Though infrequently used and largely superfluous, amphitheaters were often the most physically imposing and ideologically charged structures in a Roman city. The preponderance of extramural amphitheaters in Italy and their appearance in visual culture confirm they were potent markers of urban life and civic status. This paper contextualizes Tibur's imperial amphitheater within the Roman suburbium's persistent urban sprawl and villas, especially Hadrian's Villa, using a novel GIS visibility analysis. Its apparent size from various points in the surrounding landscape is quantified within empirical and qualitative scales developed for modern visual impact assessments. The results demonstrate the amphitheater's suburban location did more than integrate Tibur's extramural growth into the older urban center. It emphasized the city's urban appearance, even from long distances, and monumentalized alternate routes to the city used by the villa-owning elite, countering the ambiguous status of a liminal city that was both Rome's annex and an autonomous municipium.

This article is about J. R. R. Tolkien's adaptation of Pythagorean musical elements in the ‘Song of the Ainur’ of the Silmarillion. It details Tolkien's use of Pythagorean dissonance, along with what that amounts to in terms of musical theory, and explores the epistemological origins of the concept and how it found its way into this work of fiction. On the latter point, Platonism, Neoplatonism, and early Christian theology are considered. This includes the likes of Prudentius, pseudo-Dionysius, Augustine, and Aquinas, among others. The article observes that Tolkien has deliberately chosen a somewhat esoteric element of Pythagorean musical theory, albeit highly relevant to his own historical context, in order to explore concepts of morality along with the traditional, Christian conundrum of predestination vs. free will.

This paper aims to guide the training of all Latin instructors and learners who want to optimise the process of acquiring the language by applying the results of research carried out in the field of Second Language Acquisition (SLA), specifically here those related to the acquisition of vocabulary. Consequently, some theoretical considerations on the psycholinguistic operations that govern vocabulary learning are first offered, in order to build a better understanding of language acquisition and to make instructors and learners more knowledgeable about the vocabulary learning process, from the noticing of an unknown word and its integration into the subject's competence to the expansion and development of knowledge about the acquired words. The theoretical aspects of vocabulary learning will be illustrated at all times with practical examples taken from methods and books for learning Latin, as well as, in the fourth section, with a wide catalogue of practical advice – must-do items for the class – that can be easily implemented by Latin instructors.

This contribution provides a study of the fabula Atellana from an epigraphic perspective. It brings together the existing inscriptions related to this dramatic genre, explaining the challenges that one faces when trying to identify possible Atellana actors. It also examines the status of Atellana performers and playwrights, contrasting the information provided by literary sources, especially Livy, with the data obtained from inscriptions, which indicate an increasing professionalization of Atellana actors in the first century a.d. Finally, this article poses some questions concerning the development, continuity and geographical diffusion of Atellan comedy in the Imperial era in the light of the epigraphic material and also in comparison with the evidence available for other popular shows, specifically mime and pantomime, which suggests that by the second century a.d. the Atellana was no longer performed on public stages but was rather represented in private settings and studied for its linguistic and rhetorical peculiarities.

This paper explores the processes of specialized viticulture in the province of Gallia Narbonensis over the first three centuries CE and brings this evidence to bear on broader economic questions, particularly as they relate to the effects of connectivity and globalization on Roman economic development. Evidence from small farms to sprawling villas suggests that specialized production stretched across multiple strata of society in Narbonensis, from so-called peasants to the wealthiest elites. The existence of specialized agricultural production at the scale documented in Narbonensis required significant demand, well-connected and integrated markets, sustained trade, and an awareness of these economic factors by the residents of the province. The evidence presented here demonstrates that the residents of Narbonensis recognized that they were part of an economic environment in which high levels of connectivity and integrated markets allowed them to pursue more profitable production strategies and that they pursued these opportunities.

Discussions of mithraea tend to emphasize their uniformity. While it is true that many earlier mithraea do adhere to an established plan, there are a notable number of mithraea dating from the late 3rd c. onward that do not. This article discusses these various atypical mithraea, how such alterations to the standard mithraeum plan might have impacted on Mithraic rituals, and how this might have affected the experiences of the participants. It also explores why such changes occurred, observing that while in some instances this may have been to accommodate alterations to ritual practices, in others it was likely due to more mundane issues, such as limitations on space and environmental factors. The article concludes by reflecting on the implications this has for the identification of mithraea in the archaeological record.

This paper reviews the trends, topics, and research directions in shipwreck archaeology over the past decade. As archaeology increasingly embraces advances in technological methods that can aid our research, the so-called ‘digital turn’, it behoves maritime archaeologists, and archaeologists more broadly, to consider how collaborative utilization of specialized fields including biomolecular archaeology, geophysics, and contemporary philosophy have spurred on a rapid modernization of our field in recent times. Archaeological research, both terrestrial and underwater, has long been a collaborative discipline. However, we argue here that difficulties in working underwater have encouraged maritime and underwater archaeologists to embrace technological developments at a rapid pace. An explicit theoretical framework and the incorporation of contemporary philosophy in the field of underwater archaeology was, until recently, largely lacking in the discipline’s discourse. The incorporation and advancement of adjacent disciplines within the field of underwater archaeology mark the most relevant changes within the shifting tides of shipwreck research.

Recent research within Mediterranean archaeology has been increasingly concerned with societal responses to past climate changes in the Holocene. In Greek archaeology, such studies have benefited from an increasing volume of palaeoclimatic proxy data that has recently been made available from the Greek mainland. The current review discusses recent debates on climate and society in the ancient Greek world and also provides an overview of proxy records from Greece that have been published in the last 10 years. The paper further presents a focused discussion on the state of the available palaeoclimatological evidence for the first millennium BC. New palaeoclimatological proxy series from lake, marine, and wetland sediments, as well as from speleothem proxy records, provide important data that has been lacking for the Greek mainland in the past. These records provide new, promising avenues for integrative interdisciplinary research focused on human–environment dynamics in different periods of Greek antiquity, but challenges persist in how we can integrate and understand past climate shifts in connection with the archaeological evidence.

Aristophanes’ Frogs, first performed in 405 BCE, is an important milestone in Greek cultural history. The play is evidence of the beginnings of the establishment of a literary canon in Athens. The paper shows that the deaths of Euripides and Sophocles, in combination with the emergence of a reading culture, marked a break in the ways in which tragedy was perceived in Athens. It makes use of Jan Assmann’s concept of a transition from ritual to textual continuity to explore this capital step in the process of the canonization of ‘classical’ tragedy that would arrive at its fulfilment in the course of the fourth century BCE.

Focusing on a period of social shift, from the Late Iron Age to the early Roman period (100 b.c.e.–c.e. 200), this paper examines how the value of juvenile (under 13-year-old) bodies changed. In exploring the fluctuation in burial numbers alongside the altering forms of juvenile graves, the paper details the ways in which children (1- to 12-year-olds) and infants (younger than 1 year in age) were identified in death, as well as the longevity of these identifications. It is argued that juveniles are less common than they should be in the funerary record. Given that this relative absence of juvenile burial was clearly socially mandated, the emphasis here is on better contextualising and interrogating the sporadic presence and deposition of such burials.

This article seeks to offer some considerations on Telemachus’ journey to Pylos and Sparta (Hom. Od. 1–4), interpreting it in the light of his social position as heir of a basileus. Can the beginning of the Odyssey represent a sort of formation for the young prince? And how does the text support this reading? After a brief review of the features of a Homeric basileus, it will be argued that the narrative presents the growth of Telemachus as that of a young prince who needs to comply with those features, and become acquainted with the heroic world he lives in at peace.

The Secundinus stone, with its combination of carved phallus and text, was found in 2022 in excavations within the stone fort at Vindolanda. We consider comparanda for the imagery from Vindolanda, Britannia and further afield, and textual parallels particularly from Pompeii. We offer several possible interpretations of the object and prefer an analysis which takes the text, SECVNDINVS CACOR, as it is carved. This interpretation would add an otherwise unattested verbal form to the Latin scato-sexual vocabulary.

This article examines Aristotle's method for defining the concept of happiness in his Eudemian and Nicomachean ethics. In particular, the article draws attention to a methodological passage (Eth. Eud. 1.6 1216b26–35), in which he claims that ‘If we start from what is truly yet not clearly spoken, clarity will be won as we make progress’. This expression comes from Plato's Statesman 275a and 281d. Aristotle then seems to adopt the Eleatic stranger's method in two ways to clarify the initial imprecise statement that happiness is the greatest and best of human goods: first, he distinguishes a target object from other similar objects, and second, he refers to appearances as illustrations to clarify more abstract ethical concepts. This analysis illuminates the influence of the later Platonic method on Aristotle's ethics from a new angle.

Characters in the Greek novels comprise a dizzying array of identities, but one group of people who have received barely any attention are Spartans. They appear only in Chariton of Aphrodisias and Xenophon of Ephesus, where analysis of their presence sheds crucial light on the novels’ literary and sociocultural agendas. After an introduction (section I), section II discusses Chaereas’ self-characterization as the Spartan Leonidas in book 7 of Chariton’s Chaereas and Callirhoe in the context of Imperial-period Sparta: its institutions (the Leonideia festival), prosopography (the Euryclid dynasty) and reputation for military greatness. I link these elements to the ‘kinsman of Brasidas’ in book 8, who can be directly connected to an Imperial-period descendant of Brasidas in Plutarch’s Sayings of Kings and Commanders, as well as to Thucydides’ Brasidas. Section III explores the Spartan identity of Aegialeus and Thelxinoe, the protagonists of an inset story told to Habrocomes in book 5 of Xenophon’s Ephesiaca. Details of their lives correspond closely to Spartan cultural phenomena familiar from Plutarch’s Life of Lycurgus, especially in connection with marriage customs. This has consequences for the evaluation of Xenophon as a witty and sophisticated novelist, and for his compositional date. Section IV draws out the significant parallels between the depiction of Spartans in Chariton and Xenophon, which form the basis of proposals regarding their literary and chronological relationships.

The northern coast of the Black Sea has produced an abundance of documentary texts dating from the sixth through fourth centuries BC. Of great value to the epigraphist and historian are dozens of Greek letters, receipts and curses inscribed on lead and ceramic media. When placed in dialogue with one another, these texts yield new insights into daily life and literacy in communities for which literary sources are scant or absent. They document the bustling trade in saltfish, enslaved persons and textiles, and the web of relations between Greek and non-Greek individuals in north Pontic cities, from marriage to commercial ties with indigenous groups of the Pontic interior. This article demonstrates how trade could drive literacy in non-elite communities of the northern Black Sea. Literacy and mercantile activity were very much entwined, and developed in parallel with one another and with other civic and social institutions within these port communities.