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This paper examines clothing depicted in the portraits painted on the walls of the tombs of elites at various settlements in Campania and Lucania in southwest Italy in the fourth century BC, as it provides important information on sartorial appearances and self-perception, especially in view of the dearth of textiles and lack of textual sources. It investigates the interconnected relationship between dress behaviour, ethnic identity and social status among independent Italic groups in the region in this century, a time of political and cultural tensions triggered by Rome’s aggressive expansion of its territorial control. The images, as well as the material culture from grave assemblages, indicate that people expressed who they thought they were through clothing and dress accessories and that this happened on a local basis rather than on a large scale or ‘national’ level. It was predominantly women who were expressing group belonging through specific garments and styles, headdresses, colours and patterns. These images painted for perpetuity offer us a precious window on dress behaviour and they suggest that women were the primary bearers of small-scale community identities in funerary representation and in life in this period of political and social change.
The article aims to shed new light on the voices of bereaved benefactors: slaves, freedmen and freedwomen, who are often marginalized in literary and monumental sources, by exploring a series of unpublished funerary inscriptions from Rome, currently in storage at the Museo Nazionale Romano. Editions of the text, translations and commentaries have been produced by young scholars from the British School at Rome (former participants of the BSR Postgraduate Course in Epigraphy). Their entries, edited by Abigail Graham (Institute for Classical Studies, University of London, British School at Rome) and Silvia Orlandi (La Sapienza, President of the Association Internationale d’ Epigraphie Grecque et Latine), are an exciting and unique opportunity to view inscriptions through a different lens: from scholars with diverse backgrounds and interests (history, archaeology, epigraphy, as well as linguistics), including postgraduates and academics. Careful consideration of text, appearance and context presents an array of voices and audiences as well as poignant messages that transcend time and space through a common experience: grief. By incorporating interdisciplinary scholars in the editorial process, we aim to provide and promote uniquely accessible epigraphic discussions that reflect the broader impact and significance of epitaphs as texts, images and emotive experiences.
In this article, we report new marine reservoir age correction (ΔR) values from the Marine20 calibration for the Penghu Islands in the Taiwan Strait over the past 6700 cal BP, derived from 14C and U-Th ages of Holocene corals. Since secondary calcite from diagenetic processes can influence coral 14C ages, we developed a pretreatment protocol that ensures low calcite content (<1%, 0.8±0.2%) using a combination of thorough physical cleaning and repeated XRD measurements. We compare our new measurements with published ΔR values from the region, recalculated to conform to the Marine20 dataset. The results show larger temporal variation (∼300 yr) in ΔR from 5500 to 6700 cal BP for the Penghu Islands and ∼400 yr variability at several SCS sites from 5500 to 8200 cal BP. Relatively smaller ΔR variability is observed from 0–5500 cal BP: ∼220 yr in the Penghu Islands and ∼320 yr for South China Sea sites. The weighted mean ΔR value of –155±59 14C yr for the past 5500 cal BP is determined as the marine reservoir age correction around Taiwan and northeastern SCS, and this value is consistent with modern values inherited from the North Equatorial Current, the upstream source of the Kuroshio Current that feeds the northeastern SCS and the Taiwan Strait.
In the summer of 1924, a young Neapolitan scholar, Mario di Martino Fusco, claimed to have discovered the long-lost 107 books of Livy’s Ab Urbe Condita, sparking an international media frenzy. Announced prematurely by his supposed ally, Francesco Ribezzo, the claim captivated the scholarly world until it was definitively debunked. Drawing on a wide range of contemporary newspaper reports and scholarly reactions, this article reconstructs the unfolding of the Livy delusion: from Martino’s initial assertion, through journalistic hysteria and academic opportunism, to the final official inquiry revealing a misreading of a fourteenth-century reference. The episode not only ruined Martino’s career but also exposed the vulnerabilities of scholarly ambition, press sensationalism and nationalist rivalries in Fascist Italy. It remains one of the most extraordinary cases of literary delusion in classical scholarship, illustrating both the enduring allure of lost texts and the dangers of credulity and pride.
Anthracological studies of preserved wooden building materials can help reveal ancient networks of resource mobilisation. Here, the authors report on the analysis of 657 charred timbers from four ancillary pits at the UNESCO World Heritage Site of the Mausoleum of the First Qin Emperor. The frequent use of dark coniferous wood (fir, spruce and hemlock) indicates sophisticated logistical planning and labour organisation—matching historic records of Qin administrative ascendency—because these species required sourcing from across many kilometres of rugged terrain. Identification of a temporal shift towards the use of higher-elevation species points to the ecological impact of large-scale timber harvesting.
Blue pigments are absent in Palaeolithic art. This has been ascribed to a lack of naturally occurring blue pigments or low visual salience of these hues. Using a suite of archaeometric approaches, the authors identify traces of azurite on a concave stone artefact from the Final Palaeolithic site of Mühlheim-Dietesheim, Germany. This represents the earliest use of blue pigment in Europe. The scarcity of blue in Palaeolithic art, along with later prehistoric uses of azurite, may indicate that azurite was used for archaeologically invisible activities (e.g. body decoration) implying intentional selectivity over the pigments used for different Palaeolithic artistic activities.
The Antikythera shipwreck provides a rare chronological anchor in the history of Greek sculpture. The cargo, a massive haul of more than four-dozen bronze and marble statues, in addition to amphorae and portable luxury goods, was lost at sea c. 70–50 BCE, possibly later, along the north-east coast of the island of Antikythera. Previous research on the sculptural assemblage from the wreck has focused on the style and iconographic heritage of individual statues. This article examines the statuary as a gathered whole to isolate trends in material, size, and subject matter. The results suggest a main setting where some, maybe all, of the statues might have originally been displayed: the gymnasion. The statues were probably obtained through plunder or extortion, not normal commercial activity. The study concludes by considering where the statues might have been set up once they reached their presumed destination in Italy. It is shown that the statues were most appropriate for display in a lavish public building in Rome.
This article uses amphora quantification and regression analysis to trace economic changes in the Mediterranean between the Principate (27 bc to ad 284) and Late Antiquity. It indicates that, during the Principate, there was a clear pattern of amphora distribution across the Mediterranean, which can be explained by the predominance of market forces among the factors governing trade. In contrast, the weak correlation between exports and prices observed in Late Antiquity suggests a significant shift in the underlying principles of trade during this period.
When evaluating competing hypotheses in archaeology, researchers frequently invoke the principle of parsimony, which states that simpler hypotheses should be preferred. However, the criteria for measuring simplicity and the rationale for labeling a hypothesis as most parsimonious often remain unclear. More broadly, the epistemic merit of parsimony and its relevance to archaeological reasoning are generally assumed but rarely clarified. This article explores how archaeologists use parsimony in ethnographic analogy and formal model selection. In the first context, it is usually uncertain how simplicity should be measured or why increased simplicity raises the plausibility of an ethnographic analogy. We contend that discussions of ethnographic analogy are better characterized under inference to the best explanation, where parsimony is only one heuristic among others. In the second context, simplicity is assessed by the relative complexity, rather than the quantity, of postulates in a model. This approach to parsimony, which does track plausibility under certain conditions, helps prevent false positives in archaeological interpretation. However, it also heightens the risk of rejecting alternative, complex causes. We argue that parsimony can aid in evaluating the relative likelihood of competing models and, more importantly, serve as a guide to clarify the complex histories of archaeological phenomena.
Crete’s economy under Roman rule is associated primarily with production and distribution of wine, an interpretation resulting from textual and archaeological data. Several scholars have commented on the potential of oleoculture within the economic structure of Roman Crete, including reference to olive oil as a good for export, but there has been minimal follow up that considers the specific evidence available and its ability to shed light on these practices. This paper critically considers the evidence for oleoculture on Crete during the Roman period and its prospective role in the economic life of the island, including a focus on evidence for olive cultivation and the extent to which this points to surplus production. While there are indications of olive oil production across different parts of Crete, oleoculture may have focused primarily on supporting regional economic needs across the island. Some degree of export likely did occur, perhaps on a small scale and intermittently, but evidence is lacking to develop any interpretation beyond that. Such analysis is important not only for consideration of the Roman economy of Crete but also for addressing questions and concerns around the standard contents of transport amphoras, which remain one of the most important archaeological proxies for studying economic networks and the distribution of different products. Analysis of trade routes and distribution often rely on direct correlations between amphora types and their contents, and this must always be critically assessed.
This article documents the survival of gender inequalities in UK archaeology. We discover how an early equality and diversity agenda (Morris 1992) was dismantled in the late 1990s and explore the impact this had on women’s careers. Analysis of data from Chartered Institute for Archaeologists1 employment surveys for the period 1999–2008 enables a developed understanding of why many women, often reluctantly, left archaeology in their 30s, in a continual ‘leaky pipeline’, as volunteer group British Women Archaeologists was established. We find core issues linked to this ‘sector exodus’ as a gendering of tasks/under-employment, lack of support around parenting, and gendered promotion, leading to pay disparity. We argue that a refusal in the late 1990s to modernize employment structures around women workers’ needs underpins ongoing economic precarity in the sector.
Taking into consideration the socio-political history and politics of identity in Latin America, Indigenous peoples’ current demands and the contemporary context of pressure on Indigenous territories from powerful groups who deny and challenge Indigenous identities and organisations in their pursuit to appropriate the natural and cultural resources of these territories, this paper argues for the necessity of an engaged, activist Indigenous archaeology in Latin America that is committed to the goals, claims and struggles of native peoples. The argument is that archaeology should move beyond critically reflecting on the discipline’s colonial history to develop a politically oriented and theoretically informed praxis that is in tune with Indigenous peoples’ project of dual decolonisation – the decolonisation of themselves and the decolonisation of the State. This praxis must be based on two principles: respecting Indigenous peoples as subjects of collective rights and political subjects, and embracing interculturality. The paper offers four examples of the challenges faced in making archaeology available to the subaltern.