This article contributes to Wild Pedagogies by foregrounding love as an emergent, affective practice that takes shape through embodied, affective encounters with the more-than-human (Whatmore, 2006) and material world. Engaging post-qualitative sensibilities, it approaches walking and writing not as fixed methods, but as entangled, responsive practices that invite ethical attunement to the unfolding rhythms of the living world. While Wild Pedagogies emphasise relationality, they have yet to fully account for affect as a pedagogical force. Addressing this gap, the article traces how love moves through diverse encounters, shaping perception, responsibility, and responsiveness. Love is conceptualised through three interwoven affective pathways: shimmering rupture (moments that unsettle habitual perception), relational resonance (the affective flow that binds beings in co-becoming), and cyclical attunement (the rhythmic deepening of ethical engagement). These pathways reframe love as a material practice of staying-with (Haraway, 2016)—a commitment to returning, noticing, and responding to the world’s ongoing entanglements.

This article focuses on the poster child of grammaticalization, be going to V. First expressing ‘motion with intention’, in Early Modern English the construction came to signify ‘motionless intention’. The grammaticalization process continued in Late Modern English with subjectification, so that ‘intention’ was gradually replaced by ‘prediction’. We study the process from Late Modern to Present-Day English in the 200-million-word fiction section of the Corpus of Historical American English (COHA), 1810–2009, for which we have gender metadata on the authors. We focus on the productivity of the construction by comparing type frequencies, i.e., the number of different verbs following be going to. Our research questions are how the grammaticalization is reflected in the productivity of the construction, and whether the social factor of gender played a role in the process. We study the internal factors of mental verbs, inanimate subjects and passive voice; to this end, we use robust statistical methods to compare type frequencies and proportions of types over time. We also investigate the semantics of the verb types by drawing on techniques from distributional semantics. Our wider aim is to enrich the cognitively oriented theory of Construction Grammar with insights from historical sociolinguistics.

Depopulation of end-of-lay hens can result in stress and injury for both hens and catchers. A pilot study was assessed to optimise hen and catcher well-being during loading. Two add-on prototypes for attaching to transport container drawers were tested on five commercial aviary farms: prototype 1 (metal tube with vertical flaps); and prototype 2 (frame with horizontal flaps). Per flock, a subset of 800 end-of-lay hens was assigned to one of three treatments: Standard container with 15 drawers; Standard container plus prototype 1; and Standard container plus prototype 2. Parameters (filling duration, number of escapes, number of body part entrapments, restlessness, and loading inefficiency in container) were scored during the catch, supplemented by a post-loading catcher survey, and at the slaughterhouse (loading damage prevalence, number of dead-on-arrivals). The three treatments were compared using a 1–7 Likert scale. Hens were significantly calmer with prototype 1 compared to prototype 2 with no significant difference relative to the standard container. Loading was less efficient for prototype 2 vs the standard container. Catchers preferred prototype 1 and the standard container over prototype 2 for ease of use and hen calmness and prototype 2 showed no advantages for efficiency or animal and catcher well-being. Prototype 1 resulted in fewer breast bruises than the standard container with no difference in loading efficiency and requires larger-scale testing for enhancing effectiveness, animal and catcher well-being.

In a recent book, Bastiaens and Rudra (2018) claim that as governments embraced trade liberalization in the 1990’s, they experienced a revenue shock, and that democratic governments found it harder to repair the breach than did authoritarian ones. As a result, they argue, contemporary trade liberalizations have posed a danger to democracy by starving it for funds, forcing vulnerable governments to resort to politically unpopular policies. This is an important and provocative argument. However, good evidence contradicts its major premise. This research note critiques some data, presentation, and conceptual problems with the argument. It provides new analyses using the well-curated dataset from the International Centre for Tax and Development (ICTD, updated by UNU-WIDER), instead of the authors’ primary data from World Development Indicators. It shows that developing countries–and democracies especially–did not, in fact, suffer a revenue shock. On average, trade taxes constituted only a minor part of their government revenue. While the revenue they provided declined slightly over the period in question, this trend was overwhelmed by variation in other tax and non-tax revenues. As for total tax revenues, a key variable sometimes underemphasized in the book, ICTD data show that they expanded more rapidly in democratic developing countries than in non-democratic ones. Regression analyses with ICTD data also fail to confirm the authors’ finding of a revenue shortfall among developing democracies.

Methods of critique fashion their possible outcomes. Rita Felski (2015) makes the case for ‘postcritique’, a method of reading in which texts are worked with, understood in their own right, such that a more diverse range of styles and arguments might be understood. Robert T. Tally Jr. (2022) rejects this method, contending that postcritique claims to serve the text under analysis but, in adopting a standpoint of placid agreement, facilitates a mode of reading that diminishes the potency of the text itself and critical dialogue more generally. This article argues that postcritique has dominated the discourse surrounding ‘The New Discipline’, a manifesto of sorts written by composer Jennifer Walshe. The article offers an alternative critical reading of ‘The New Discipline’, arguing that the text is itself a Jennifer Walshe piece. The composer performs the role of a musicologist who falsely declares newness, inconsistently includes and excludes artists, and deploys a vague, if not contradictory, definition of bodies. The manifesto is addressed to an undisclosed but seemingly specific audience. I argue that these apparent shortcomings evoke themes of performance, irony and fictionalisation that are found elsewhere in Walshe’s work and make such a reading licit.

For every positive integer d, we show that there must exist an absolute constant $c \gt 0$ such that the following holds: for any integer $n \geqslant cd^{7}$ and any red-blue colouring of the one-dimensional subspaces of $\mathbb{F}_{2}^{n}$, there must exist either a d-dimensional subspace for which all of its one-dimensional subspaces get coloured red or a 2-dimensional subspace for which all of its one-dimensional subspaces get coloured blue. This answers recent questions of Nelson and Nomoto, and confirms that for any even plane binary matroid N, the class of N-free, claw-free binary matroids is polynomially $\chi$-bounded.

Our argument will proceed via a reduction to a well-studied additive combinatorics problem, originally posed by Green: given a set $A \subset \mathbb{F}_{2}^{n}$ with density $\alpha \in [0,1]$, what is the largest subspace that we can find in $A+A$? Our main contribution to the story is a new result for this problem in the regime where $1/\alpha$ is large with respect to n, which utilises ideas from the recent breakthrough paper of Kelley and Meka on sets of integers without three-term arithmetic progressions.

The Saami Council, founded in 1956, is one of the oldest Indigenous-led international organisations in the world. Despite this, its role and place on the world stage have been seldom examined, as has the place of internationally facing Indigenous Peoples’ Organisations more broadly. Using the organisation’s historical documents, among other sources, this article constructs a historic case study of the Saami Council from its founding in 1956 until the year 2000 to examine how it has evolved during this period and to better understand its standing within the greater international community. As the study discusses, since its inception, the organisation has evolved into an example of an Indigenous-led diplomatic organisation – one that came about through the changing political climate of the 1970s and solidified in the late 1990s. This evolution has implications for how we understand Indigenous-led advocacy and the role of non-state actors in international relations.

All poetic forms come from somewhere. Prosodic templates can be copied for generations, altered by individuals, imported from foreign traditions, or fundamentally changed under the pressures of language evolution. Yet, these relationships are notoriously difficult to trace across languages and times. This article introduces an unsupervised method for detecting structural similarities in poems using local sequence alignment. The method relies on encoding poetic texts as strings of prosodic features using a four-letter alphabet; these sequences are then aligned to derive a distance measure based on weighted symbol (mis)matches. Local alignment allows poems to be clustered according to emergent properties of their underlying prosodic patterns. We evaluate method performance on a meter recognition tasks against strong baselines and show its potential for cross-lingual and historical research using three short case studies: (1) mutations in quantitative meter in classical Latin, (2) European diffusion of the Renaissance hendecasyllable and (3) comparative alignment of modern accentual-syllabic meters in 18–19th century Czech, German and Russian. We release an implementation of the algorithm as a Python package with an open license.

Neoclassicism is now largely eschewed within New Music. While there seems space in our pluralistic scene for modernist, postmodernist, minimalist, performative and conceptual music, the compositional values of neoclassicism seem out of step and anachronistic. This article advocates that classical principles should be put back on the table, arguing not for a return to a historical neoclassicism but rather for idiosyncratic forms of neoclassicism that emphasise characteristics such as entertainment, playfulness, clarity, forms of tonality and engagement with received form.

Almost 10 years ago, the Ordonnance of 10 February 2016 reforming the French Civil Code (CC) removed the cause from the conditions for validity of the obligation. Thus, it broke with the tradition of the Code Napoléon, and a large number of civil codifications followed. Since 2016, French scholars have argued that, notwithstanding its conceptual implications, the disappearance of the formula of the cause has resulted in semantic rather than substantial changes. Whereas, in one opinion, the cause is still found underlying ‘contenu litice et certain’ (Article 1128), its various forms and functions today appear in several CC provisions.

It is plausible that a witness’s credibility is lowered if he testifies to an outcome that has low probability, but this is not always true. If the outcome has a low prior due only to its specificity (as in a fair lottery), witness credibility is not lowered by attesting to it. Even when witness credibility does drop as a result of the testimony, it can substantially confirm its contents, and agreement between independent witnesses can “give back” credibility that one witness lost. Formal modeling and analysis shed light on when each of these situations obtains.