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108969 results in Open Access

Page 299 of 5449

  • Topics and Schemata

  • Danuta Mirka
  • Journal:
    Eighteenth-Century Music / Volume 20 / Issue 2 / September 2023
    Published online by Cambridge University Press:
    25 August 2023, pp. 129-135
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  • ECM volume 20 issue 2 Cover and Front matter

  • Journal:
    Eighteenth-Century Music / Volume 20 / Issue 2 / September 2023
    Published online by Cambridge University Press:
    25 August 2023, pp. f1-f4
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  • Dubourg, Geminiani and the Violin Concerto in D Major: A Misattribution

  • Estelle Murphy
  • Journal:
    Eighteenth-Century Music / Volume 20 / Issue 2 / September 2023
    Published online by Cambridge University Press:
    25 August 2023, pp. 223-225
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  • The Making of Jamaica's ‘First Composer’: Rethinking Samuel Felsted

  • Wayne Weaver
  • Journal:
    Eighteenth-Century Music / Volume 20 / Issue 2 / September 2023
    Published online by Cambridge University Press:
    25 August 2023, pp. 137-158
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  • This article examines the links between the music of Anglo-Jamaican organist and composer Samuel Felsted (1743–1802) and his environment of late eighteenth-century Kingston, building on research published since the 1980s. Although Felsted, a person of English-American heritage who was born in Jamaica, was part of the island's European-origin community, most of his local contemporaries were people of African descent. Like many of his friends, family members and acquaintances, Felsted was a slave owner, and, as I argue here, his various literary and artistic outputs demonstrate how he was influenced by the kinds of issues – such as slavery, servitude, sovereignty and nationhood – that surfaced in the public and private discourses of his time. Considering what Felsted's cultural legacy might mean today, I turn to his undated and virtually unknown oratorio The Dedication, for which he wrote both the text and the music. The Dedication contains literary themes that allow its connections to Felsted's world and its setting of ancient Babylon to be explored. I also suggest the early 1790s as a possible time of composition for this work.

  • ‘Dance is a disease for us’: dancing through the night as a threat to moral order in urbanizing Estonia

  • Karin Leivategija
  • Journal:
    Urban History / Volume 52 / Issue 1 / February 2025
    Published online by Cambridge University Press:
    25 August 2023, pp. 193-214
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  • This article explores social dancing as the setting for moral struggles related to the urban night. Based on analysis of Estonian-language newspapers, I look at the historical context and expressed viewpoints linked with nocturnal public dance events in Estonian cities from 1880 to 1940. The established moral order was endangered by those staying out dancing late into the night. In the context of the multinationalism of urban areas and the national emancipation movement of the ethnic Estonian population, I investigate the transgressions and hazards that night dancing was perceived to bring, most significantly, threat to productivity, health and virtue.

  • The Tartini Moment

  • Sergio Durante
  • Journal:
    Eighteenth-Century Music / Volume 20 / Issue 2 / September 2023
    Published online by Cambridge University Press:
    25 August 2023, pp. 219-221
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  • Transgender Life and Persecution under the Nazi State: Gutachten on the Vollbrecht Case

  • Laurie Marhoefer
  • Journal:
    Central European History / Volume 56 / Issue 4 / December 2023
    Published online by Cambridge University Press:
    25 August 2023, pp. 595-601
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Page 299 of 5449