Compared with algebraic varieties the local monodromy of Drinfeld modules appears to be hopelessly complex: the image of the wild inertia subgroup under Tate module representations is infinite save for the case of potential good reduction. Nonetheless, we show that Tate modules of Drinfeld modules are ramified in a limited way: the image of a sufficiently deep ramification subgroup is trivial. This leads to a new invariant, the local conductor of a Drinfeld module. We establish an upper bound on the conductor in terms of the volume of the period lattice. As an intermediate step we develop a theory of normed lattices in function field arithmetic including the notion of volume. We relate normed lattices to vector bundles on projective curves. With the aid of Castelnuovo–Mumford regularity this implies a volume bound on norms of lattice generators, and the conductor inequality follows. Last but not least we describe the image of inertia for Drinfeld modules with period lattices of rank $1$. Just as in the theory of local $\ell$-adic Galois representations this image is commensurable with a commutative unipotent algebraic subgroup. However, in the case of Drinfeld modules such a subgroup can be a product of several copies of $\mathbf {G}_a$.

Human osteoarchaeology, the study of human skeletal remains from archaeological contexts, has a long history in Greece. This review paper examines the developments that have occurred in the field over the past decade using case studies published from 2015 onwards. These studies have been selected to demonstrate the wealth of osteoarchaeological research, geographically and temporally, and are organized based on the themes of mobility, diet, palaeopathology, activity patterns, and funerary archaeology. The final part of the paper discusses some of the key challenges that human osteoarchaeology in Greece faces. Most prominent among these challenges is the limited financial support for the humanities, the few national-level training opportunities in human osteoarchaeology in higher education, the lack of a national association within the field that could promote standardized practices and collaboration, and the fact that most osteoarchaeological material has come to light through rescue excavations. In association with these challenges, the future prospects of osteoarchaeology in Greece are briefly discussed.

This paper analyses Italian party positions on the EU's response to the Russo-Ukrainian war, singling out the adoption of sanctions against Russia, the provision of military support to Kiev, enlargement to Ukraine and the welcoming of Ukrainian refugees into the Union's territory as the four main dimension of such a response. The paper draws on the literatures on cleavage politics, the inverted U curve and the differentiated forms of politicisation, thereby testing theory-driven research hypotheses through a qualitative content analysis of Italian parties' Facebook posts in the three months following the outbreak of the conflict, combining an inductive and a deductive approach. The findings show that party families are a good explanatory factor behind Italian party positions vis-à-vis the EU's response to the war outbreak as parties belonging to the same family shared a similar stance on the four dimensions of such a response. On the contrary, the Europeanism/Euroscepticism divide does not explain Italian party positions on the EU's reaction to the Ukrainian conflict as Europeanist parties split over the EU's provision of weapons to Ukraine about as much as Eurosceptic partis split over the adoption of sanctions against Moscow. Finally, the paper shows that policy issues in the EU's response to the war (such as sanctions and arms delivery) were much more salient for and contested by Italian political parties than constitutive issues (such as enlargement and asylum).

Questions about authorship have plagued the corpus of Demosthenic orations since antiquity. In particular, scholars often assign certain speeches (usually 46, 49, 50, 52, 53 and 59; sometimes also 47 and 51) to Apollodorus, son of Pasion. We apply an innovative approach to the problem, using morphosyntactic information from dependency treebanks. From the treebank annotation we create input data for various well-established computational approaches to authorship attribution. The usefulness of the input data is first tested with clustering algorithms. We then make finer distinction with a logistic regression classifier. All steps are explained in detail for the benefit of those unfamiliar with computational stylometry. In broadest terms, our results are remarkably consistent with the common opinion about the orations, identifying 49, 50, 52 and 53 as written by a single author, who was not Demosthenes (presumably Apollodorus). We also discuss syntactic traits that are peculiarly ‘Apollodoran’ or ‘Demosthenic’. However, we demonstrate that the data point away from both authors for Dem. 46 and 51, while conclusions about 47 and 59 are ambiguous.

Sociolinguistics has recently turned its attention to the production of hope in language. Although hope is dismissed in several everyday and academic discourses as escapism or cruel optimism, if investigated ethnographically, the affect and practice of hope emerge contextually as both practical reason and semiotic ideology with important political implications. The articles in this special issue variously engage with hope as situated action whereby individuals and communities struggle for material resources, reorient temporality, recalibrate registers, create alliances, and reflexively engage with social practice to build forms of life that in many ways resist despair and paralysis. While the collection of articles gathered here does not share a single view of hope, a common thread is that hope in different ways coheres with the Brazilian Portuguese esperançar—that is, hope not as sheer or passive waiting but as pragmatic and reflexive action. (Sociolinguistics of hope, affect, practical reason, language ideology, ethnography)

During the Napoleonic Wars (1803–15), an unprecedented number of soldiers wrote “military memoirs,” firsthand accounts of the “first total war.” Next to private forms of recording experiences and keeping contact with those at home, such as letters or diaries, these memoirs were part of a larger shift in the relations between the army and civil society: soldiers wrote, at least partly, to change what non-combatants thought about them. As Britain did not see battles on home soil, war was both omnipresent and far away. Moreover, the reputation of the British armed forces was notorious, with common soldiers famously called “the scum of the earth” by Wellington. In conveying the battlefield experience to a sheltered audience, military memoirs, especially those written during or shortly after the wars, aimed at bridging the emotional divide between military and civil life, between the callous soldier and the compassionate citizen. Soldiers, too, these texts argued, were men of feeling, able to preserve a moral sense of respectability despite all the killing, blood, and trauma. Many memoirs communicated viscerally and in graphic detail about the horrors of war, both to make the traumatizing experience understandable and to show the heights of their emotional self-discipline. Bringing together the history of biography, reading, and emotions, this article argues that, by writing frankly about their horrific experiences, British soldiers fighting during the Napoleonic Wars contributed to changing civil society’s feeling rules about the army, reproaching the civilians’ contempt, and soliciting their compassion.

We define a knot to be half ribbon if it is the cross-section of a ribbon 2-knot, and observe that ribbon implies half ribbon implies slice. We introduce the half ribbon genus of a knot K, the minimum genus of a ribbon knotted surface of which K is a cross-section. We compute this genus for all prime knots up to 12 crossings, and many 13-crossing knots. The same approach yields new computations of the double slice genus. We also introduce the half fusion number of a knot K, that measures the complexity of ribbon 2-knots of which K is a cross-section. We show that it is bounded below by the Levine–Tristram signatures, and differs from the standard fusion number by an arbitrarily large amount.

Social media content creation is hugely popular with second-generation Arab immigrants to the UAE who lack a path to naturalized citizenship, particularly as a space to perform their belonging in the nation. This essay analyzes the work of two Arabophone content creators on Instagram and YouTube who use comedy to perform as quintessential “Dubai kids.” While they align with the state mission of presenting the UAE positively on social media, these creators produce ironic content that makes visible practices of belonging by second-generation youth who distance themselves from inherited politics of national and gender identity. The affective communities that form around these satirical content creators offer a model of belonging in which binaries of citizen and noncitizen can be elided, staging performances of immigrant identity uniquely local to the UAE.

Despite the density of scholarly engagement with Mozart’s operas, Donna Elvira’s aria ‘Mi tradì quell’alma ingrata’, composed for the 1788 Viennese production of Don Giovanni, has received little sustained, critical attention. Yet this oversight is unjustified, particularly considering the aria’s many stylistic elements that expand beyond the musical language of the original Prague Don Giovanni, and which therefore show Mozart not only deepening Elvira’s characterization but probing new compositional horizons. This article undertakes a thorough, analytic examination of ‘Mi tradì’, focusing especially on its evocation of Elvira’s subjectivity and self-consciousness, and paying particular attention to formal rhetoric and topical reference, both of which, by suggesting affinities with genres such as variation and the free fantasia, move the aria significantly beyond the expressive world often associated with Mozart’s vocal writing. The article closes with brief speculations on the relationship between ‘Mi tradì’ and the composer’s career aspirations in the late 1780s.

Let $r_5(N)$ be the largest cardinality of a set in $\{1,\ldots,N\}$ which does not contain 5 elements in arithmetic progression. Then there exists a constant $c\in (0,1)$ such that

\[r_5(N)\ll \frac{N}{\exp\!((\!\log\log N)^{c})}.\]

$U^4$

We have recently completed the draft of a book on the changing representation of East African wildlife from the 1940s to the 1980s. We have used many published texts as well as visual representations such as photographs, films, and television. The output of material in these years was huge. We suggest that these media representations were a significant, and neglected, element in the emergence of a global animal-centric conservationist ethos. This article discusses some of the people involved and the papers, many of them in private hands, that we used. We believe that this is valuable material and should, where possible, be acquired by archives. The material is scattered, especially in Kenya, the UK, and USA. In the UK, the University of Bristol library now houses the Wildscreen film archives and also some private papers that could form the foundation for a larger collection.

Oxford University Press is the largest university press in the world. It has been in continuous operation since 1586, making it the second oldest university press after Cambridge University Press (1534). From its imposing complex in Jericho, the stylish suburb of Oxford, and its many satellite offices around the world, including Delhi, Chennai, Kolkata, Karachi, Hong Kong, Cape Town, Nairobi, Dar es Salaam, Melbourne, Toronto and New York — the overlap with former territories of the British Empire is conspicuous — it produces an unparalleled number of academic publications every year and occupies a dominant position in the authentication of knowledge and its dissemination across the globe. In 2022–23, for example, the press published no fewer than 1,777 new academic titles, available in 193 countries and translated into 45 languages (including Somali and Quechua, as the press's 2022–23 Annual Report breathlessly announces). And revenues are substantial: £825,000,000 in sales last year alone. A bastion of prestige, global in reach but with a clear centre, and sitting comfortably within the inner citadel of a hierarchical, worldwide ecosystem of knowledge-making, Oxford University Press can be seen as a quasi-imperial operation in its own right.