Beginning in 1900, colonial railway departments in Sierra Leone, the Gold Coast, and Nigeria began turning to the Caribbean for skilled labor instead of hiring African workers. When West Indian railway workers began to arrive in West Africa, Africans were indignant, and they voiced their objections in newspapers. West Indians sometimes responded to these grievances with calls for racial unity, yet their appeals were inflected with colonial hierarchies. Such exchanges were centered on railway jobs, but they were also embedded in larger discussions about empire, race, and the legacies of the transatlantic slave trade. I argue that these exchanges reveal the significance of colonial hierarchies and diasporic tensions in the intellectual history of pan-Africanism in early twentieth-century West Africa. The article draws on newspapers and archival research from West Africa, the Caribbean, and the UK.

This paper offers a unified explanation for the procreation asymmetry and the non-identity thesis – two of the most intractable puzzles in population ethics. According to the procreation asymmetry, there are moral reasons not to create lives that are not worth living but no moral reasons to create lives that are worth living. I explain the procreation asymmetry by arguing that there are moral reasons to prevent the bad, but no moral reasons to promote the good. Various explanations for the procreation asymmetry have failed to explain the non-identity thesis: if one could create a person with a good life or a different person with a better life, one has a moral reason to create the better life. I argue that reflections on the misfortune of unfulfilled potential allow us to circumvent the non-identity problem.

This article aims to reexamine the relationship between the artist Lee Ufan and nationalist art history through his idea of “ambivalent otherness,” which he defined as both “suffering” and “power.” Traditional art history is established upon a nationalist framework that emphasizes the artists' nationality, leading to the marginalization of national others at the border. As a zainichi Korean, Lee has undergone the “suffering” of being excluded by the art world and art historiography. However, he transformed it into his source of “power” to challenge art historiography based on nationality. This study analyzes the art criticism of “Japanese Contemporary Art History” written by Minemura Toshiaki and Chiba Shigeo in the 1970s and 1980s and highlights the ruptures that the artist's in-between identity wrought on nationalist art history. This shows how both the Mono-ha movement and the artist were marginalized in the construction of “Japanese Contemporary Art History.” Furthermore, this study scrutinizes how Lee attempted to rewrite art history using Mono-ha art theory and a perspective committed to “overcoming coloniality” from the postcolonial in-between position, by reinterpreting Lee's article on Chosŏn minhwa, written amidst an aesthetic controversy across the border between Japan and Korea.

Must we always pursue economic growth? Kogelmann answers yes. Not only should poor countries pursue growth, but rich countries should as well. Kogelmann aims to provide a wealth-insensitive argument – one demonstrating all countries should pursue growth regardless of their wealth. His central argument – the no halting growth (NHG) argument – says no country experiencing growth should stop it, because doing so requires undermining the conditions causing it and those conditions are independently morally desirable, so they should not be undermined. For countries not growing, he may argue that they have an obligation to implement the conditions that cause growth because they are independently morally desirable. Call this the implementation argument. I contend that neither argument is wealth-insensitive as each fails to establish an obligation to pursue growth. I attempt to diagnose how this could be and propose that it is a product of attempting to answer three questions about growth simultaneously.

Reductions in the cost of transporting manufactured goods have been an important element in economic development in the recent past, and previous research suggests that the Roman period in Britain also saw substantial reductions in such costs. The authors investigate how far it is possible to measure changes in transport costs by considering the spatial distributions of pottery from known Roman production locations over time. Their analysis of an extensive database of pottery assemblages is designed to evaluate a series of expectations concerning how reductions in transport costs may have affected such assemblages and their distribution. Results suggest that costs were reduced by a factor of about two, leading to related changes in pottery production, distribution, and consumption over time. The ability to quantify changes in transport costs opens new perspectives for investigating the general determinants of economic development using archaeological data.

This article surveys plans that envisioned new leisure uses for derelict landscapes in Britain from about 1966 to 1979. These plans were an attempt to transform areas of Britain in ways that cut across issues ranging from deindustrialization to planning, landscape, environmentalism, industrial heritage, and leisure. The author argues for the importance of the profession of landscape architects in setting the agenda for tackling industrial dereliction. It then shows these issues playing out in three locations: in the Lea Valley, in Stoke-on-Trent, and in Telford New Town. Derelict landscapes were a visual manifestation of the various crises that continue to structure historians’ accounts of the 1970s, but the author shows how the response to the issue was characterized by an almost utopian optimism that these problems could be resolved in a way that would stimulate new forms of living.

Before the mid-seventeenth century when a developing understanding of probability transformed gambling, English gaming took place in the community rather than in dedicated institutions like casinos and so represented and interacted with more general social behavior. Different communities gambled differently; they had different status under the law. This article considers gentlemen's gambling, arguing that in the absence of other constraints, notions of honor had a key role in shaping that activity. Contemporary accounts such as Sir John Harington's “Treatise on Playe” suggest that high-stakes wagering fell into the anthropological category of deep play, whereby gamesters staked excessive sums to win renown for their daring; secondly, it appears that such behavior was seen as a young man's activity, with older men condemning immoderate wagering as their ideas about what was honorable shifted as they matured and became integrated into the community. In addition to age-related changes of attitude to gambling, a tension existed between Elizabethan ideals of gentlemen's gambling behaviors and individual gamesters’ real circumstances. Some had limited money for wagering, others little time; youths from gentle families were sometimes indentured as apprentices or otherwise in situations that altered their relationships to time, money, and regulation. Consequently, even within this single sector of Elizabethan society, attitudes to gambling acquired a high level of complexity.

Campaigns on behalf of Russian political prisoners stretch from the revolutionary “nihilists” of the 1880s to the dissidents of the 1970s. While the efforts of political émigrés and their Western sympathizers – to promote awareness, raise funds, and pressure governments – met with decidedly mixed success, there were several watershed moments. This article examines how one such breakthrough, the compilation and publication of Letters from Russian Prisons in 1925, resulted in the formation of the International Committee for Political Prisoners (ICPP) as the first ever transnational amnesty NGO. Along with 300 pages of harrowing accounts of Soviet prisons, camps, and exile, the book featured endorsements by “Twenty-Two Well-Known European and American Authors”. The disputatious process of this volume's compilation and the controversy greeting its issuance show the challenges of extending civil liberties advocacy to include criticism of the Soviet Union among left and liberal figures in the interwar period. In establishing a new field of endeavor – universalist transnational activism to aid political detainees – the ICPP navigated a complex network of relationships among a diverse array of political and intellectual figures.

The idea of global modernisms rests upon freighted power relationships. Far from decolonizing, this concept reinscribes values of Euro- and US-centric discourses. This article addresses the inherent friction of global musical modernisms through Carlos Chávez's 1940 composition La paloma azul, written for concerts at New York's Museum of Modern Art. Tasked with appealing to a US audience, Chávez created work that participates in modernism's hierarchical frame, where Mexico provides exotic fantasy for bourgeois New Yorkers.

Chávez was not alone in having been positioned as ‘modernism's shadow’ – the negative counterexample that confirms modernism's progressive image. Global musical modernism suggests that modernism can shed its exclusionary identity and encompass more. But it hides how modernism has always been international, and how composers such as Chávez have been central to its construction. By ignoring modernism's historical realities, global musical modernism shores up existing understandings and maintains the marginal status of whatever is categorized as ‘global’.

The CCAMLR System of Inspection has been in place for more than 30 years, but its implementation and impact have yet to be summarised and analysed. The purpose of the research is to clarify the legal basis, analyse the implementation and make suggestions for further improvements. By analysing the CAMLR Convention and historical files, the System of Inspection has been further improved and many details have been added based on some international fisheries agreements and domestic laws regulating fisheries. Article XXIV of the CAMLR Convention, various Conservation Measures and documents form the legal basis of the System of Inspection. The System is divided into two types, namely At-sea inspection and Port inspection. Combined with the annual reports of CCAMLR meetings over the past 30 years, the System has become relatively complete as a “Compliance Monitoring Mechanism” under the CCAMLR Compliance Evaluation Procedure with other monitoring, control and surveillance (MCS) tools. However, inspection data have not been stable over the years. Since 2017, the increase in catches has not led to an increase in the number of inspections in the annual reports. In addition, At-sea inspections do not cover all Subareas of the Convention. At present, the objects of inspection have been extended to Non-Member vessels, so that it should also be sanctioned through various mechanisms. In addition, the System of Inspection is different from the Compliance Evaluation Procedure and the relationship between the two needs to be confirmed in practice. Due to the change in inspection methods, the lack of inspection data and the increase in other MCS tools, At-sea inspection does not cover all Subareas of the Convention. The System of Inspection is constantly being practised and improved. The study calls on Members to continue to carry out inspections and to improve the System in order to achieve the conservation and rational use of fishery resources.

In Renaissance Italy, the political power of authorities found one of its expressions in material symbols of sovereignty. The placing of inscriptions, sculptures and columns and the commissioning of frescoes in streets, piazzas and public spaces, for example, were essential ways of communicating political or spiritual authority to the populace. Sometimes perceived as representations of a top-down form of communication, in the urban context these same material emblems of power became political objects through which to express dissent, as in the case of public loggias, speaking statues or graffiti on walls and civic palaces. Presenting case-studies from various cities in northern Italy, this article investigates the dialectics between the people and the authorities in the urban fabric, especially in everyday life. Combining a spatial and a material approach to politics, this article reveals the dynamic and relational nature of political public spaces.

Excavations at the vicarage yard (prästgården) at the famous Late Iron Age magnate centre of Gamla Uppsala, Sweden, have yielded six Viking Age (c. ad 750–1100) boat burials, several containing the remains of domestic dogs. The present study is an osteological examination of the remains of three of these dogs, one each from three boat graves, with a primary goal of morphological reconstruction and a secondary focus on identifying sex, age, and pathology. Two dogs were large, slender sight hounds, while the third was somewhat smaller and of indeterminate type. The preference for sight hounds in high-status graves is consistent with previous results from the contemporaneous nearby boat cemeteries of Vendel and Valsgärde, adding weight to the hypothesis of a shared funerary culture between these sites in the Late Iron Age.

Focusing on seventeenth-century Madrid, this article explores the interplay between urban public space and a specific type of written defamatory statements, the carteles de desafío or letters of challenge, with the aim of examining the implications of this interaction. Letters of challenge were primarily conceived as a communication tool between the participants in duels and challenges. Displayed in public spaces, they could take on new meanings and even replace the combat itself, while at the same time perpetuating the values of a male honour culture that encouraged the use of violence among large sectors of society to settle disputes.

Plastic pollution in the Arctic marine system is sparsely quantified, and few enforceable policies are in place to ameliorate the issue. With an inflow-outflow budget for the Arctic Ocean, we identify gateways through which plastic enters and exits the Arctic marine system. While estimating the flux of plastic through rivers, sea ice, and ocean, we also quantify marine plastic pollution from Arctic shipping and fishing. Plastic fluxes are calculated using horizontal volume fluxes of water and ice and combining them with plastic waste concentration data; flux from fishing and shipping is generated through combining waste estimates with estimated ship traffic. We estimate that fishing and shipping contribute 105 tonnes of plastic flux per annum, compared to 10−1 tonnes per annum from river inflow. The ocean has a far smaller net outflow, dwarfed by that of ice, at 10−8 to 10−7 and 10−5 to 10−3 tonnes per annum, respectively. We examine how a suite of proposed policy interventions would quantitatively change those concentrations, and how the current governance environment makes each feasible; we find interventions targeting vessel traffic most effective. These interventions include a prohibition on the use of certain plastics in fishing as well as a Polar Code permitting scheme.

In an attempt to counteract the silence of Exeter’s late sixteenth-century cartographic representation and to explore further the idea of urban social relations expressed in auditory terms, this article investigates the issues involved in the ringing of Exeter’s civic bells, some of which may reflect a fractious relationship between two sources of authority within the city walls. It sets out some of the challenges to recreating this city’s broader sonic identity and outlines the results of initial attempts to do so.