For the Many: American Feminists and the Global Fight for Democratic Equality recasts American feminism as a global story and reclaims the fight for economic justice and social democracy as a majority tradition of women's politics. This rejoinder by the author of For the Many is the concluding essay in a review dossier on the book. Cobble discusses the book's origins and its contributions to global history, women's history, and political history. She engages with comments and queries from dossier reviewers, a diverse group of historians of Latin America, South Asia, Africa, and Europe. Topics include, among others, the unfinished struggle to revalue care and social reproduction, the influence of India on US feminism, Black internationalism and full-rights feminism, varieties of socialism, rethinking Cold War frameworks, and feminist perspectives on eugenics, race, and sexuality.

Dorothy Cobble's magnificent, sweeping saga of the 100 plus year struggle for “full rights feminism” introduces us to myriad activists who sought common ground in the expansion of civil, political, economic and social rights as the key for raising the standard for working women, and by extension for all of humanity. However, as Cobble notes, some full-rights activists did not measure up to the potential of this feminism. The juxtaposition of the activism of Black full-rights feminists helps expose this fault line of unexamined deep-seated racism, ethnocentrism, and stereotypical thinking that undermined the potential of full-rights feminism. Questions of economic and political democracy shaped the organizing efforts of Black full-rights feminists against disfranchisement, lynching, discrimination in housing, education and employment, and exclusion and segregation from public accommodations. In their transnational work, they supported policies and practices structured by Cold War imperatives, American racism and imperialism, and tensions between democracy and incipient autocracy in the emerging African nations. Cobble's book demonstrates the crucial ways that Black activists working together and with white allies pushed for the expansive promise of full-rights feminism, encompassing both political and economic rights and race and gender justice.

In recent decades, conflict archaeology has renewed study of the Roman Republican military, with Hispania as one of the most prolific areas of research. Following this trend, since 2006 the University of Barcelona has conducted archaeological investigations at several sites in the lower Ebro basin. When no structures or archaeological layers remained in situ, surface survey became a key methodology. Based on the artifacts retrieved during surface survey, this article identifies four new military establishments dated to the first half of the 1st c. BCE and reinterprets the campaigns of the Sertorian War in northeastern Spain.

The Augustan marble “revolution” marked more than the substitution of one building material for another. It changed Rome's color, texture, and light, and visually redefined its sacred architecture. For centuries, temples in and around Rome had been decorated with brightly painted architectural terracottas, which typically featured a swirling array of plants and flowers. Terracotta was the material of sacred tradition, and the vegetal motifs employed on temples evoked a pious Italic past. The lush array of plant life present in Augustan art has not been adequately considered against this background. This paper explores the use of traditional plant motifs in Augustan art and architecture, with an emphasis on viewer response. It considers the so-called Campana reliefs before turning to a more detailed analysis of the Ara Pacis's vegetal panels. These, I argue, consciously evoked ancient temple decoration and drew it into the new visual language of the Augustan Principate.

This article analyses the phenomenon of glass in wall and floor opera sectilia from the Hellenistic period to Late Antiquity. This type of decoration was developed in Alexandria – as testified by archaeological finds – and then spread across the Greco-Roman world. In Rome the art created a backdrop for a series of displays – especially in imperial palaces and elite housing – that spanned the Imperial era. All the great metropolises were graced by it, including the new capital of the East, Constantinople, where it underwent a renewed flowering. This article analyzes the use of glass material mostly as inserts in marble compositions and, more rarely, in wholly vitreous compositions. It reflects upon the meaning of these different decorative products and attempts to interpret their economic, aesthetic, and symbolic implications.

The ebbs and flows of archaeological scholarship often see trends come and go, with big questions giving way to more fine-grained analysis only to, in turn, feed back into new, sweeping narratives. Thinking about the ancient city is no exception. Recent works from across the spectrum of archaeology and ancient history show a desire to draw new connections amongst urban sites in the same region, to explore similarities between regions, and even to interrogate the extent of similarity between settlements of drastically different periods and places.

As a result of the new approach to municipal food supply adopted in European cities, the market hall first appeared in China in the foreign concessions in Shanghai in the late nineteenth century. While some municipal governments across China had stimulated an increase in the number of market halls constructed from the beginning of the early twentieth century, the introduction of market halls did not achieve the effects that the authorities expected. Although market hall reforms in Suzhou, Hangzhou and Chengdu were different in detail, they were similar inasmuch as market halls did not become a regular feature of the daily life of the three cities. However, municipal governments continued to promote the market hall reforms despite their limited achievements and resistance from the public. The main purpose of Chinese municipal governments to promote market halls was not to solve practical problems, but to establish the market hall as a symbol of modernity. While the concessions in Shanghai managed by the westerners had already initiated a form of modernity, other Chinese cities responded by exhibiting a particular appreciation of the myth of modernity, and Chinese cities underwent as swift a process of modernization as the foreign concessions.