditions minus any nostalgic lens. Taking Shalamov’s prose not just as document and fiction, but more specifically, as document and story allows for a deeper understanding of his creative process, aesthetics, and how his prose is intended to act on the reader. Shalamov becomes a storyteller in part to break free from what he saw as the didactic tradition of the Russian novel. I compare Benjamin’s notions of storytelling to Shalamov’s concepts of “new prose,” and then scrutinize Shalamov’s contradictory stance on whether his stories contain “lessons” (advice is central to Benjamin’s framework). I touch on the fusion of document and folktale in several stories, referring to Vladimir Propp’s Morphology of the Folktale. Finally, I examine “Galina Pavlovna Zybalova” (1970–71), which, I argue, demonstrates how skazka and story function in relation to memory and advice.