Cultural transfers between metropolitan cores and colonial peripheries, have been a constant feature of the history of modern nationalism. Anti-colonial movements also influenced to some extent the development and strategies of European national movements before 1939. After 1945, and with particular intensity following the Algerian War of Independence, claims for national self-determination from the colonial possessions of the European empires also influenced the development of regional and national movements within Western Europe. This was flanked by the adoption of Marxist-Leninist and New Left doctrines by the post-war generation leading Western European minority nationalisms. The article deals with the reformulation of national self-determination in Europe under the influence of anti-colonial thought, particularly since the adoption of the theories of “internal colonialism”, and the new dimension given to the theory of national liberation by authors such as Frantz Fanon. It also looks at the emergence of radical ethno-nationalist parties in the 1960s and their commitment to this new wave of anti-colonial self-determination. Finally, the attempts of some of these movements to articulate a transnational programme will be analysed.

Musica Elettronica Viva (MEV) enjoys cult status in the history of avant-garde music in the second half of the twentieth century. Founded in Rome at the turn of 1966 and 1967 on the initiative of the American composer and pianist Frederic Rzewski, MEV, together with the Gruppo di Improvvisazione Nuova Consonanza (GINC), introduced free improvisation to the European continent. However, many aspects of the group’s early years remain obscure, particularly with regard to their first performances and their transition to improvisation. Drawing on previously unpublished archives, in particular those of Frederic Rzewski preserved in Brussels, this article clarifies these aspects by establishing a precise chronology from 1966 to 1968. Far from following the aesthetics of GINC, MEV seems to have been more influenced by the Living Theatre, whose Artaudian and political approach encouraged its shift towards musical spontaneity and audience participation. This study thus offers a new perspective on the origins of MEV and its place within the Italo-American avant-garde of the period.

Kongolandsbyen was an ‘ethnographic village’ staged in Oslo as part of Norway’s Jubilee Exhibition of 1914. The ‘village’ housed and displayed a troupe of eighty Senegalese performers including musicians playing kora, balafon, and other instruments. Examining music’s performance and reception in Kongolandsbyen demonstrates how colonialist practices and beliefs influenced even European nations, such as Norway, that were nominally non-imperialist. Kongolandsbyen’s promoters mimicked exhibitions common in France and Germany at which audiences sought both to learn about unfamiliar societies and to be entertained by sensationalized, ostensibly ‘primitive’, performances. By demonstrating fluency in the tired but familiar genre of the ‘ethnographic village’, Norwegians emulated the prestige of European imperial powers to challenge Norway’s marginal status as a newly independent, small country with limited geopolitical influence. Kongolandsbyen’s Senegalese performers pushed back against colonialist, racist representations through both thoughtful presentations of their musical traditions and an insistence on their own modernity.

Few village-born social movements have influenced international relations as much as the campaign against Myitsone Dam in Burma (Myanmar). This village-born resistance led in 2011 to the suspension of a major Burmese and Chinese infrastructure project. This suspension became a symbol of democratization in Burma and a much-discussed setback of Chinese development-investment abroad. However, research literature on the Myitsone Dam has tended to conflate the local rural resistance with the broader ethnic Kachin and Burmese anti-dam movements. In contrast, this study focuses specifically on the local villages directly affected by the project, exploring their diverse stories and responses to the mega-project. Combining diverse published sources with ethnographic fieldwork and interviews done since 2010, it tells a story of repression, resistance, social divisions, and complex relations with outsiders. This is a two-part article series. This article here – Part 1 – examines what occurred before the mega-project’s suspension. It tells the Myitsone Dam’s rural story from its earliest days until the mega-project’s fall: from 2002 to 2011. This story begins with the unexpected arrival of Japanese visitors and traces the village struggles up to the project’s dramatic downfall.

This article investigates the transformation of the official historical narrative of the Golden Horde in Kazakhstan, tracing a significant shift from Nazarbayev to Tokayev’s presidencies. The narrative of the Golden Horde became a strategic component of the second president, Tokayev, who announced the commemoration of 750 years of the Horde foundation in Kazakhstan and proclaimed that it laid the foundations for Kazakh statehood. The research explores the abrupt transformation of the official historical narrative and underscores the pivotal role of historians as memory actors. The study investigates the “memory game” between two schools of historians in independent Kazakhstan, revealing the agency of a new generation of historians in reshaping the national historical narrative through historicizing strategies, thus engaging in memory politics. This contribution extends the literature on the mnemonic context in Kazakhstan and non-state memory actors in authoritarian settings, shedding light on the dynamics of historical representation and memory politics in evolving mnemonic landscapes.

Joseph Raz’s service conception of legitimacy says citizens must obey the state when its directives allow them to comply with reason better than they would by deciding independently. Yet citizens’ capacity to decide for themselves is endogenous to state authority: the more they defer, the less competent they might become. Consequently, a state might secure its legitimacy through a self-fulfilling dynamic whereby citizens need state authority only because they have grown dependent upon it. This article diagnoses the problem and explains how the service conception can guard against it. Besides Raz's account, its argument applies to any theory of legitimacy with a “service” component.

The four pioneering African war correspondents who travelled to Asia in 1945 develop our understanding of Africa and the Second World War. This article argues that their tour challenges the existing scholarship on the conflict in two ways. Firstly, it bridges the common divide between “home” and fighting fronts in our understanding of wartime Africa. Secondly, due to the correspondents’ own positionality as colonial African newspapermen, it offers insights into African military service in ways not permitted by colonial and military archives. Within an overarching frame examining the tour’s origin and conclusion in Africa, the article assesses the correspondents’ activities in Asia in terms of their interactions with and analysis of African troops. Cumulatively, it contends that the correspondents’ tour both considerably expands our understanding of African soldiers’ lives in the Second World War, and also directly connects the “home front” with the Asian theatre of combat.

As global crises like inequality, climate change and financial instability intensify, ‘resilience’ has emerged as a central concept in international governance and law. The appeal lies in what scholars call the ‘resilience dividend’ – the promise that systems can recover and adapt when facing external shocks. This article critically examines how resilience has been adopted in international and transnational law, with a particular focus on transnational financial regulation. The article analyses the Bank for International Settlements (BIS)’ work on the resilience of central counterparties, which represents the most extended elaboration on resilience in transnational financial regulation. Rather than accepting resilience as an unqualified good, a more cautious approach is suggested. Resilience risks perpetuating existing injustices and reinforcing neoliberal structures by emphasising survival and adaptation over addressing the root causes of crises. Accordingly, resilience needs to be seen as an ambivalent concept that only through its specification one can determine its possible impact.

By analyzing articles published in the official publication of the Latvian SSR Union of Writers, this article examines how Latgalian identity and culture were constructed by the Soviet Latvian intelligentsia before, during, and after the 1958 Latgale Culture Week in Riga. Interwar-era narratives that had identified Latgale as the Latvian internal Other were endemic to the center-periphery relations in Soviet Latvia during the Khrushchev Thaw. Consequently, politicized representations of Latgale in the late 1950s deferred to the same discursive frames that had contributed to the formation of Latvian national imaginaries of Latgale as underdeveloped, backward, and fundamentally Other. By situating the Culture Week in a colonial setting and critically examining the historical entanglement of Latgale in multiple structures of power – Soviet and Latvian – this article shows that performances of Latgalian identity during the Culture Week became a tool for both nationally minded members of the Latvian Communist Party (LCP) and Russophile Soviet state-builders to consolidate power and project an image of national unity at a time of growing political strife in the LCP.