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Drawing on Umberto Eco’s epistemological metaphor of the open work, this paper explores the intersection of two open forms of notation, inherent scores and text scores, with generative AI. Building on the notion of inherent scores, in which the interface merges with the notation, we introduce embodied sketching, a notational approach that streamlines composition and performance with real-time neural audio synthesis (NAS). We then examine text scores in text-to-audio NAS, presenting Mouja+, a work combining real-time NAS with embodied sketches and AI-generated audio from Fluxus scores. Based on the experience of composing and performing Mouja+, we show how AI’s statistical processing of language introduces interpretative gaps between the human understanding of the scores and the model’s output and propose prompting strategies to streamline the use of text scores with text-to-audio generative AI. We continue by discussing how NAS adds to the open work through algorithmic processes that coalesce into an elusive and deferring sense of presence. Through Derrida’s notion of hauntology, we thus extend the open work into what we term the ‘haunted work’, an epistemological metaphor encompassing a growing corpus of works engaging with the tension between presence and absence as a source of openness.
This article is a comparative study of Fedor Dostoevskii and Martin Heidegger’s messianic nationalism as understood in terms of their conceptualization of primordialism and racial purity. It offers, and further invites, a critical lens especially on Dostoevskii’s prejudices, viewing them as systematic rather than isolated. This article endeavors to offer a comprehensive exploration of the novelist’s essentialist premises through Heidegger’s philosophical framework of similar views on the “other.” Both authors claim that certain “truths” could only spring from the people, whether narod or das Volk. I argue that Dostoevskii and Heidegger arrive at similar warped visions of national destiny due to their formulation of the so-called primordial “call of conscience” and its attachment to their preferred poets. The point of my interdisciplinary effort here is to demonstrate that their racial bias is not limited to incidental remarks but that these biases are deeply embedded in the authors’ broader intellectual projects.
Fix a prime number p. Let $\mathbb{F}_q$ be a finite field of characteristic coprime to 2 and 3, and containing the primitive pth root of unity $\mu_p$. Based on the works by Swinnerton-Dyer and Klagsbrun, Mazur, and Rubin, we prove that the probability distribution of the sizes of prime Selmer groups over a family of cyclic prime twists of non-isotrivial elliptic curves over $\mathbb{F}_q(t)$ satisfying a number of mild constraints conforms to the distribution conjectured by Poonen and Rains with explicit error bounds. The key tools used in proving these results are the Riemann hypothesis over global function fields, the Erdös–Kac theorem, and the geometric ergodicity of Markov chains.
Contact between fluctuating, fluid-lubricated soft surfaces is prevalent in engineering and biological systems, a process starting with adhesive contact, which can give rise to complex coarsening dynamics. One representation of such a system, which is relevant to biological membrane adhesion, is a fluctuating elastic interface covered by adhesive molecules that bind and unbind to a solid substrate across a narrow gap filled with a viscous fluid. This flow is described by the stochastic elastohydrodynamic thin film equation, which incorporates thermal fluctuations into the description of viscous nanometric thin-film flow coupled to elastic membrane deformation. The average time it takes the fluctuating elastic membrane to adhere is predicted by the rare event theory, increasing exponentially with the square of the initial gap height. When the forces arising from spring-like adhesive molecules are included in the simulations, thermal fluctuations initiate phase separation of domains of bound and unbound molecules. The coarsening process of these unbound pockets displays close similarities to classical Ostwald ripening; however, the inclusion of hydrodynamics affects power-law growth. In particular, we identify a new bending-dominated coarsening regime, which is slower than the well-known tension-dominated case.
Three early Imperial reliefs with architectural façades, found in Rome’s Via Lata and referred to as the Valle-Medici reliefs, include representations of the temples of Mars Ultor and the Magna Mater. A third relief showing a tetrastyle Ionic temple is identified here as the aedicula of Victoria Virgo, constructed between the temples of Victoria and the Magna Mater on the Palatine. All three reliefs belong to a monumental altar, similar in scale to the Ara Pacis, that included scenes of sacrifice in the Forum of Augustus and on the southwest Palatine. The figural pediment of the Ionic temple shows three scenes representing different moments in the Trojan War. The design was probably intended to complement the adjacent temple of Magna Mater, whose cult was closely connected to Rome’s Trojan ancestry.
Centring the voices of music professionals who labour offstage, including managers, live sound technicians, and festival organisers, this article critically examines gendered labour in the music industry, focussing on Belgium in the 2020s. This investigation of how intersectional gendered expectations are negotiated in musical workplaces identifies mechanisms of alienation, delegitimisation, and the sexualisation of labour that constrain professional agency. At the same time, the study finds resonances between the ways participants engage with mentorship and existing literature on such programmes, notably as professionals seek role models, navigate pay disparities, and plan improvements to training. The article theorises the function of mentorship as strategic response to structural precarity. By positioning human-scale festivals as pedagogical spaces, the study explores how underrepresented labourers navigate these environments in response to inequity. This research contributes to a qualitative understanding of how intersectional gendered workplace dynamics are experienced, contested, and reshaped in contemporary European music markets.
This paper presents excavation results from Nyabusora, northern Tanzania, conducted by M. Posnansky and W.W. Bishop (1959) and M. Posnansky (1961). Only preliminary reports have previously been published. It synthesises the site’s history, incorporating previously unpublished analyses and information from Posnansky’s original field notes, and presents new 2014 field survey results and new archival research. Nyabusora holds particular significance as the only Early to Middle Stone Age (ESA/MSA) site in the region to have yielded both lithic and faunal remains, which gain new relevance in light of recent developments in ESA/MSA archaeology in eastern Africa. Nyabusora’s ‘Sangoan’ lithic assemblage is now largely decontextualised and associated finds have been lost, so this study presents the only available lithic and faunal analyses, alongside interpretations of the stratigraphic sequence and site. Such stratified assemblages are exceptionally rare and are generally attributed to the Middle Pleistocene. This research enhances understanding of Plio-Pleistocene landscape evolution in the Kagera River and western Lake Victoria-Nyanza Basin. It contributes important new data on ESA/MSA lithic variability and, via ongoing investigations by Basell within the Kagera catchment, offers huge potential for clarifying Middle Pleistocene palaeoenvironments.
The purpose of this article is to bring provincial and local perspectives into the research of urban space in the wartime Habsburg monarchy. Using the case of Olmütz/Olomouc, a midsize town in central Moravia, it analyzes how various social actors used public space and how they could appropriate its symbolic meaning in wartime. While local urban geography had long been contested by political, most often nationalist actors, World War I introduced fresh themes to the context of the city. Public rituals of loyalty repurposed and intensified some of the old traditions, even as organized and unorganized actors sought to “capture,” “invade,” and potentially “occupy” the same spaces to highlight their agendas in public demonstrations whose form owed much to the traditional public rituals. After October 1918, when the balance of power shifted between nationalist groups, the contest for urban space continued, along with ongoing political unrest, showing strong continuity of wartime practices into the immediate postwar era both in terms of political instability and in terms of the patterns of public ritual.
This article explores how internally displaced persons (IDPs) in Benue State, Nigeria, reconfigure everyday life under conditions of governance deficits, insecurity and institutional neglect. Drawing on ethnographic research in Naka, Daudu II and Abagana camps, I examine how displaced populations mobilize social networks, religious ties, informal economies and everyday improvisations as infrastructural responses to life in displacement. Grounded in the theoretical frameworks of people as infrastructure and camps as urban political space, I situate IDP camps not as peripheral sites of humanitarian crisis but as laboratories of African urbanism. By foregrounding the ordinary – cooking, parenting, trading, negotiating aid – the article shows how IDPs enact governance from below, transforming camps into dynamic sites of infrastructural negotiation, resilience and survival. The study contributes to scholarship on urban governance and displacement by reframing camps as enduring socio-political spaces where infrastructure, power and agency are constantly reassembled.