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If twentieth century politics in Wales has largely been defined by class, and therefore along the typical cleavage of Labour versus Conservative; it is nevertheless true that for a significant proportion of Welsh activists and voters, the cleavage is between nation and union (identifiable with the British state). Closely identified with Plaid Cymru, the Welsh nationalist party, a political manifestation of the Welsh nation was a direct inheritance from nineteenth-century liberalism and its persistence for much of the postwar period was a result of the persistence of that form of politics. But there was an alternative form of left nationalism that emerged through the Communist Party of Great Britain, which this chapter focuses its attention on. Beginning in the 1930s, and spanning almost the entire life of the party thereafter, communists engaged with and developed ideas about nationalism, nationhood and national liberation. This chapter considers the development of these ideas and argues that rather than Plaid Cymru, it was the Communist Party of Great Britain that enabled the persistence of left-nationalist thought and action after 1945 and that it was, to a large extent, communist activists who were the most consistently nationalist in that period.
This paper examines the performance of smallholder crop farmers across different land ownership categories in Ghana. Using a metafrontier model, the study estimates technical efficiencies and productivity levels among farmers with formal land deeds, those without deeds, and non-landowners. The results show that land, labor, and capital significantly impact crop production across ownership categories, while social capital, income, and demographics influence managerial performance. Farmers with formal land deeds and those cultivating family-owned land exhibited superior production technologies. Enhancing access to extension services, credit, and farmer-based organizations, alongside collaboration with traditional chiefs and family heads, can improve land tenure security and productivity.
In this essay, “Writing Gone Wao,” I begin by reiterating my own sense of the book’s (Junot Díaz: On the Half-Life of Love, Duke UP, 2022) priorities. I then turn to the probing and generous responses by Glenda Carpio, Mónica González García, Gerald Torres, Marina De Chiara, and Ato Quayson to my work. I conclude by examining Díaz’s recent writings published after my book appeared, including his complex, erudite Substack series “StoryWorlds with Junot Díaz,” and his short story, “The Ghosts of Gloria Lara” (The New Yorker, 2023), where he explores dramatic issues of decolonial love and the political unconscious.
Let $N \ge 1$, $k \ge 2$ even, and $\sigma$ denote a sign pattern for N. In this paper, we first determine the exact proportion of forms in $S_k(N)$ and $S_k^{\mathrm{new}}(N)$ with a given Atkin–Lehner sign pattern $\sigma$. Then we study the asymptotic behaviour of the Hecke operators $T_p$ over the subspaces of $S_k(N)$ and $S_k^{{\mathrm{new}}}(N)$ with Atkin–Lehner sign pattern $\sigma$. In particular, for the p-adic Plancherel measure $\mu_p$, we show that the Hecke eigenvalues for $T_p$ over these subspaces are $\mu_p$-equidistributed as $N+k \to \infty$.
Comparing the coverage by The New York Times and two Black newspapers of four episodes of protests about police violence in New York in the late 1990s reveals key differences in the implicit political agendas of the two sources. The New York Times implicitly reinforced dominant political institutions and focused on short-term issues. It emphasized partisan politics as protest motivations, quoted police extensively and often printed material sympathetic to police, and typically portrayed protesters as angry or motivated by politics. Black newspapers emphasized collective resistance to long-term systemic problems with police, moral condemnation of police violence, the connection of current protests with past oppression and struggles, the involvement of youth, and Black immigrants’ growing awareness of anti-Blackness. The findings of this study explain how racialized collective memories and collective identities are formed, sustained, and/or erased in interaction with institutional politics in media discourse.
This paper presents a novel self-octuplexing substrate-integrated waveguide (SIW) cavity-backed slot antenna for eight-band wireless communication services. This antenna employs eight semi-elliptical-shaped slots on an octagonal SIW cavity with different lengths to radiate at eight different frequencies. The eight radiating frequencies are 2.7, 3, 3.3, 3.6, 3.9, 4.2, 4.5, and 4.72 GHz, with impedance matching is less than −10 dB. Each radiator is backed by an eighth-mode SIW cavity and excited by a 50 Ω microstrip line. A designed prototype of the antenna is fabricated and tested. It has more than 34 dB measured isolation among any two ports. The maximum measured antenna gains are 4.4, 4.19, 4.11, 4.03, 4.19, 4.28, 5.2, and 5.44 dBi at the respective operating frequencies. It has a measured cross-polarization level of below −24.2 dB in the boresight direction and a front-to-back ratio of more than 10.4 dB in all the bands. All the slots can be tuned independently to radiate at the desired frequency band. This antenna can easily be integrated with other planar circuits due to an unperturbed ground plane.
Catherine Belsey uses a historical approach to explore Shakespeare’s introduction of ‘mystery, uncertainty, equivocation (the components of the uncanny)’ to the Renaissance stage through an integration of ‘the popular tradition of fireside ghost stories’ in the intertextual web of his plays. Taking up key terms of the Gothic such as the macabre, terror, equivocation and the uncanny, Belsey explores Shakespeare’s use of ghostly apparitions for a ‘blending of existing conventions to change the parameters for fiction’, addressing uncertainties about the relation between spirit and matter, about the reliability of the senses. Belsey locates the difference of Shakespearean ghosts from earlier stage ghosts rooted in the classical tradition in their direct interaction with the world of the living, in the evocation of terror shared by the onstage characters, and in the persistence of uncertainty and equivocation.
This chapter explores the conceptual logic and political strategies of the anarchist anti-conscription movement in the USA before and during the First World War. Emma Goldman, Alexander Berkman and Leonard Abbott actively involved in the Anti-Militarist League and later in the No-Conscription League and the League for the Amnesty of Political Prisoners. Contrary to contemporary images of anarchists as isolated extremists, the anarchists in the No-Conscription League and the subsequent Amnesty League were part of a global radical network. Perhaps anarchist efforts to stop previous wars contain lessons that might engage us today. They insist on combining a radical analysis of capitalism, patriarchy and the state with flexibility in maintaining working networks and focused coalitions. They remind us that war is not a discrete event but an assemblage of biopolitical practices that militarise production and reproduction.
Ulrike Zimmermann marks the link between death and desire (in religious and sexual terms) as one of the key features of ‘Gothic affinities in metaphysical poetry’. Her reading of Donne’s poetry foregrounds the proto-Gothic mode as a way to deal critically with historical and cultural heritage, particularly with Petrarchan love poetry via assimilation, parody, and distortion through notions of excess and literalization, as in ‘The Dampe’, where the speaker’s deadly female lover is scrutinised with medical expertise.
This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book offers an analytical reconstruction of Carl Schmitt's interpretation of American foreign policy on the backdrop of the apparent paradox in the reception of his legacy in America and Europe. It approaches the peculiar US vocation for nation-building on a global scale from the perspective of domestic experience. The book considers the extraordinary vision of an 'Anglo-world' developed in the last decades of the nineteenth century by the Scots-American magnate Andrew Carnegie. It reviews the initial, often critical reception of Clash of Civilizations and seeks to explain why the text has continued to enjoy such widespread attention. The book provides a politico-intellectual biography of Paul Wolfowitz from 1969 until he took up service in the administration of George W. Bush.
If change is the only constant, how does the law keep pace with technology? Without a centralized judiciary, international law should be especially susceptible to disruption, yet it can be remarkably resilient in practice. I argue that efforts to minimize legal ambiguity, long seen as integral to compliance, can hinder its application to new technologies. Drawing on first principles from psycholinguistics, my theory differentiates between what I call convergent and divergent forms of flexibility. Unlike divergent flexibility, which gives rise to contestation, convergent flexibility tends to promote consensus, even when (1) technology is unprecedented and (2) regulatory interests sharply diverge. To test the theory, $450$ trained legal professionals were commissioned to take part in a randomized controlled trial (RCT) that varied technological novelty, legal precision, and political incentives. Participants collectively contributed 280,000 words over 10,000 hours in defense of their professional legal opinions, offering a novel (agent-subjective) measure of compliance. To establish external validity, the experiment is complemented with research into the legal impact of two breakthrough chemical weapons technologies: “super tear gas” and novichok. The findings contribute a general theoretical framework for understanding when and why emerging technologies are legally disruptive.
‘The World of Victorian Portraiture’ focuses on the 500 plaster cast busts that make up the largely ignored portrait sequence at the Crystal Palace, that ran throughout and alongside the Fine Arts Courts, treating the portrait collection as a microcosm of Sydenham as a whole. Focussing on a close reading of Samuel Phillips’s official 1854 guide to the portrait sequence, in relation to the few surviving images of portrait busts at Sydenham, the chapter seeks to counter a myopic, insular, working-class historical emphasis on Sydenham as a provincial, proletarian pleasure park. In its place, the chapter returns to centre stage the complex, cosmopolitan, high cultural experiences and ambitions of a specific subset of visitors - the ideal audience imagined by the official guides.