This article seeks to explain how Mau Mau combatants selected and killed their civilian targets. The central argument is that Mau Mau members shared a moral logic that informed whom they killed, how, and why they did it. This moral logic was partly based on traditional Kikuyu ethics of violence, which were widely held and traceable to the late nineteenth century. Yet it was also a logic born out of novel, albeit contested, ethical convictions that developed in the context of an asymmetrical anticolonial war in 1950s-Kenya. Using captured guerrilla documents and oral history interviews with Mau Mau veterans, the article analyzes the perceived offenses that civilians committed against Mau Mau, the motives of Mau Mau assailants, and the internal conflicts that arose regarding the killings of some civilians. Ultimately, this article demonstrates that the moral logic of Mau Mau killings was firmly rooted in a dialectical tension between longstanding Kikuyu ethics of violence and the harsh realities of waging an asymmetrical anticolonial war. It also shows that Mau Mau debates over who to kill formed part of a larger process of sacralization, whereby members of the movement reimagined what they deemed sacred, moral, and just measures for conducting the war.

This interview with Peter Singer AI serves a dual purpose. It is an exploration of certain—utilitarian and related—views on sentience and its ethical implications. It is also an exercise in the emerging interaction between natural and artificial intelligence, presented not as just ethics of AI but perhaps more importantly, as ethics with AI. The one asking the questions—Matti Häyry—is a person, in the contemporary sense of the word, sentient and self-aware, whereas Peter Singer AI is an artificial intelligence persona, created by Sankalpa Ghose, a person, through dialogue with Peter Singer, a person, to programmatically model and incorporate the latter’s writings, presentations, recipes, and character qualities as a renowned philosopher. The interview indicates some subtle differences between natural perspectives and artificial representation, suggesting directions for further development. PSai, as the project is also known, is available to anyone to chat with, anywhere in the world, on almost any topic, in almost any language, at www.petersinger.ai

The gated community is a unique site of social reproduction which has proliferated across India. Elite families are reproduced at the individual, household level but also at the communal level in service-rich private enclaves. These households rely heavily on specialised reproductive labourers who are deprived of worker status because they work in the private domain. Homeowners’ associations or resident welfare associations (RWAs) meanwhile regulate reproductive labour through surveillance and wage fixing and by regulating entry and exit. Despite their public function, RWAs claim no responsibility for worker welfare due to privity of contract and the exclusion of ‘domestic service’ from labour laws. We examine India’s new labour codes, establishment laws and constitutional law to pin responsibility on RWAs as public bodies for ensuring the fundamental rights and welfare of these workers.

This article examines the writings of late 19th and early 20th-century Marxist theorists and political leaders from the Russian and Austro-Hungarian Empires and their influence on the chief Bolshevik theorist of Soviet nationality policies, Joseph Stalin. It argues that although many early Marxist theorists held divergent views on managing nationalism, they uniformly rejected biological or romantic spiritual conceptions of the nation and instead posited that nationalism and contemporary nations are relatively new, socially constructed phenomena arising from processes linked to economic and political modernization. These perspectives align with what contemporary academia labels as “modernist” theories of nationality and this analysis therefore challenges prevailing views on the genesis of these theories, tracing them back to early Marxist thinkers rather than late 20th-century Western European theorists such as Benedict Anderson and Ernest Gellner. This modernist understanding of nations as products of material forces and processes enabled socialists to envision steering nation formation. For the Bolsheviks and some of the later international revolutionaries they inspired, this meant that just as they believed they could accelerate the transition to a socialist future through active class management, so too they believed they could control and expedite the construction of national identities through carefully designed policies.

In his early serialist composition style, Einojuhani Rautavaara expressed indebtedness to the flexible usage of the twelve-tone system that was adapted by Alban Berg. The trace of Berg's influence becomes dramaturgically reminiscent when investigating the philosophical impact that Berg's opera Wozzeck had on Rautavaara's opera Vincent. This study aims to analyse the symbolic content of the Vincent libretto, with a secondary depiction of parallel attributes found in the libretto of Wozzeck. This examination demonstrates how the operas share a philosophical foundation that is based on an expression of metaphysical temporality inherent within the plots of both operas, which juxtapose the duality of the two temporal planes of empirical reality and metaphysical illusion. The outcome of such a comparison illustrates how Rautavaara's opera can be interpreted in a new framework of understanding that is based on the Finnish composer's mirroring of Berg's operatic and dramatic style as seen in Wozzeck.

This article examines the discursive contestation of Alash movement narratives in post-1991 Kazakhstan by studying overlapping and diverse official and non-official narratives. By surveying textual content and conducting interviews with those who carry these narratives, including textbook authors, the article reveals that while both official and unofficial narratives converge on the subject of statehood for the Alash movement, the non-official narratives and textbook authors use its legacy to express dissatisfaction with post-1991 developments in Kazakhstan. This study sheds light on the differing perspectives and debates surrounding the Alash movement’s legacy in shaping post–1991 Kazakhstani society and politics.

This article demonstrates how Crimean Tatars use memories of past displacements in their narratives of contemporary emigration and coping strategies in occupied Crimea. First, I present the significance of the first annexation of Crimea in 1783 by the Russian Empire and the 1944 deportation in the collective memory of Crimean Tatars. Second, I discuss the main motives for the displacement of internally displaced persons of Crimean Tatar origin in 2014 based on interviews conducted in L’viv. Drawing from interviews and focus groups that were conducted in Crimea between 2017 and 2019, I describe the influence of the memory of forced displacements on contemporary discourse and how it has evolved since Russia’s full-scale attack on Ukraine. Finally, I focus on how Crimean Solidarity activists employ memories of the first annexation and deportation to legitimize their resistance against Russia’s repressive policy in occupied Crimea. I argue that the 2014 annexation of Crimea was a retraumatizing event for many Crimean Tatars and that it has become an integral part of the grand narrative of their forced displacement from the late eighteenth century to the present.

In this paper, I analyze an intricate morphological pattern in Murrinhpatha which involves reordering of the dual marker ngintha and an alternation in the form of its adjacent morpheme. I will argue that the pattern strongly suggests an analysis in Stratal Optimality Theory: first, phonological correlates of morphological structure provide evidence for cyclic domains within the word. Second, the phenomenon can be derived using independently motivated morphological constraints, thus supporting the idea that morphology is an independent module of grammar with different optimization mechanisms, but the same stratal split as phonology. The cyclic architecture of the word provides a straightforward explanation for the placement of the dual marker and the resulting allomorphy of the classifier stem without resorting to ad hoc mechanisms such as position classes. Furthermore, the cyclic structure neatly accounts for multiple exponence of [dual] through the daucal (dual/paucal) classifier stem and ngintha. My analysis suggests that this overexponence results from the blocking of ngintha in the first cycle and the selection of the featurally more specific daucal stem. However, ngintha is not strictly bounded to the first cycle, and its realization is delayed until the second cycle.

European countries have been important supporters of Ukraine since the 2022 invasion by Russia. Responding to the invasion, however, was not the only challenge facing these countries in 2022. A tough domestic economic situation caused by high inflation and skyrocketing energy prices gave rise to public resentment accusing governments of favoring Ukraine and Ukrainian refugees over their own citizens. Yet, communicating governments’ policies on Ukraine efficiently and having the public on board matters because lack of public support may endanger the countries’ ability to help Ukraine in the war. Given the importance of political communication, we use the case of Czechia to explore the role of empathy in political communication between Ukraine and Ukrainian refugees. We build on existing studies which suggest that empathy in communication has the potential to decrease polarization of public opinion and that candidates using empathetic communication are viewed more positively. First, in a rhetorical analysis, we demonstrate that empathy with citizens’ concerns is not a part of the government’s defense of its refugee policy. Then, in an original survey experiment, we show that contrary to expectations, expressing empathy with citizens’ concerns does not significantly increase public support for help to refugees.

The crisis that now grips the ‘living earth’ establishes an intersection of climate and finance which entails questions of time: what does temporality mean in the context of both climate emergency and the processes of financialisation? In this paper, I intervene in these debates by reflecting on the reconstruction of time as a concrete legal object in the space of international investor-state arbitration. Over the past decade, international arbitration settlements, often using the accounting technique of discounted cash flow (DCF) analysis, have increasingly relied on a conception of investor-oriented time that offers an expansive future, a time of long-term unbroken integrity. I trace the complex but often uneven shifts in arbitration practices through which the future is reconfigured not as a proximate and conditional object but as a category, encoded in DCF, which is endlessly expansive. The time of the unbroken asset, I argue, is in urgent disjuncture with the time of transition.

Studies of cinema's emergence from nineteenth-century cultural forms have historically privileged its visual attributes over its sonic ones. This article redresses the balance by examining a musical device commonly associated with early film exhibition across Europe: the fairground organ, whose spectacular audiovisual appeal was exploited in public squares and fairgrounds long before the invention of cinema. Drawing on insights from the field of media archaeology, I ask whether we can locate an archaeological layer of cinematic prehistory in the fairground organ itself. In so doing, what emerges is the critical importance of Italy in the cultural history of the mechanical organ. Partly this is because the individual widely acknowledged as the ‘father of the fairground organ’, Ludovico Gavioli, was an Italian. Yet the Italianness of mechanical organs was also rooted in the stereotypical repertoire of such instruments (well-known excerpts from Italian opera), and on discursive tropes that emphasized an affinity between portative barrel organs – said to have been invented in Italy – and the itinerant operators of such instruments, often perceived to be Italian. Ultimately, I suggest that instead of treating fairground organs as the backing-track to early film exhibition, we might profitably conceive of early cinema as the latest visual enhancement to grace the exhibition of the mechanical organ.

Drawing from the experiences of thirty-two refugee women who fled with their children from Ukraine to two German cities, Berlin and Frankfurt Oder, this article explores how being a refugee and a mother affects the anchoring, along with the un-anchoring and embedding of Ukrainian refugees in their new environment. It illustrates that solidarity practices and (inter)actions play a crucial role in mobility considerations, as the interlocutors engaging in solidarity work find meaning in building lives in their new environment. The identities of the interlocutors as refugees and mothers play an important role in shaping the solidarity they articulate as they work to support others in a similar situation in cultivating agency, which, at the same time, gives the interlocutors comfort in their own struggles. This article also makes a valuable contribution to the scholarly literature on transnational family ties through the case of Ukrainian refugee women in Germany, who often have family members remaining in/returning to Ukraine. The interlocutors positioning as mothers and refugees means that they engage in negotiating mobility considerations with these positions in hindsight — providing new avenues of enquiry into the agency of refugee-mothers, reflecting on life aspirations, and considering their specific positionalities and forced migration context.

Egor Lazarev has given his readers more of an epic story than a grand theory, and everyone who reads State Building as Lawfare will be the richer for it. The setting for this riveting tale is the war-torn Russian province of Chechnya. We quickly learn from Lazarev’s mise-en-scene that Chechnya’s famously mountainous terrain is as choppy and uneven legally as it is topographically. Three separate legal systems coexist and commingle in this single subnational domain: 1) customary law, or adat; 2) Islamic law, or Sharia; and almost as an afterthought, 3) state law, “courtesy” of Russian central authorities in Moscow.

This article reviews the literature on nationalism and ethnic mobilization. I first discuss the different strands of research in the field, highlighting three key sources of division that characterize existing literature: geography, ethnic cleavage type, and strategy of mobilization. Arguing that the lack of dialogue between different niches of research can undermine the accumulation of general knowledge, I propose an integrated perspective on nationalism and ethnic mobilization that serves to assimilate findings from these separate niches. I conclude by discussing how such an integrated perspective can enhance our knowledge of the causes, dynamics, and consequences of ethnic mobilization.

In the former districts of Eupen and Malmedy, present-day East-Belgians, in particular academic and socio-political elites, draw their collective identity, amongst others, from the historical injustices inflicted upon them ever since the adoption of the Treaty of Versailles. The transfer of sovereignty from Germany to Belgium was then the subject of a popular consultation organised by the transitional Belgian authorities in those territories. Favouring national over popular sovereignty, those authorities de facto undermined the freedom of choice and imposed their annexation to Belgium which the League of Nations, despite criticisms, consecutively endorsed. Much has been said about this petite farce belge yet not from a legal point of view. Thus, this article sheds a different light on the historical accounts of those events which are instrumentalised to construct the contemporary collective identity of the German-speaking Community of Belgium.

Even after seven decades since it came into force, examinations of the Indian Constitution remain partial and incomplete. It is not widely known that the original ratified copy of the Constitution also makes a visual argument through the opening pages of every part. These elaborately crafted artworks, which are entirely negated in Indian scholarship, are structured in the form of a teleological and linear narrative, encompassing a claim of an unbroken link to an immemorial civilisation. Based on archival research and a hermeneutic that combines imaginal analysis, literary theory, historical scholarship and constitutional jurisprudence, this article will demonstrate that these constitutive images are the aesthetic foundation that imaginally binds the constitutional subject and the collective citizenry, and this article will show how its negation is closely tied to a foundational ambivalence that endures in constitutional law.

This article analyzes Vladimir Putin’s 2021 essay “On the Historical Unity of Russians and Ukrainians” as an example of political rhetoric invoking the language/dialect dichotomy. Curiously, Putin argued both that Ukrainian is a “dialect” of a greater Russian language and that Ukrainian is a distinct “language” different from Russian. As a form of political rhetoric, the language/dialect dichotomy draws its power from normative isomorphism, the idea that languages, nations, and states ought to coincide. According to the logic of normative isomorphism, claiming that Russian and Ukrainian are separate “languages” gives the Russian Federation a claim to annex the Russian-speaking south-east of Ukraine, while claiming that Ukrainian is a “dialect” of Russian would justify the Russian Federation’s annexation of Ukraine in its entirety. By endorsing both positions, Putin’s speech provided pre-emptively justifications for different policies, giving him room to maneuver. All that said, neither the language/dialect dichotomy nor normative isomorphism offers a solid basis for political legitimacy.

In the last quarter of the 19th century, Austrian schools effectively developed a robust system of civic education that attempted to cultivate the patriotism of all students, regardless of their nationality. While the ultimate goal of Habsburg civic education was loyalty to the imperial state, officials realized that this loyalty would not be able to supplant regional or national identities. Instead, officials designed a curriculum that would enhance these other identities hoping they would contribute to imperial patriotism. Students learned they shared their home with different national groups and that they belonged to a larger family of nations. While this concept was earnestly supported by the school curriculum, the way in which this material was taught may have impacted its effectiveness. For example, when discussing national groups, educators often drew from prevailing ethnographic theories that relied on stereotypical assessments. Moreover, compromises made in the early 20th century complicated these efforts. As nationalists gained increased control over school administration, the emphasis on shared local identity weakened. These factors did not necessarily alter Austrian civic education, but they do point to the ways in which it would have needed to adapt to the Monarchy’s changing political circumstances.