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The Playboy magazine has always reminded its readership of the Playboy-Bond connection by commenting on its longevity and significance, especially in relation to times past. Among other things that James Bond and Playboy have in common is the fact that they are both strongly associated with the sixties. They were launched at about the same time in 1953, and are still around. This book is primarily organised around the story of the relationship between them, played out in popular culture as part of wider cultural relations. Though the chapters outline the emergence of the Playboy-Bond relationship, they also draw on relevant historical and theoretical concerns. The research presented focuses on the public version of the Playboy-Bond relationship as mediated by Bond and Playboy magazine and evident within the shifting realms of culture and the media. It also discusses how the close relationship between Ian Fleming and Playboy was publicised in print with some form of commentary. How Fleming and the Bond novels endorsed Playboy, and how Playboy endorsed Ian Fleming and Bond novels, against the backdrop of American popular culture, is discussed. After discussing Connery's Bond, the book presents some illustrative examples of this connection, especially in terms of consumer preferences, style and taste. It draws together arguments on male fantasy of 'strategic and selective "liberation" of women in order to discuss the women in Bond and Playboy. Finally, the book considers how the two remain interconnected, and as long-standing cultural icons representing the playboy lifestyle fantasy.
Indicating and depicting are widely understood to be fundamental, meaningful components of everyday spoken language discourse: a speaker's arms and hands are free to indicate and depict because they do not articulate words. In contrast, a signer's arms and hands do articulate signs. For this reason, linguists studying sign languages have overwhelmingly concluded that signers do not indicate and depict as a part of signed articulations. This book demonstrates that signers do, however, indicate - by incorporating non-lexical gestures into their articulations of individual signs. Fully illustrated throughout, it also shows that signers create depictions in numerous ways through conceptualizations, in which the hands, other parts of the body, and parts of the space ahead of the signer depict things. By establishing that indicating and depicting are also fundamental, meaningful aspects of sign language discourse, this book is essential reading for researchers and students of sign linguistics and gesture studies.
This book engages with the spectacular disenchantment with Catholicism in Ireland over the relatively short period of four decades. It begins with the visit of Pope John Paul II in 1979 and in particular his address to young people in Galway, where the crowd had been entertained beforehand by two of Ireland’s most celebrated clerics, Bishop Eamon Casey and Fr Michael Cleary, both of whom were engaged at the time in romantic affairs that resulted in the birth of children. It will be argued that the Pope’s visit was prompted by concern at the significant fall in vocations to priesthood and the religious life and the increasing secularism of Irish society.The book then explores the various referenda that took place during the 1980s on divorce and abortion which, although they resulted in victories for the Church, demonstrated that their hold on the Irish public was weakening. The clerical abuse scandals of the 1990s were the tipping point for an Irish public which was generally resentful of the intrusive and repressive form of Catholicism that had been the norm in Ireland since the formation of the State in the 1920s.Boasting an impressive array of contributors from various backgrounds and expertise, the essays in the book attempt to delineate the exact reasons for the progressive dismantling of the cultural legacy of Catholicism and the consequences this has had on Irish society. Among the contributors are Patricia Casey, Joe Cleary, Michael Cronin, Louise Fuller, Patsy McGarry, Vincent Twomey and Eamonn Wall.
This book gives ethnographic accounts of Manchester's urban challenges from 2002, journeying through the city over a fourteen-year period, into the halls of power and out to local communities to understand the effects of the style of 'entrepreneurial' governance. It focuses on fieldwork in socio-cultural settings to explore broad themes ranging from kinship relations to the effects of globalisation, from birth and death rituals to migration and organisational structures. The book illuminates who, how, where, why and what happens in city making through observations from situated urban ethnographers living and working alongside civic actors. It provides an ethnographic description of political relations in the city of Manchester by focusing on recent attempts to distribute responsibility for reductions in the city's carbon emissions. The book draws insight from the author's fieldwork where a nurturing approach by an events organization mingled with multiple community groups and stakeholders in the creation of a major civic parade. It argues for an 'emergent city' urban policy, inspired by organisers of civic parade in Manchester, which involved over 1,800 participants from ninety community groups. A tracing of the development of the lounge and an attendant notion of 'loungification' is provided in the book. The book also explores tensions in how organizational processes and community aspirations are negotiated through physical sites in urban spaces. The impact of city administrative or political activity can be traced through ethnographic analyses, in particular as a presence that affects people's ability to realise their own ambitions.
In a world defined by the flow of people, goods and cultures, many contemporary French films explore the multicultural nature of today's France through language. In a cinematic landscape increasingly characterised by multiculturalism and linguistic diversity, a number of contemporary French films are beginning to represent multilingualism as a means of attaining and exerting social power. This book is the first substantial study of multilingual film in France. Unpacking the power dynamics at play in the dialogue of eight emblematic films, it argues that many contemporary French films take a new approach to language and power. The book begins in central Paris in Polisse and Entre les murs, then travels to the banlieue in Un prophete and Dheepan. It then heads to another culturally loaded but very different space with Welcome and La Graine et le mulet, whose border-crossing stories unfold in the port cities of Calais and Sete respectively. Then, in London River and Des hommes et des dieux, the book steps off French soil, travelling to the English capital and former French colony of Algeria. It explores characters whose lives are marked not only by France, but by former colonies, foreign countries and other European states. In its depiction of strategic code-switching in transcultural scenarios, contemporary French multilingual cinema shows the potential for symbolic power inherent in French, other dominant Western tongues, and many migrant and minority languages. The book offers a unique insight into the place of language and power in French cinema today.
This book provides a historical account of the NGO Cooperative for American Remittances to Europe (CARE) as one of the largest humanitarian NGOs worldwide from 1945 to 1980. Readers interested in international relations and humanitarian hunger prevention are provided with fascinating insights into the economic and business related aspects of Western non-governmental politics, fundraising and philanthropic giving in this field. The book also offers rich empirical material on the political implications of private and governmental international aid in a world marked by the order of the Cold War, and decolonialization processes. It elaborates the struggle of so called "Third World Countries" to catch up with modern Western consumer societies. In order to do justice to CARE's growing dimensions and to try to make sense of the various challenges arising from international operations, the book contains five main chapters on CARE's organizational development, with three case studies. It tells CARE's story on two different yet connected levels. First, it tells the story as a history of individuals and their interactions, conflicts, initiatives, and alliances within CARE and second as an organizational history focusing on institutional networks, CARE's role in international diplomacy. By the start of the 1960s CARE's strategically planned transformation into a development-oriented agency was in full swing. With United States Agency for International Development (USAID), Food for Peace, and the Peace Corps, several new government agencies in the development assistance sector were founded that offered potential junctions and opportunities for cooperation for CARE and the voluntary agencies in general.
The spectacle of major cultural and sporting events can preoccupy modern societies. This book is concerned with contemporary mega-events, like the Olympics and Expos. Contemporary twenty-first-century macro-social changes are different from these first-phase modernisation processes, and thus they pose different problems of interpretation in relation to the mega-events they contextualise. The contemporary changes include the digital revolution, the global ecological crisis and qualitatively new and more complex forms of globalisation. Media related aspects of contemporary mega-events, particularly sports mega-events, in the context of the wider social impacts of the digital revolution are discussed in the first part of the book. The second part talks about urban and environmental aspects of mega-events, in a period of rapid urbanisation in many parts of the world and also of ecological crisis. It outlines how mega-events can be understood as being material as well as performative spectacles which are physically 'embedded' in cities as legacies Looking into mega-events' simultaneous record of creating new public spaces in modern cities. The second part also highlights the association of contemporary mega-events with urban impacts and legacies which are both green and space-making. The final part reflects on the contemporary global shift in mega-event locations and the wider context of this in complex globalisation and the changing geopolitical relations between the West and non-Western world regions. The focus is on main non-Western region of East Asia, and specifically on its core, the People's Republic of China.
Filling a gap in the literature, this book explores the theory of gradient flows of convex functionals in metric measure spaces, with an emphasis on weak solutions. It is largely self-contained and assumes only a basic understanding of functional analysis and partial differential equations. With appendices on convex analysis and the basics of analysis in metric spaces, it provides a clear introduction to the topic for graduate students and non-specialist researchers, and a useful reference for anyone working in analysis and PDEs. The text focuses on several key recent developments and advances in the field, paying careful attention to technical detail. These include how to use a first-order differential structure to construct weak solutions to the p-Laplacian evolution equation and the total variation flow in metric spaces, how to show a Euler–Lagrange characterisation of least gradient functions in this setting, and how to study metric counterparts of Cheeger problems.
Waiting for the revolution is a volume of essays examining the diverse currents of British left-wing politics from 1956 to the present day. The book is designed to complement the previous volume, Against the grain: The far left in Britain from 1956, bringing together young and established academics and writers to discuss the realignments and fissures that maintain leftist politics into the twenty-first century. The two books endeavor to historicise the British left, detailing but also seeking to understand the diverse currents that comprise ‘the far left’. Their objective is less to intervene in on-going issues relevant to the left and politics more generally, and more to uncover and explore the traditions and issues that have preoccupied leftist groups, activists and struggles. To this end, the book will appeal to scholars and anyone interested in British politics. It serves as an introduction to the far-left, providing concise overviews of organisations, social movements and campaigns. So, where the first volume examined the questions of anti-racism, gender politics and gay rights, volume two explores anti-nuclear and anti-apartheid struggles alongside introductions to Militant and the Revolutionary Communist Party.
Over the course of the past twenty-five years, as neoliberal economics has transformed the geopolitical landscape, monsters have overrun popular culture. This book explores literary, televisual, filmic and dramatic works from distant and diverse countries. It traces the vampire's evolution from the nineteenth-century past of industrial capitalism to the neoliberal present's accelerated violence and corrupt precarity, and discusses the NBC television mini-series Dracula, perfectly encapsulating our own post-recessionary subjectivity. The book addresses state capitalism but turns readers' attention away from the vampire and towards the ghost, focusing on the ways in which such spectral figures have come to dominate new German theatre. On the biotechnology sector, the book presents three examples: cinematic depictions of the international organ trade in Asia, the BAFTA award winning three-part series In the Flesh broadcast in BBC3, and literary representations of the dehumanised South African poor. The book moves from the global to the local, and charts the ways in which post-2006 house owners are trapped in the house by the current economic situation, becoming akin to its long-term resident ghosts. The ghost estates, reanimated and reimagined by the Irish artists and film-makers, are shown to embody the price paid locally for failures in global economic policy. The preoccupation with states of liminality is encapsulated by showing that the borders of the nation state have become a permeable membrane. Through this membrane, the toxic waste of first world technology seeps out alongside the murderous economic imperatives of the neoliberal agenda.
Drawing together essays written by scholars from Great Britain and the United States, this book provides an important contribution to the emerging field of disability history. It explores the development of modern transatlantic prosthetic industries in nineteenth and twentieth centuries and reveals how the co-alignment of medicine, industrial capitalism, and social norms shaped diverse lived experiences of prosthetic technologies and in turn, disability identities. Through case studies that focus on hearing aids, artificial tympanums, amplified telephones, artificial limbs, wigs and dentures, this book provides a new account of the historic relationship between prostheses, disability and industry. Essays draw on neglected source material, including patent records, trade literature and artefacts, to uncover the historic processes of commodification surrounding different prostheses and the involvement of neglected companies, philanthropists, medical practitioners, veterans, businessmen, wives, mothers and others in these processes. Its culturally informed commodification approach means that this book will be relevant to scholars interested in cultural, literary, social, political, medical, economic and commercial history.
The development of artificial intelligence and machine learning is leading to a revolution in the way we think about economic decisions. The Economics of Language explores how the use of generative AI and large language models (LLMs) can transform the way we think about economic behaviour. It introduces the LENS framework (Linguistic content triggers Emotions and suggests Norms, which shape Strategy choice) and presents empirical evidence that LLMs can predict human behaviour in economic games more accurately than traditional outcome-based models. It draws on years of research to provide a step-by-step development of the theory, combining accessible examples with formal modelling. Offering a roadmap for future research at the intersection of economics, psychology, and AI, this book equips readers with tools to quantify the role of language in decision-making and redefines how we think about utility, rationality, and human choice.
Although the unattested language of Proto-Indo-European has been studied for over 200 years, the greater part of this literature has focused on its phonology and morphology, with comparatively little known of its syntax. This book aims to redress the balance by reconstructing the syntax of relative clauses. It examines evidence from a wide range of archaic Indo-European languages, analysing them through the lens of generative linguistic theory. It also explains the methodological challenges of syntactic reconstruction and how they may be tackled. Ram-Prasad also alights on a wide range of points of comparative interest, including pronominal morphology, discourse movement and Wackernagel's Law. This book will appeal to classicists interested in understanding the Latin and Greek languages in their Indo-European context, as well as to trained comparative philologists and historical linguists with particular interests in syntax and reconstruction.
Roman law is justly famous, but what was its relationship to governing an empire? In this book, Ari Z. Bryen argues that law, as the learned practice that we know today, emerged from the challenge of governing a diverse and fractious set of imperial subjects. Through analysis of these subjects' political and legal ideologies, Bryen reveals how law became the central topic of political contest in the Roman Empire. Law offered a means of testing legitimacy and evaluating government, as well as a language for asking fundamental political questions. But these political claims did not go unchallenged. Elites resisted them, and jurists, in collaboration with emperors, reimagined law as a system that excluded the voices of the governed. The result was to separate, for the first time, 'law' from 'society' more broadly, and to define law as a primarily literate and learned practice, rather than the stuff of everyday life.
The Orange Order began as an Irish Protestant society in rural Co. Armagh, following the Battle of the Diamond against the Catholic 'Defenders' on 21 September 1795. By the beginning of the nineteenth century, the organisation had consolidated its position as a Loyalist, anti-Catholic bulwark against revolution in Ireland and had begun to spread across the rest of the British Isles. Exploring the experience of Orangewomen in England, Scotland and Canada tells us far more than just how and why they became members of the Orange Order. This book demonstrates how largely ordinary, working-class women engaged in conservative associational life and political activism during the nineteenth and twentieth centuries, subverting various gender norms in their public work. Through migration and diasporic networks, these women were connected to their Orange sisters throughout the world and played a central role in upholding a British imperial identity well into the twentieth century. The Orange Order is often characterised as a thoroughly masculinist brotherhood, associated with Irish sectarian violence. While the Order in Scotland was largely dominated by working-class women, in England we see the organisation embracing a far broader spectrum of social backgrounds. Irish politics and identity were clearly important to Potter and the many thousands of women who were members of Canada's Ladies' Orange Benevolent Association (LOBA). The world of Protestantism conventional gender ideologies and women's public activism, came to prominence through the women's Orange Order.
In 1962, Congo was catapulted into the international consciousness as the scene of conflict and confusion when a civil and constitutional crisis erupted just a week after the independence ceremony. The breakdown of law and order began when the Congolese army, the Force Publique, mutinied against their Belgian officers, leading to violence and chaos in the capital Leopoldville. This book reinterprets the role of the United Nations (UN) Organization in this conflict by presenting a multidimensional view of how the UN operated in response to the crisis. The United States (US) and Britain were directly involved with formulating UN Congo policy, through an examination of the Anglo-American relationship. The book analyses how the crisis became positioned as a lightning rod in the interaction of decolonisation with the Cold War, and wider relations between North and South. It establishes why, in 1960, the outbreak of the Congo crisis and its successive internationalisation through UN intervention was an important question for Anglo-American relations. The book highlights the changing nature of the UN from 1960 to 1961. It focuses on the emergence of a new US policy in New York. Discussing the role of United Nations activities in the Congo (Operation des Nations Unies au Congo), it explains why military incursions into Katanga in September, and again in December of 1961, proved damaging to the Anglo-American relationship. The invigoration of the Secretariat, demands of the Afro-Asian bloc, Operation UNOKAT, and efforts to construct a Western friendly regime in the Congo are also discussed.
In recent years there has been a significant growth in interest of the so-called “law in context” extending legal studies beyond black letter law. This book looks at the relationship between written law and legal practice. It examines how law is applied in reality and more precisely how law is perceived by the general public in contrast to the legal profession. The authors look at a number of themes that are central to examining ways in which myths about law are formed, and how there is inevitably a constitutive power aspect to this myth making. At the same time they explore to what extent law itself creates and sustains myths. This line of enquiry is taken from a wide range of viewpoints and thus offers a unique approach to the question of relationship between theory and practice. The book critically assesses the public’s level of legal, psychological and social awareness in relation to their knowledge of law and deviant behaviour. This line of enquiry is taken from a wide range of viewpoints and thus offers a unique approach to the question of relationship between theory and practice. The book covers both empirical studies and theoretical engagements in the area of legal understanding and this affords a very comprehensive coverage of the area, and addressing issues of gender and class, as well as considering psychological material. It brings together a range of academics and practitioners and asks questions and address contemporary issues relating to the relationship between law and popular beliefs.
This book offers a cross-disciplinary approach to pain and suffering in the early modern period, based on research in the fields of literary studies, art history, theatre studies, cultural history and the study of emotions. Part I of the book discusses, inter alia, the different forms of how suffering was staged, how that staging anticipated certain affects of the onlooker. The focus is on early modern French tragedy and how theatre chose to represent violence, the shocking events of infanticide, and the representation of the enslaved body, where suffering and exoticism go hand in hand. Part II deals with the question of how the availability (both physically and conceptually) of a beholder affects the pain of a victim. It reaffirms the role that words that stand in for pain can have in consolidating the harrowing experience of watching 'King Lear'. It explores the motif of the captivating power of the woman's gaze as part of a wider discourse of male anxiety, and deals with the issue of a (neo-) Epicurean image criticism. The case of Irish Rebellion is used to discuss several forms of witnessing horror, pain and torture in the context of religious and colonial massacres. Part III of the book discusses the executions of Palermo and the role pain played in stock trade discourses in the early modern Dutch Republic. The different forms of punishment at stake, whether in a theatrical or a dramatic scene, imply modes of subjection that were deeply coloured theologically.
This book represents the first attempt to write a comprehensive account of performance art in Eastern Europe - the former communist, socialist and Soviet countries of Central, Eastern and Southeastern Europe - since the 1960s. It demonstrates performance art, which encompasses a range of genres, among them body art, happenings, actions and performance. In exploring the manifestations and meanings of performance art, the book highlights the diversity of artistic practice, moments and ways in which performance emerged, and its relationship to each country's sociopolitical climate. The book discusses 21 countries and over 250 artists, exploring the manner in which performance art developed concurrently with the genre in the West. It examines how artists used their bodies in performance to navigate the degrees of state control over artistic production and cultivate personalised forms of individual integration and self-expression of body, gender, politics, identity, and institutional critique. A comparative analysis of examples of performance art addressing gender-related issues from across the socialist and post-socialist East is then presented. The themes addressed provide local cultural and historical references in works concerning beauty, women's sexuality and traditional notions of gender. Artists' efforts to cope with the communist environment, the period of transition and the complexities of life in the post-communist era are highlighted. Artists during the communist period adopted performance art as a free-form, open-ended means of expression to give voice to concepts, relationships and actions that otherwise would not have been possible in the official realm of art.
Conflict poses considerable challenges for services that support communities, and in particular those affected by violence. This book describes the work undertaken in Omagh against the background of the most recent period of violent conflict in Ireland, and specifically it draws upon the work following the Omagh bombing. The bombing came just four months after the Northern Ireland peace agreement, known formally as the Belfast Agreement of 1998, and more informally as the Good Friday Agreement. The book describes the impact of the bomb and the early responses. Local trade unions, employers and the business community played key roles at times, particularly in underlining the need for solidarity and in identifying themselves with the desire for peace. The book looks at the outcome of needs-assessments undertaken following the Omagh bombing. The efforts to understand the mental health and related impact of the violence associated with the Troubles in Northern Ireland over the period 1969 to 2015 are focused in detail. The later efforts to build services for the benefit of the wider population are described, drawing upon the lessons gained in responding to the Omagh bombing. The developments in therapy, in training and education, and in research and advocacy are described with reference to the work of the Northern Ireland Centre for Trauma and Transformation (NICTT). The book draws together key conclusions about the approaches that could be taken to address mental health and well-being as an essential component of a peace-building project.