In the early and mid-twentieth century, scientific conferences were a popular tool to establish communication between scientists. Organisational efforts, research and funds were spent defining what makes a productive and successful scientific gathering. A unique example of this was the monitoring and evaluation system of the Gordon Research Conferences (GRCs), which conceptualized informal communication in small, specialized meetings as the best method of advancing cutting-edge research. Studying the detailed monitoring reports of the sessions and the evaluation forms filled by the participants, this paper explores how a concrete format of scientific knowledge production and identity formation was created and reproduced. The normative assessment of the participants’ interactions is examined in the contexts of (a) their professional affiliations, (b) the conference presentations and discussions and (c) activities related to play. The study of the GRCs exemplifies how scientists actively conceptualised characteristics like academic affiliation, manners, leisure practices and social categories such as gender as ways to understand, describe and measure how knowledge is best produced and transmitted, turning the conferences into a fertile ground for meta-scientific reflections.

In many areas of the world, archaeological research relies on workers without formal training in archaeology or apparent direct input into archaeological knowledge production. While these workers may appear to have little agency within the excavation process, and no direct participation in research outcomes, their role is more complex. Examples of local and international archaeological teams working in Türkiye in the mid-twentieth century and today are used here to explore the articulation of worker roles in field archaeology, as portrayed in field reports. The author assesses the language associated with team members in acknowledgements of their presence and status and examines how relationships are developed and maintained. Awareness of knowledge accumulation among local archaeological workers was articulated in the 1960s and proved advantageous to both workers and directors. Recent reports show little acknowledgement of worker presence, showing that multivocality has had no significant impact in this area of archaeological knowledge production.

In the past decades, numerous publications have been addressing questions of national and European Identity on the micro level. Only few shed light on the contents that constitute these identities in the minds of Europeans. As different meanings of national and European identity are connected to different consequences such as hostile attitudes toward immigrants or Euroskepticism, reviewing attempts to measure these contents in existing cross-national surveys seems to be promising. This research note summarizes relevant literature on whether and which different forms of national and European identity have been found empirically, which specific contents constitute them, and which determinants and consequences of them are relevant. By comparing articles relying on cross-national survey data since 1995, it will be shown that the field of forms of national and European identity involves different operationalizations and numerous methodological concerns. This leads to considerations for further research in the field.

In this article I apply Fineman’s vulnerability thesis to explore the ways in which vulnerability is constructed and mobilised in a criminal law context. Using a ‘failure-to-protect’ offence as a case study reveals contemporary constructs of vulnerability as both a problem to be solved and gendered. Constructing women as pathologically vulnerable allows the state and its institutions to downplay the situational vulnerability of women, evading responsibility for tackling VAWG. Responsibilising women to manage risks to children posed by male violence requires that women undertake ‘safety work’, rendering them vulnerable to both moral and legal sanction if not performed adequately. Replacing the autonomous subject with the relationally vulnerable subject generates new understandings of the ways entwining femininity and vulnerability shores up the (male-coded) autonomous legal subject. Moreover, reconceiving vulnerability as universal reveals the potential of the vulnerable subject for a more inclusive criminal subject who is both embedded and embodied.

The two recently recorded CD sets of Hrabina (The Countess) and Straszny dwór (The Haunted Manor) in complete concert versions with eighteenth-century instruments add enormously to the Polish operatic repertoire in the nineteenth century, and offer a fresh listening experience for those who have long wished for first-rate recordings of lesser-known, yet brilliantly executed, works of the hitherto neglected composer, Stanisław Moniuszko (1819–1872). Born in the Minsk district of modern Belarus, Monisuzko was gentry, and his nostalgia for the customs, the fields and forest, and the rural community that shaped his childhood years, fuelled his enthusiasm for modern operas set in the eighteenth century. These stellar concert versions of The Countess and The Haunted Manor provide a fascinating glimpse into the provocative and glittering salons of the eighteenth-century Warsaw nobility, whose inhabitants stand firmly in contrast to the more modest and self-effacing life of the peasants and the country gentry. In both operas Moniuszko successfully provides a romanticized portrayal of pre-Partition courtly life in Poland. While these two operas were highly regarded as national treasures in Poland, they were not particularly well known outside of the country. Polish opera at that time was largely overshadowed by Italian, French, and German composers, and the nation's subjugation to the Hapsburgs, Prussians, and Russians throughout the nineteenth century contributed mightily to the neglect of staged works by Polish composers. Additionally, singers needed to be trained in the nuances and inflections of the language. Prior recordings were either incomplete or were not available with English translations of the librettos. With the Biondi and Nowak recordings, Moniuszko's vision of expanding his art to a global audience has finally been achieved. These recordings are accessible to all opera enthusiasts on an international playing field.

Between 1870 and 1945, the Imperial Japanese Army and Navy provided uniquely broad legal protection to subordinates who perpetrated crimes under the orders of military superiors. Legal immunity was provided not only to soldiers who obeyed orders contrary to international law, but also to those who under orders violated domestic standing legislation of the Japanese Army. This gave rise to a so-called “paradox of obedience”: while disobedience among officers was rampant, their subordinates were expected to unquestionably obey their orders, even in rebellion against the Japanese government. This mix of blatant disobedience to the system at large on the one hand, and blind obedience to immediate superiors on the other, was a remarkable feature of the Imperial Japanese armed forces. Drawing on legal codes, court cases and juridic writings, we analyze how this “paradox of obedience” encouraged mutinies as well as atrocities, especially in the 1930s and during the Asia-Pacific War.

Grill (2023) defends the sum of averages view (SAV), on which the value of a population is found by summing the average welfare of each generation or birth cohort. A major advantage of SAV, according to Grill, is that it escapes the Egyptology objection to average utilitarianism. But, we argue, SAV escapes only the most literal understanding of this objection, since it still allows the value of adding a life to depend on facts about other, intuitively irrelevant lives. Moreover, SAV has a decisive drawback not shared with either average or total utilitarianism: it can evaluate an outcome in which every individual is worse off as better overall, even when exactly the same people exist in both outcomes. These problems, we argue, afflict not only Grill's view but any view that uses a sum of subpopulation averages, apart from the limiting cases of average and total utilitarianism.

Russia’s Arctic policy since 2008 has been influenced by two competing foreign policy lines (discourses): the “Arctic as a resource base” and the “sovereignty discourse”. The “Arctic as a resource base” has been the dominant one since the first Russian Arctic Strategy in 2008. It is primarily about exploiting the vast oil and gas resources estimated to be located there, as well as turn the Northern Sea Route into a “global transport corridor”. In Russia’s Arctic Strategy of 2020, however, there is enhanced emphasis on sovereignty and power balancing in Russian Arctic policy. And the focus on sovereignty was heightened with the amendments to Russia’s Arctic Strategy in March 2023. This increased emphasis on sovereignty, territorial defence and balance of power in Russian Arctic policy is likely to be further reinforced by the growing great-power competition between the USA and Russia, which has gained new momentum following Russia’s invasion of Ukraine in 2022.

Opening its general meeting on 27 December 1966, the state-sponsored National Union of Tanganyika Workers, known as NUTA, proposed a combative response to a presidential commission's investigation into mismanagement in the union. The union's general secretary also issued an azimio (resolution) that prefigured much of the socialist rhetoric and policy prescriptions that appeared a month later in Tanzanian president Julius Nyerere's Azimio la Arusha (Arusha Declaration) that refined his policy of African Socialism or Ujamaa. Although the NUTA azimio circulated widely and was submitted to the Arusha party meeting, it was excluded from both the record of that meeting and NUTA's own file of related material. This elision happened before its main author, NUTA general secretary Michael Kamaliza, was convicted of treason two years later. The suppression of NUTA's azimio offers a point of entry to investigate the diffuse agency of political rhetoric and the history of Nyerere's influential speech.

In this essay, the author reflects on a decade’s old essay on baseball and bioethics inspired by a conversation with the late David Thomasma. In a reprise of his earlier paper, Fins worries that modernity has come to baseball with the advent of the pitch clock and that this innovation brings age discrimination to a timeless pastime.

As law graduates wield significant influence in public life, law schools’ responsibility for cultivating students’ civic capacities and dispositions remains an important but often neglected project. Taking up this project, this article traces a thread of deliberative democratic aspirations within legal education scholarship and explores the potential of participation within law schools’ own political processes for realising these ideals. To do so, it examines law students’ experiences of an experiment with deliberative democracy’s leading institutional innovation – the deliberative mini-public – and demonstrates the ways in which participation fostered deliberative capacities, a more collective orientation, and increased confidence. Ultimately, the article illustrates the mutually reinforcing nature of civic and legal education, affirms law schools’ broader role within society and offers both theoretical and practical insights into the place of democratic innovation within the law school.

This article examines images of revolution in Chinese artworks within a global context. It argues that the theme of revolution in Chinese art can be divided into three movements: (1) Art of Scars, (2) New Wave ’85, from which political pop art and cynical realism took their roots, and (3) the modern twenty-first century trend of Mao and the Cultural Revolution. An analysis of political pop art identified a synthesis of academic and iconographic features and Western philosophical concepts, which can be found in the semiotic elements of the painting Maozedong: AO. Its cynical realism is similar to the satire of the American painter in his Daughters of Revolution. Both artworks depict images of the "citizen" in an era of historical change. This analysis of the painting in the style of Mao and the Cultural Revolution offers a rethinking of traditional Chinese canons as a response to the Western religious traditions influenced by a multicultural environment. The data can be used as an additional source to examine symbolism and semiotics in the artistic language of Chinese artists representing the culture of revolution.