Recurrent methicillin-susceptible Staphylococcus aureus colonization following successful decolonization in a neonatal intensive care unit (NICU) has been observed. Of 17 recolonization events, 53% were due to concordant strains; 19 different spa types were identified. Results of this study support sources of re-acquisition both intrinsic and extrinsic to the NICU.

In response to Bentley and O'Brien's (2024) article, I wish to focus on a specific aspect of cultural inheritance—that of technological innovation in later prehistory. In essence, I agree that “inherited social practices and knowledge” (2024: 1407) are indeed the backbone of technological transmission. Many examples can be cited where technological expertise (potting, metalworking, etc.) is passed down within a family or through apprenticeship schemes. For example, the first Ming Emperor of China (Hongwu, reigned AD 1368–1398) initiated in 1381 a census (the ‘Yellow Book’) in which households were classified for taxation purposes into one of four categories: general, military families, artisans and salt-producers. Artisans were classified by trade and the implication is that the family trade was fixed and inherited (Huang 1974: 32). This system continued until at least the end of the Ming dynasty (AD 1644).

We start this survey in Italy during the early first millennium bce; a context on which Seth Bernard's new monograph offers an exciting, and in several respects transformative, contribution.1 Its general claim is that, while Rome did not develop a historiographical tradition until Fabius Pictor, there was a keen and pervasive interest in history across ancient Italy, since the early Iron Age, which played out across a wide range of venues and media. The brief of the historian must be to jettison any hierarchical approach to the interplay between textual and archaeological evidence, and to take as broad a view on what history amounts to as possible.

The Digital Archive of Artists’ Publishing (DAAP) is an ethical, open source, artist-driven database of artist books and publications. DAAP recently received Heritage Lottery Funding to support the Women's Art Library (WAL) to build their own archives on the platform. Through a series of workshops, tutorials and drop-ins, artists represented in the WAL generated anecdotal, ‘gossipy’ histories which act as access points to artists’ books that may be out of print, limited in availability within institutional or public archives or libraries, or shared digitally for the first time. I will draw on a selection of records – an archive of examples – from the Women's Art Library on the Digital Archive of Artists’ Publishing to show how the database evolves in response to artists’ needs. These gorgeous, unruly catalogue records trouble, disrupt and bend metadata for queer use.1

Understanding why people choose to adapt or emigrate when facing slow-onset climate events is central to the design and implementation of policy addressing displacement spurred by climate change, especially climate-refugee programs. In this article, we leverage extensive field interviews and a novel survey in the Federated States of Micronesia, a country at high risk of environmental degradation but whose citizens have carte blanche access to the United States. We find that despite a general awareness of environmental risks, these play a minor role in migration decision making. Instead, other factors like work, health, and family obligations take precedence.