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1416799 results in Open Access

Page 502 of 70840

  • Editor’s Note

  • Brian M. Ingrassia
  • Journal:
    The Journal of the Gilded Age and Progressive Era / Volume 24 / Issue 2 / April 2025
    Published online by Cambridge University Press:
    08 April 2025, pp. 117-118
    Print publication:
    April 2025
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  • PSC volume 58 issue 2 Cover and Front matter

  • Journal:
    PS: Political Science & Politics / Volume 58 / Issue 2 / April 2025
    Published online by Cambridge University Press:
    28 April 2025, pp. f1-f6
    Print publication:
    April 2025
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  • ILQ volume 74 issue 2 Cover and Back matter

  • Journal:
    International & Comparative Law Quarterly / Volume 74 / Issue 2 / April 2025
    Published online by Cambridge University Press:
    08 August 2025, pp. b1-b4
    Print publication:
    April 2025
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  • Editorial

  • Robin Skeates
  • Journal:
    Antiquity / Volume 99 / Issue 404 / April 2025
    Published online by Cambridge University Press:
    08 April 2025, pp. 277-290
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    April 2025
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  • EDITORIAL: CLOSER

  • Christopher Fox
  • Journal:
    Tempo / Volume 79 / Issue 312 / April 2025
    Published online by Cambridge University Press:
    29 April 2025, pp. 3-4
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    April 2025
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  • Understanding Marty’s tune: J’ai trouvé (La note Martinet, RS474)

  • Elizabeth Eva Leach
  • Journal:
    Plainsong & Medieval Music / Volume 34 / Issue 1 / April 2025
    Published online by Cambridge University Press:
    11 June 2025, pp. 45-72
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    April 2025
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  • This article reconsiders ‘Marty’s tune’ (La note Martinet), a texted dance song of the thirteenth century that survives in two sources, one with musical notation. It evaluates older understandings of the song’s form and generic designation, attempting to use poetic variants between the texts to understand the factors that might have preceded the writing down of this rarely notated song type.

  • THE SHALLOWS OF THE VOCALOID: REFLECTIONS ON OLGA NEUWIRTH’S LE ENCANTADAS O LE AVVENTURE NEL MARE DELLE MERAVIGLIE (2014-15)

  • Christoph Haffter
  • Journal:
    Tempo / Volume 79 / Issue 312 / April 2025
    Published online by Cambridge University Press:
    29 April 2025, pp. 26-36
    Print publication:
    April 2025

  • This article sketches an interpretation of Olga Neuwirth’s Le Encantadas o le avventure nel mare delle meraviglie by focusing on the song by the Vocaloid Hatsune Miku in the last section of the composition. This Vocaloid song is disturbing because it expresses a conflicted form of subjectivity that is typical of our time. The article considers four different ways to read this expression: as pop-cultural negation of subjectivity, as postmodern celebration of singularity, as post-revolutionary longing for collectivity or as the contemporary mythical counterpart of the capitalist subject form. I argue that the fourth interpretation seems the most promising. According to this interpretation, Neuwirth stages Hatsune Miku as the sirene of digitalised capitalism – a technological mythos against which the contemporary subjectivity tries to constitute itself.

  • Gurughli: The Tajik Variety of the Epic of Köroğlu

  • Habib Borjian
  • Journal:
    Iranian Studies / Volume 58 / Issue 2 / April 2025
    Published online by Cambridge University Press:
    22 May 2025, pp. 292-320
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    April 2025
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  • The epic folk story of Köroğlu, popular among various Turkic peoples, was also widespread among the Tajiks of the upper Oxus valleys of southern Tajikistan and adjoining Badakhshān of northern Afghanistan. The Tajik versions of the story, known as Gurughli or Gurghuli, while sharing parts of the plot and outline with Köroğlu, are distinctly shaped by Tajik culture and Iranian national traditions in both form and content. This study explores various aspects of this oral tradition, including bards and their performances, the structure, plot, and themes of their repertoires, and the documentation history. This study also assesses scholarly views on the origins and development of Tajik Gurughli. The article is supplemented by five sample texts, selected to represent major cycles of the genre.1

Page 502 of 70840