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During the 1990s and early 2000s, artists of color began to gain prominence and squarely address the burden of recognition and the politics of representation over race and Britishness. Chapter 3 focuses on Maud Sulter and David Dabydeen, who highlight the Black presence in European and British art through the poetic genre of ekphrasis, or poems on visual art. In Sulter’s case, the Scottish Ghanaian lesbian artist conducts a series of “queer reframings” through her career-long preoccupation with Jeanne Duval, the common-law wife, “Black Venus,” and muse to Charles Baudelaire. In contrast, David Dabydeen takes on one of the most revered English artists in his long poem, Turner (Peepal Tree, 1995), which enters into conversation with Turner’s Slavers Throwing Overboard the Dead and the Dying – Typhon Coming On, commonly known as The Slave Ship (1840). Their ekphrastic experimentations pattern forms of Blackness and racialized being whose radical alterity become “beyond recognition,” to the point of becoming nearly inscrutable and unknown in aesthetic form.
While the politicization of ethnic identities is readily observed around the world, a generalized understanding of what makes members of a particular group more likely to coordinate their votes towards a single party or candidate remains elusive. This Element scrutinizes voting patterns at the social group level based on individual-level survey data and controlling for country-level variables across 115 countries. The findings highlight how the characteristics of ethnic groups, especially size and crosscutting patterns, interact within political institutions. Three group-level characteristics are especially influential to bloc voting – stronger geographic concentration, greater internal alignment of group members across other identity dimensions, and groups whose members are more distinctive across identity dimensions compared to the broader population. When analyzed across political institutions, the highest rates of bloc voting occur among small groups with low crosscutting in permissive settings and medium groups with low crosscutting in restrictive settings.
Chapter 5 studies the ways in which Bhanu Kapil and D. S. Marriott, two innovative British Asian and Black avant-garde writers based in the US, renovate lyric to invent a poetics of riot in the twenty-first century. The surplus of crisis – or what Joshua Clover has theorized in Riot. Strike. Riot as the new era of uprisings due to surplus economic immiseration disproportionately affecting racialized populations – appears in experimental form, which I call “surplus lyric.” In Ban en Banlieu, Kapil composes a cross-genre experimental poem to mediate instances of racialized violence against women spanning London, New Delhi, and the Bay of Bengal. In contrast, Marriott gives lyrical expression to a poetics of riot through his adaptations of the London-based underground musical genre of grime in his collection Duppies. Kapil and Marriott hold in common a political stance that envisions not progressive transformation but rather a radical abolition of the structures that perpetuate racial violence in Britain and elsewhere.
Egypt and the Levant witnessed complex transformations across the Bronze Age. Beyond the rise and collapse of powerful cities and states were the long-distance connectivities that enabled the movements of people and animals, and the interlinked exchanges of commodities and ideas. By the Late Bronze Age, these connectivities exhibited markers of globalisation. This Element considers how such markers emerged and developed in the preceding centuries. Focusing on the third to mid-second millennium BCE, it brings together recent research on socio-political developments and cross-cultural interactions to give an overview of the transforming networks linking Old to early New Kingdom Egypt and EB III to LB I Levantine communities. In doing so, the Element incorporates approaches that move away from imperialist structures of exchange to consider how dynamic networks were negotiated and maintained across periods of socio-political change.
This book is designed for undergraduate and graduate students in engineering enrolled in courses on control systems and optimal control. It will also serve as a valuable reference for mathematics students studying control theory. It offers a rigorous and systematic treatment of both finite-dimensional and infinite-dimensional control systems. The volume opens with chapters on essential mathematical foundations, including mathematical modelling, linear algebra, and ordinary differential equations, establishing a solid framework for the study of control theory. Subsequent chapters provide an in-depth treatment of key topics such as controllability, observability, feedback control, state observer, optimal control, constrained control, stability, approximate controllability, and regularized control. The text concludes with comprehensive coverage of discrete-time systems and infinite-dimensional systems. Throughout the book, theoretical developments are supported by detailed mathematical proofs, illustrative examples, solved problems, and end-of-chapter exercises, making it suitable for both classroom use and self-study.
This Element investigates how selected postcolonial African writers have adapted or rather reshaped historical sources for dramatic compositions. The writers and works the author focuses on are: Wole Soyinka (Death and the King's Horseman, 1975), Ngũgĩ wa Thiong'o with Micere Githae Mugo (The Trial of Dedan Kimathi, 1976), Ebrahim Hussein (Kinjeketile, 1970), and Effiong Johnson (Not Without Bones, 2000.) Their reading of the plays emphasizes their status as postcolonial texts and not just works of African literature. In doing so, the Element is mindful of the fact that postcolonialism has inevitably involved the conceptualization of non-Western modes of thought as a means of challenging the West. The author's central argument is that the selected postcolonial African authors use artistic licence to rewrite colonial history from below, transforming historical trauma into counter‑narratives that restore agency, dignity, and futurity to the oppressed.
Why are some constitutions amended more frequently than others? Studies of amendment rates have been plentiful but have not generated much theoretical or empirical consensus because the extant literature rests rest on a strong and unwarranted assumption that social capacity to navigate amendment rules is constant across space and time. By contrast, the authors of this Element argue that this social capacity varies by civic connectedness. Drawing upon previous studies that find social capital mitigates transaction costs, this Element outlines the myriad ways in which social capital helps elites, social movements, and ordinary citizens solve the collective action problems associated with constitutional reform. The authors find evidence for their theory using a variety of measures, methods, and units of analysis.
This Element offers a general overview of the topic of extraterrestrial life – its possible existence, forms, and cultural as well as religious views on it – with particular attention to Islamic perspectives, past and present. It begins with a brief survey of the history of the debate over the plurality of the worlds as it unfolded in Christendom, followed by a concise, albeit non-technical, summary of the recent advances in the search for extrasolar planets and for life in the cosmos. The focus then shifts to the Qur'ān and hadīth as foundational sources for developing an Islamic perspective on the question of extraterrestrial life. Finally, several Islamic concepts that might require re-evaluation in light of the discovery of extraterrestrial life are presented, underscoring the urgent need for the development of an Islamic astrotheology.
Innovative novels by women published in the UK in the 1950s and 1960s have returned with a vengeance in the last decade. They have reappeared in bookshops, they have been the subject of academic work, of newspaper articles and radio programmes. Feminist critical work is likely to see this return through the trope of recovery; those interested in publishing are likely to use Pierre Bourdieu's model of 'restricted production'. This Element argues that both of these temporal models are problematic. That these novelists have not been fully present in literary culture till now is the fault neither of 'forgetting' nor the time lag inherent in restricted production, but of the specific and complex structures, dynamics and assumptions of publishing. By focusing the publishing and republishing of the work of Ann Quin (1936–1973), this Element remakes the feminist critical landscape for work on novelists from the past and on publishing.
This Element launches a broadside against the visual-centric approach that has dominated philosophical and scientific discourse about the senses. Considering the variety and breadth of sensory experiences, from the deceptively familiar territories of smell and taste to the frequently overlooked experience of touch and interoceptive processes, it challenges us to rethink the philosophical bedrock of our theories of mind. It advocates a shift towards a more multi-modal and embodied approach that values biological realities and cross-cultural insights. It analyses traditional criteria for classifying sensory modalities and examines how sensory augmentation technologies provide insight for theories of perception by virtue of sensorimotor learning. The Element also highlights the disconnect between current scientific advancements and philosophical inquiry, suggesting that refocusing on the senses more broadly defined, especially on kinesthetic experiences, illuminates new paths through the thorny 'hard problem' of consciousness. This title is also available as Open Access on Cambridge Core.
This Element provides an overview of the origins and development of forensic linguistics in the UK. It starts with a brief overview of early forensic linguistic research in the UK context, how some of the earliest work came about and the circumstances that allowed the field to develop and grow. Following this, the Element details the UK-based developments in the forensic analysis of texts, most notably through forensic authorship analysis and profiling. Section 3 outlines the research on spoken linguistic practices in legal contexts, using the order in which one might encounter these parts of the legal system (the emergency services, the police, the courts) as a structure. Section 4 looks at recent developments in the linguistic analysis of criminal and abusive behaviours in online contexts. Finally, the Element summarises the current state of forensic linguistics in the UK, pointing to key debates and potential future directions.
Technological change and innovation have long fueled economic growth and employment. Yet, in recent decades, productivity gains have increasingly failed to translate into more jobs and higher wages. Jobless Growth and the New Great Transformation investigates this apparent paradox, by examining the theoretical and empirical evidence about the relationship between innovation and structural change. It combines rigorous and cutting-edge data analysis with EU case studies to reveal how recent technological breakthroughs, far from driving shared prosperity, have slowed growth, widened spatial divides and fueled societal polarization, partly due to excessive confidence in market deregulation. Drawing on data-driven analyses, the book explains why impacts of innovation vary so widely between regions and how history, institutions, and policy-not just market forces-determine who benefits from technological advances and who is left behind.
The western tradition of coinage began in Asia Minor around 650 BCE and from there the idea spread quite rapidly to other parts of the Mediterranean. This book describes and evaluates developments in coinage down to the middle of the fifth century. Early coinage was not monolithic. The new medium of exchange proved attractive to a variety of rulers and societies – kings, dynasts, tribes, city–states with varying forms of governance. The physical characteristics of the coins produced were another source of difference. Initially there was no fixed idea of what a coin should look like, and there were several experiments before a consensus emerged around a small, circular metal object with a design, or type, on both sides. This book provides students with an authoritative introduction, with all technical terms and methodologies explained, as well as illustrations of over 200 important coins with detailed captions.
Unlike conventional narratives of 'state failure' and its conceptual avatars, the volume analyses the remains of states whose populations had been torn apart by prolonged and violent conflicts and whose rulers lost the monopoly over the means of coercion and the capacity to implement public policies. Focusing on Lebanon since the civil war of the 1970s and 80s, Syria since the repression of the 'Arab spring' in 2011, and Iraq since the 1991 and 2003 wars, it provides a systematic explanation of the continuous, if precarious, survival of these states which draws on international recognition, access to resources, institutional arrangements, and societal ties alongside societal cleavages. In the process, States under Stress defends a definition of the state based on claims to statehood.