Despite a heavy philosophical focus on issues pertaining to immigration, little discussion is taken up that examines the duties we owe to migrant children. This article works to bridge the gap between global justice literature and work on children’s autonomy and well-being. To capture what migrant children experience in the context of immigration and detention, the article examines the conditions on the island country of Nauru, where at least 222 migrant children experienced detention between the years of 2013 and 2019. Using this lived experience as an example, the article argues that we owe children specific positive duties, which are further supported by the Convention on the Rights of the Child. Throughout this article, the aim is to indicate how migrant children occupy a particularly vulnerable and nonautonomous status in the context of detention. Because of this, children are owed especially weighty positive duties that are not discussed in the current global justice literature.

This article examines the politics of restitution within the Black Atlantic through the case of the Restitution Study Group’s legal challenge to the Smithsonian Institution’s return of Benin bronzes to Nigeria. While most scholarship frames restitution as a struggle between Western museums and postcolonial states, this article shifts the lens to intra-Black debates that complicate inherited frameworks of return, foregrounding the unresolved legacies of slavery and the claims of Black American and broader diasporic communities. At the same time, it situates these debates within the larger global landscape in which Western institutions and nation-states continue to define the terms and tempo of restitution. By challenging the assumption that restitution is solely a matter between source nations and former colonial powers, the Restitution Study Group brings attention to how African elites’ historical participation in the transatlantic slave trade and the ongoing marginalization of diaspora communities shape contemporary claims. The article also places these interventions alongside disputes within Nigeria over custodianship between the federal government, Edo State, and the Benin royal court. By tracing these overlapping histories, ethical claims, and political stakes, the article argues that returns of looted artifacts are not simply acts of restitution, but processes of decolonial repair that reconfigure authority, belonging, and historical responsibility across diasporic and national contexts.

Historical analysis of Ghana’s late colonial mine communities has been extensive and overwhelmingly dominated by organised and politically active male mineworkers. Questions regarding the linkages between formal and informal mining actors and cultural ideas in the broader mine communities have remained inadequately explored. This article makes a timely investigation by critically analysing a range of governmental and corporate archival documents and situating the discussion within the context of expansive literature on Asante, and complemented by oral histories. It centres on the Asante/Akan term “kankyema”—a sociocultural phenomenon which women transformed towards economic ends to navigate the late colonial political economy’s mining income disruptions. The article argues for the essential need to centre marginalised voices in understanding diverse agencies in African mining history and for a deeper reflection on the potentialities of contextual sociocultural ideas—notably, how marginalised actors invoke and evoke their capacities over different times.

This article argues that environmental justice extends beyond planning and decision-making to include enforcement as a critical, yet often overlooked, dimension. It advances the claim that incorporating environmental justice into enforcement law and policy is essential for addressing structural inequalities and promoting accountability in environmental governance. The primary objective of the article is to identify environmental justice guidelines embedded in enforcement frameworks, with the aim of strengthening the role of justice in regulatory practice and enhancing the equity and effectiveness of enforcement outcomes. The analysis focuses on three enforcement tools that reflect a flexible and responsive approach: (i) the United States’ Supplemental Environmental Projects, (ii) the United Kingdom’s Environmental Enforcement Undertakings, and (iii) Chile’s Compliance Programmes. The article draws on three sources of data: case studies, the environmental justice guidelines applicable to them, and the existing state of enforcement. It begins by examining the regulatory design of enforcement systems in the three jurisdictions; it then analyzes each tool to identify how environmental justice dimensions are integrated – or could be integrated – into their design and implementation. Finally, it assesses the practical application of these instruments, arguing that the deliberate incorporation of environmental justice considerations can improve the responsiveness, transparency, and legitimacy of enforcement mechanisms, which ultimately benefits both the environment and affected communities.

By eliminating spoken words and more novel musical and staging effects used in the original Ghost Opera, Tan Dun’s Concerto for String Quartet and Pipa offers an analytical opportunity to show how he uses more conventional musical techniques to depict an intercultural and personal ritual. Yet, studying Tan’s usage of borrowed musical elements illuminates the commonalities and irreconcilable differences between Eastern and Western sounds. The construction of such an intercultural soundscape nonetheless requires a distinction between Chinese and Western musical practices. The Chinese sounds used in this work are also mediated by the Chinese state or Tan himself from rural communities through modernist and Orientalist means, while Tan’s compositional approach remains centred on Western-based musical means. This shows Tan’s agency to both place Chinese peasant culture at the periphery and elevate such elements to high art for Western audiences.