Gerberga of Saxony, the sister of Otto I of Germany and wife of Louis IV of France, receives frequent scholarly mention in relation to a treatise by Adso of Montier-en-Der circa 950–954. The topic of this short work, presented as a letter to Gerberga in answer to a question she posed to the monk, was the life of the Antichrist, that fearful servant of Satan who would appear before Christ's Second Coming, lead whole nations into damnable error, and kill many who would not apostatize before being defeated by Jesus himself at his return. The treatise eventually become the foundation of centuries of Christian apocalyptic thought. But despite her prominence in the letter, Gerberga has received no sustained examination by historians regarding her interest and promotion of apocalyptic thought beyond being a recipient of Adso's letter. At most, scholars tend to see Gerberga as if through the eyes of Adso, that is, as a nervous queen anxious to be reassured that a universal evil is not hiding just around the corner. Such views—wholly unintentional but nevertheless present—do her a great disservice and misunderstand the motivations of both Gerberga and Adso present in the letter, as well as Gerberga's younger, apocalyptically minded in-law, the empress Adelaide. This essay examines Gerberga's life not simply as it relates to Adso's work but in relation to the very personal, family-driven politics of both East and West Francia in the tenth century. When placed in her proper context, we find Gerberga was not merely a passive recipient of apocalyptic ideas for a brief period in the early 950s but was an active patron whose interest shaped imperial politics for generations.

Teschen Silesia after the First World War is typically portrayed as a region of ethnic conflict and national rivalry. Focusing on gas, electricity, and water infrastructures of the divided city of Teschen, now Polish Cieszyn and Czech Český Těšín, this article shifts the focus from nationalist discourses of animosity and upheaval to stabilization and local cross-border cooperation. In examining the cities’ conjoined utility networks’ management as well as their partial reorientation towards domestic suppliers, it demonstrates that local interests and economic pragmatism often trumped national antagonism. Moreover, by allowing municipal politics to take central stage, the article shows that small town leaders on the periphery were not only obedient servants of their respective central governments. While the Polish and Czechoslovak nation-states attempted to curb transnational municipal dependency and thus erase all remnants of the Habsburg regime, small town leaders often acted as administrators first and nationalists second.

At the 2022 Sharm El-Sheikh International Theatre Festival for Youth, Saudi women performed in a public square without hijab. Al-Enezī’s al-Sujanāʾ al-ahrār (Free Prisoners) is not only about art and liberty, it enacts it.

Palliative care and medical-legal partnership are complementary disciplines dedicated to integrating care to treat the whole patient and intervening before a legal or medical issue is at a crisis point. In this paper, we discuss the founding and operations of the Yale Palliative Medical Legal Partnership, give examples of typical cases, explain special considerations in this area of law, and propose areas for further research.

The article focusses on the catalogue of love-affairs from Book 3 of Hermesianax's Leontion (fr. 7 Powell = 3 Lightfoot). Contrary to two basic assumptions of previous scholarship, this article underscores that fr. 3 Lightfoot is neither representative of the Leontion as a whole nor an instance of unsophisticated poetic production. The evidence indicates that Hermesianax's catalogue might have played a crucial role in shaping the later reception of some of the figures he portrays (Mimnermus, Antimachus and perhaps even Hesiod). Finally, several points of contact with Clearchus of Soli show that Hermesianax may be engaging with relevant aspects of contemporary culture, most of all the Peripatetic investigation of biography and the phenomenology of love.

This article explores the plurality of referents associated with the term “dragon's blood” (“sanguis draconis”), a legendary substance that brings together Greco-Roman and Arabic medical knowledge, local vernacular traditions and artisanal practices, and new Spanish and Portuguese botanical discoveries. The study of dragon's blood reveals the interface between overlapping epistemic paradigms governing the definition, use, and circulation of complex material substances in early modern Europe, ranging from humanist learned discussions and artisanal experimentation to vernacular narratives of discovery, along with the shifting criteria of truth, authenticity, and value advocated by different communities of learning and practice.

Over the last decade China has become a dominant player in Africa's rapidly growing hydropower sector. These mega projects typically employ thousands of Africans yet research on labour relations at these sites remains extremely limited. This article provides a rare systematic analysis of workers’ experiences on a Chinese-financed-and-constructed hydroelectric dam in Africa. We find that chronic verbal abuse of African workers by Chinese managers is a defining feature of labour relations at this project in Uganda. This abuse has tainted many workers’ attitudes towards the Chinese contractor Sinohydro, the Chinese government, and to a lesser extent Chinese people themselves. Workers also perceive Ugandan organisations and the Ugandan government as complicit in these poor labour relations. These findings underscore the limits of accountability to labour standards by Chinese firms operating in Africa, especially in contexts where host organisations and governments fail to advocate aggressively for the rights of African workers.

Whereas students in China can take Chinese instrument training in a variety of settings, Canada has no systematized structure of Chinese music education. Indeed, little scholarly attention has been paid to the development of Chinese instrumental music education in the Chinese diaspora within North America. Based on extensive fieldwork in Toronto, I address the following questions in this article: How do Chinese immigrants pass down their music? How and where do students take Chinese instrument training? How have the methods of transmission evolved? And how do Chinese instrument pedagogical techniques bridge Chinese and Canadian contexts?