This article explores how late nineteenth-century British socialists theorized the relationship between socialism and democracy through debates about the referendum. At the 1896 London Congress of the Second International, Fabians such as Sidney and Beatrice Webb and George Bernard Shaw defended parliamentary representation, expertise, and leadership as essential to socialist politics. In contrast, radicals in the Social Democratic Federation, and the Independent Labour Party advanced a theory of “real democracy” centered on direct popular legislation. Rejecting parliamentarism as corrupt, they envisioned referenda, mandates, and recall as tools to secure individual sovereignty and to dissolve the dominance of permanent majorities. This model redefined majority rule as transient, issue-specific, and plural, challenging both plebiscitary leadership and technocratic elitism. Although the International ultimately adopted the referendum only for strategic purposes, these debates reveal an original, if forgotten, socialist account of democracy as a form of pluralist, non-electoral majoritarianism.

An open question about cartography is whether one and the same functional head may iterate on the functional hierarchy. We demonstrate that the stackability of certain modals from the same semantic class in Mandarin offers clear evidence for such a possibility.

In this article we trace a biography of vacuum aspiration in Spain between the 1960s and 1980s. Analysing the local but transnationally connected history of vacuum aspiration during late Francoism and the democratic transition, we argue that this technology was since the mid-1960s reincarnated in mainstream medical discourse as vacuum curettage, presented as a major medical innovation in diagnosis and therapy. While abortion activists working at the end of the 1970s emphasized the group and political components of a technique they called the ‘Karman method’, doctors performing illegal abortions within the family planning network defined vacuum aspiration in terms of safety and medical innovation. As we demonstrate, this technique embodied meanings that at times overlapped, at others conflicted, contingent on whether aspirations were linked to medical innovation, pro-abortion activism, or social justice.

This article attempts to map some of Vietnam’s national identities that were constructed in the early twentieth century (1900s-1930s). Instead of treating Vietnamese national identity either as a monolithic entity or as too fragmented to be considered a useful concept, it shows that at least three interactive and overlapping national identities emerged, each with its own political significance and state institutionalisation. To map them, this article re-traces several key nationalists in the early twentieth century. It situates each of their national imaginations within interconnected global relations, namely, Civilisational relations of hierarchy, cultural relations of equality, and radical relations of exploitation and oppression. This analytical approach to mapping national identity offers a framework that may prove valuable for cross-national comparative studies.

In this paper, we present two corpus-based case studies which cast doubt on the postulation of a distinction between complements and modifiers in pre-head position in the English noun phrase. Based on examples such as medical student, the paper focuses on ordering patterns as an easily observable criterion, rather than more difficult or less reliable criteria such as anaphoric replacement or stress patterns. The conclusion is that the pre-head dependents treated as complements in, for example, the Cambridge Grammar of the English Language (Huddleston & Pullum et al. 2002), should rather be treated as type-dependents. This conclusion, at least as far as ordering patterns are concerned, is in line with the postulation of a “classifier” function in approaches to English noun phrases such as Feist (2009).

The Liber Lynne, a fifteenth-century manuscript in the archive of the City of London Corporation, is a puzzle. Catalogued among the City of London’s collections of written custom (formerly Guildhall MS Cust. 15), it is generally defined as a cartulary. In this article, I study the Liber Lynne as a book that was both about family and for family. Its chance survival, a consequence of its acquisition by the Hanseatic Steelyard in London before the end of the fifteenth century, offers an unusual opportunity to explore the concept of family in the medieval English town. I situate the Liber Lynne in a distinct place and time, and argue that the book is a distinctively urban manuscript, the outcome of urban interests, ambitions, and anxieties. It also reveals the persistent and ubiquitous presence of plague, which exposed the fragility and precarity of families, but helped to give them different shapes. These shapes, or structures, were fluid because of the mutable nature of ideas about family and its voluntaristic qualities. Family, the Liber Lynne suggests, was a choice and a practice.

This article examines the heritagization of nuclear urbanity as a distinctive form of Soviet industrial urbanism. The research focuses on the satellite settlement of the Ignalina Nuclear Power Plant in Lithuania, which exemplifies the ‘presentism’ characteristic of Soviet heritage – an entanglement of multiple temporalities alongside goals of propaganda and preservation. We argue that local engagements with nuclear cultural heritage are rooted in the fact that commemorative practices were embedded from the inception of the atomic town’s development. This early transformation of nuclear urbanity into heritage ensured that the former Soviet atomic town preserved not only material traces but also a lasting infrastructure of social memory and urban imagery, mobilized by various actors for identity building and future negotiations.

This article examines the parallel yet divergent histories of Indiaʼs and Chinaʼs Antarctic programmes, exploring their geopolitical, scientific, and cultural dimensions. Both nations, initially excluded from the Western-dominated Antarctic Treaty System (ATS), joined in the 1980s, marking a shift in their approach to the southern polar region. India, driven by post-colonial solidarity and environmental concerns, has focused on scientific research and conservation, while China has expanded its activities to include resource extraction and satellite surveillance, aligning with Russia to influence ATS policies. Both countries have leveraged their Antarctic presence to reinforce civilisational narratives—Indiaʼs Akhand Bharat and Chinaʼs tian xia—extending their cultural and geopolitical spheres. This article highlights their shared ambivalence towards ATS governance, their evolving strategies, and the role of Antarctica in their broader worldmaking projects. It argues that understanding these intertwined histories is crucial for addressing the conceptual clash between Global North-led environmental restrictions and Global South approaches to common resources, with implications for global climate and environmental governance.

This article analyses the naming of streets in late nineteenth-century Kyiv. Building on scholarship on critical toponymy and using unpublished archival sources, it presents street naming as more multifunctional than usually recognized. Besides orientation and ideology, toponyms were believed to be able to raise property value and attract tourists. By highlighting the debates among landlords, municipal authorities and imperial officials around commercialization and temporalization of the streetscape of late imperial Kyiv, the article demonstrates how economic priorities accompanied and even sometimes outweighed political considerations in determining toponymical choices.

Bishkek became the administrative centre of the Kara-Kirghiz Autonomous Oblast in December 1924, meaning that Bishkek became the capital city for the Soviet Kyrgyz Republic when it was declared in 1926. This elevation in status coincided with an inauspicious economic and social situation for the city, which was still recovering from the violence of the late imperial era. Ethnic relations in Bishkek and its environs were strained, particularly over the land question. Yet, the acquisition of pastureland by the Kyrgyz population in the Bishkek region appears as a quirk of urban land management rather than a conscious policy of reparations.

This article re-examines the geography of late eighteenth- and early nineteenth-century Havana through the gendered lens of Black freedom and enslavement. The author uses fragmentary evidence surrounding the disappearance of Margarita, a young, enslaved girl in 1820s Havana, to suggest how the city’s African and African-descended residents navigated urban space in opposition to colonial design and function. In the process, the author suggests the ways in which the interventions of Black residents, influenced by the ecologies internal to the port, were pivotal to the production of urban space and the geographies of slavery.

Starting in the 1830s, French musicians began to fully engage with the concept of nostalgia as an affective category and as a musical trait. The deliberate artistic process of naming music and musical works as ‘nostalgia’ contributed to the demedicalization of the term while transforming its original meaning as homesickness into a spectrum of spatiotemporal emotions. Musical renditions of nostalgia also displaced expressions and discussions of this emotion away from the countryside, where it had originally been rooted, towards the city. Musicians thus directly participated in the transformation of nostalgia into a commodity, a fashionable product that could be purchased in music stores, experienced firsthand in entertainment venues, and tailored to the needs and desires of an urban population.

This article traces the shift in the evocation of nostalgia in music and the musical press during the nineteenth century in Paris, where it became most prevalent in dozens of vocal romances and instrumental pieces. The compositions that I analyse, rather than forming a unified depiction of the city, offer a range of sonorous and thematic ideas that provide a more comprehensive understanding of the place nostalgia played in the imagination of an urban population increasingly conscious of its artistic value and impact. I thus uncover three main stages in this shift, which show how successive generations of musicians, influenced by different attitudes to urbanity, conceived nostalgia. I investigate why composers drawn to nostalgia were attracted to certain types of musical and formal models, what these choices reveal about their understanding of nostalgia and its purpose, and, more importantly, what this musical nostalgia sounded like. This article provides the first overview of works that deliberately use nostalgia as an explicit topic across genres and generations in nineteenth-century Paris.