Captures in unprecedented depth the cultural significance of the designed landscape and its relationship with Bluestocking philosophy.

Situated within the broader context of eighteenth-century intellectual and cultural history, this collection redefines the role of the Bluestocking circle in shaping Britain's landscapes and social ideals. Against the backdrop of Whiggish notions of "improvement"-encompassing agricultural innovation, aesthetic refinement, and moral progress-it explores how women such as Elizabeth Montagu, Mary Delany, and Elizabeth Carter navigated the intersections of polite sociability, intellectual production, and estate management. Their contributions reveal a dynamic interplay between cultural critique and practical reform, positioning them as active participants in the period's debates on land, labour, and national identity.

Drawing on insights from the Elizabeth Montagu's Correspondence Online (EMCO) project, these essays uncover the creative and social tensions embedded in iconic estates such as Montagu's Sandleford and Lord Lyttelton's Hagley Hall. They delve into the poetic and philosophical musings of James Woodhouse, the sociable artistry of Mary Delany, and the symbolic landscapes of Wrest Park. By examining correspondence, poetry, visual arts, and cartography, this volume offers an unprecedented exploration of the ways Bluestocking women engaged with and redefined the designed landscape as a site of intellectual and environmental innovation.

This interdisciplinary collection reshapes the historiography of gender, environment, and cultural progress, offering fresh insights into the enduring significance of eighteenth-century landscapes and the intellectual communities that shaped them.

The Nile, Congo, Niger, Chad and Zambezi are names that evoke watershed periods in Africa's history. Yet, until now, scholars have paid little attention to Africa's riverine environment or how it has shaped the continent's civilizations.

African rivers are not only part of the ecosystem but also hold immense ecological, political, economic, and sociocultural significance. At the same time, there are numerous challenges to their exploitation and sustainability due to human activities, transboundary conflicts, and climate change.

This book explores major thematic preoccupations with the study of African rivers. The first section discusses the epistemology of rivers in Africa, reviewing historical perspectives and identifying associations of rivers with identity and spirituality in Africa. The second section turns to the economy of African rivers, namely their commercial and economic benefits, political perspectives and dimensions, ecological and hydrological impacts, as well as their impacts on agricultural management and food security in the continent. In the third section, challenges associated with the exploitation, management, and sustainability of African rivers are discussed including geopolitics, dam construction, eco-tourism, transboundary disputes, and water scarcity. Beyond merely pointing out these challenges, however, the authors also propose solutions for the future of sustainable river resources in Africa. Ultimately, the book aims to promote knowledge of African rivers to help governments, corporations, and communities define and address their future needs

This book explores the emerging development of community-investor dispute prevention and facilitation mechanisms employed by multilateral and national development banks in the Asia Pacific region. In the decades since the development of the first accountability mechanisms were introduced, much has been learned about public consultation, community engagement and dispute prevention during the early stages of major infrastructure development programs. Drawing on case studies, project statistics and survey data, this book explores the achievements, challenges and lessons learned in community-investor dispute prevention and resolution in infrastructure projects in 12 states in the Asia Pacific region. Given the widescale impact of such projects, understanding how to advance consultation practices with local communities is necessary to realize the benefits of sustainable growth. This book allows readers to understand that localized decision-making channels, far from aggregating disputes, conversely provide a conduit to incorporate joint aspirations into project design such that disputes are avoided.

State legislators introduce more than 100,000 bills per year and the resulting statutes that become law govern every aspect of life and business in those states. But who exactly writes these laws? In Ghostwriting Legislation, Mary Kroeger delves into the central and often-overlooked role that interest groups, think tanks, companies, and bureaucrats play in writing state law. While legislators are not expected to draft and pass legislation without the input of outside actors, Kroeger argues that a democratic defect may arise if elected officials must rely substantially on non-legislators to craft high-quality bills. Ghostwriting Legislation explores the disconnect between legislative power and legislative capacity, providing key data and insights for those who care about democracy and the separation-of-power dynamics in state legislatures.

Explores the commemoration and memorialisation of the Canterbury martyr in visual and material culture.

In life, and especially in death, Thomas Becket was nothing short of a medieval celebrity, whose significance spanned the European high Middle Ages in to the sixteenth-century. Henry VIII's suppression of his cult in 1536 only served to enhance his popularity elsewhere. Visual depictions of his life, high-profile careers, spectacular demise, and posthumous legacies, are numerous. These images document both the extent, and the efficacy, of his invocation across religious, political and civic agendas. Becket remains the stuff of literature and legend, art, drama and cultural commodification.

This volume explores Becket imagery, both in such traditional media as stained glass and illuminated manuscripts, and less common objects: toys, baptismal fonts, and vernacular almanacs. Its essays provide new interpretations of the archaeological, iconographic, and historiographic spectrum of Becket imagery by, for example, deconstructing religious-secular binaries in the study of pilgrim badges and revising long-established interpretations of Canterbury stained glass. They also expand the Becket visual canon into broader geographic and temporal contexts, from medieval Denmark and Spain to eighteenth- and nineteenth-century Britain and twenty-first-century Boston. Meanwhile, contributions which look at the appropriation and use of Becket imagery in the aftermath of the English Reformation break new ground in scrutinizing a subject well traversed in text, but that has only begun to be explored in visual and material culture.

Was Franco's Spain really a pariah in the Anglosphere?

This book examines pro-Francoism and the significant influence of a "Spanish lobby" in shaping US and British policy towards Spain during the Second World War and the years leading up to the Pact of Madrid in 1953. This lobby included not only pressure groups but also legislators and members of the executive as well as the armed forces, who shared economic and strategic interests and ideological sympathies in the growing anti-Communist atmosphere of the First Cold War.

The first two chapters provide the historical background to this rapprochement, examining monetary and credit policies in the United States and Spain during the 1930s and 40s, focusing in particular on the key roles played by American financial and business sectors, including Chase National Bank, to further the clandestine economic activities of US state companies and agencies in Spain during the Second World War. The book then turns to the role of the Spanish lobby in post-war US-Spanish diplomatic relations, looking at American individuals directly courted by the Spanish embassy in Washington as well as pro-Francoist congressmen who favored a closer relationship with Spain. The next chapter moves from Washington and New York to the West Coast to analyze local Spanish consular efforts to 'normalize' Spain in the eyes of the United States. Finally, the book turns to British relations with Spain during and after the Second World War and shows how the government's dependency on the US led to Britain becoming the junior partner in the formulation of Western policy towards Franco.

In the first history of the oceanic Anthropocene, Stefan Huebner explores the twentieth-century extension of human habitats into oceanic spaces. He shows how the effects of this amphibious transformation have followed a very different trajectory from human-driven change on land, in terms of both socioeconomic development and environmental degradation. The extension of the human habitat through artificial islands such as seabed-fixed and floating structures has granted vertical access to Earth's different spatial layers, from the fossil fuels beneath the seabed to outer space. Huebner asks why this transformation occurred; how it has been shaped by political, economic, and environmental factors; and how it has altered marine environments. A deeper understanding of Earth's amphibious transformation compels us to reconsider the history and future of climate change, sea level rise, energy transitions, human–marine species interactions, globalization, and even urbanization, including floating cities. This title is also available as open access on Cambridge Core.

Essays exploring the dynamics of rebellion across Europe - from Sweden and Slovakia to the Iberian Peninsula and Hungary - over five centuries.

Rebellion was a fundamental part of the political ecosystem of the Middle Ages. Medieval Europe witnessed numerous instances of noble rebellion, popular protest and communal resistance against political authority. However, most scholarship has focused on the causes and/or life cycle of the most famous individual movements, such as the Barons' War in England, the Hussites in Bohemia and the Burgundian-Armagnac conflict in France, and there has been relatively little comparative analysis of political protest across both time and "national" borders. Where it exists, it tends to favour a thematic approach and be narrowly focused in terms of geographical coverage.

Conversely, this book breaks new ground in its wide geographical and chronological range, from twelfth-century Sicily to late fifteenth-century Ireland, exploring the various forms that active resistance could take. Its essays offer fresh perspectives on rebellion: as a political act, its theoretical justifications, the role of language and propaganda, the royal counter-responses that it provoked, and its ramifications, both personal and communal. Together they shine a new light on the complex interrelationship between legal authority, violence and politics, and significantly enhance our understanding of rebellion during this period.

Traces the position, experiences and reception of women in Irish traditional music through detailed ethnographic and statistical findings.

This book is the first of its kind to engage with the larger subject of women in commercial Irish traditional music. It considers the experiences of performers in the various commercial arenas of the tradition, while also engaging in critical discussions of choice, agency, feminism and sexualisation. It reveals how the commercial music industry and Celtic music label continues to place women within a stereotypical idealised role or occupation.

The book provides new insight into the legacy of women-led bands and compilations as well as their impact on Irish traditional music over five decades. Its findings on commercial dance shows are equally significant. While these shows had a positive impact on performers, at the same time they enforced gendered, racial and heteronormative expectations.

Drawing on extensive ethnographic and statistical research, the book finds strong evidence that women and other marginalised practitioners continue to face greater challenges and different expectations when maintaining a professional career and participating in Irish traditional music. It also uncovers characteristics and dynamics related to the recreational and commercial spaces of the Irish traditional music and Irish dance scene that enable harmful and predatory behaviour.

The author's findings support understandings and aid future legislation for creating a safe, inclusive and equitable performance space for all.

Cover artwork by Claire Prouvost

A history of the annual British and Irish state and religious anniversaries and occasions of special worship from the sixteenth century to the present.

Since the sixteenth century, the governments and established churches of Britain and Ireland have summoned their nations to special acts of public worship during crises, wars and times of celebration, or for annual days of commemoration and remembrance. These special prayers, special days of worship and religious anniversaries were national events, reaching into every parish. They had considerable religious, ecclesiastical, political, ideological, moral and social significance, and they produced important texts: proclamations, council orders, addresses and - in England and Wales, and in Ireland - prayers or complete liturgies which temporarily supplemented or replaced the services in the Book of Common Prayer, and most recently in Common Worship. National Prayers. Special Worship since the Reformation in four volumes, provides the edited texts, commentaries and source notes for over 900 occasions of special worship and for each of the annual commemorations.

The final volume, Anniversary Commemorations, Additional Material and Indices, 1533-2023, describes the orders and services for the nine early modern state anniversaries, including Accession day, Gowrie day, Gunpowder Treason day, Restoration day, and commemoration of Charles I's execution and the Great Fire of London, and for the modern state anniversaries of Armistice day and Remembrance Sunday. It includes materials on particular occasions of special worship for 2016-23, including the Covid pandemic, commemoration of Prince Philip, platinum jubilee and funeral of Elizabeth II, and coronation of Charles III. Appendices provide supplementary material for the whole period of the edition, including extensive additions to the list of particular occasions of special worship observed from 1533 to 1660. An index of biblical references and a general index are provided for all four volumes of the edition.

First complete English translation of Mann's uncannily insightful wartime anti-Nazi radio addresses, once again urgently topical in the context of the current worldwide rise of anti-democratic movements.

Upon Hitler's rise to power in 1933, the great German writer Thomas Mann, 1929 Nobel Prize laureate on the strength of his monumental novels Buddenbrooks and The Magic Mountain, chose exile, eventually moving to the United States in 1938. An early critic of National Socialism, he gave over 150 public lectures with titles such as "The Coming Victory of Democracy." From 1940 to 1945, he authored and narrated a series of anti-Nazi radio addresses that were broadcast to Germany by the BBC; German listeners risked severe punishment.

Mann's radio addresses constitute his most sustained contribution to the Allied war effort. In them, he comments on the progress of the war, contrasts fascism with democracy, measures Hitler against Roosevelt, and counters German propaganda with international consensus, lies with facts. After initially encouraging the Germans to resist the Nazi regime, Mann prepares them for the consequences of defeat, but also instills hope in them for future reconciliation with the community of nations.

Today, when democracy is again endangered in much of the world, Mann's antifascist radio addresses have once again acquired urgency. This edition presents for the first time English translations of all of Mann's 58 radio addresses, with a foreword by Mann's grandson Frido Mann, an introduction by leading Mann scholar Hans Rudolf Vaget, careful annotations and a selection of photographs.

A bold reappraisal of Enlightenment legacies this volume uncovers the fractured, global, and contested nature of modern Europe's most influential intellectual transformation.

Emerging from the intellectual upheavals of the seventeenth and eighteenth centuries, the Enlightenment has long served as both a foundational moment and a battleground for narratives of Western modernity. Once anchored in the writings of Spinoza, Kant, Diderot, and D'Alembert, its genealogy is now understood to stretch from the rhetorical afterlives of Renaissance humanism and the polemics of the Querelle des Anciens et des Modernes, through the religious pluralism of the Dutch Republic and the confessional fractures of the Holy Roman Empire, to the text-critical methods of orthodox theologians and the radical secularism of the philosophes.

This volume rethinks the Enlightenment as a dynamic espace de débat-a field of contested meanings shaped by transnational circulation, institutional conflict, and historiographical reinvention. Drawing on debates around the "Enlightenment project", "radical" and "religious" Enlightenment, and the tensions between cosmopolitan ideals and national traditions, it engages with the works of Jonathan Israel, Dan Edelstein, and Jeffrey Burson, amongst others, to explore longue durée patterns of intellectual exchange and secularisation.

Rich in case studies from Paris, London, Amsterdam, Leipzig, and beyond, the collection speaks directly to those navigating the plural legacies of Enlightenment historiography in an era increasingly shaped by digital tools, global frameworks, and postcolonial critique.

A landmark publication in Dalcroze studies that explores the music and movement teaching originated by Émile Jaques-Dalcroze as a diverse and living practice.

Navigating Landscapes of Dalcroze Practice provides new perspectives on the pioneering music education developed by Swiss composer Jaques-Dalcroze (1865-1950), who explored how to learn music through listening, moving, singing, and improvising with the original instrument, the human body. It is the first collection of Dalcroze histories to focus on practice itself, showing how methods and ideas have moved among and been shaped by people, performance practices, and contexts from music education and music therapy to dance, theatre, and physical education. Rather than focusing primarily on Jaques-Dalcroze and his teaching, these histories reveal the collaborations of many people from various backgrounds and places over more than a century of practice.

Sixteen international authors mark out pathways into the past, exploring how Dalcroze-based teaching has transcended disciplinary boundaries and moved across borders transnationally, from Europe to Australia and North and South America. They guide us through landscapes of Dalcroze practice where music and movement provide benefits to students, teachers, and performers, as well as children, seniors, disabled people, and those with special educational needs. Demonstrating how practitioners and supporters have interacted with social, political, and educational change, the book considers the impact of two World Wars, advances in technology, and global health challenges on the evolution of Dalcroze practice.

Contributors: Marie-Laure Bachmann, William R. Bauer, Gilles Comeau, Mônica Fagundes Dantas, Katarzyna Forecka-Wasko, John Habron-James, Marja-Leena Juntunen, Erik M. Kirchgäßner, Silke Kruse-Weber, Johanna Laakkonen, Janice Zarpellon Mazo, Sandra Nash, Selma Landen Odom, Joan Pope, Dorothy de Val, Rose Whyman

Richly illustrated venture into book production in Cambridge.

William Dyngley (Peterhouse, 1393-1441), known for his personal library of at least 29 manuscripts, was primarily an editor. In the second decade of the fifteenth century, he began a major patristic project that ultimately comprised eight volumes of Augustine of Hippo, anthologies of Origin, Ambrose and Jerome, and a patristic miscellany. Dyngley also constructed thirty-five indexes for Augustine's works, which he copied in tandem with his primary text writer, the so called "Fish Scribe".

This richly illustrated monograph considers the people who made the books, the network of Cambridge scribes who copied the texts, the limners who decorated them and the remarkable man behind the project. Dyngley, placed here in the context of contemporary life in a Cambridge college, is shown to be in charge at every stage of production, acquiring exemplars, correcting scribal errors, storing incomplete quires, reassigning texts from one volume, copying and revising tables of content and tallying expenses. The volume also examines the constituent features of the manuscripts themselves, non-verbal cues as well as content. Overall, it sheds considerable new light on manuscript production in the period more generally.

A key book about rights, separation of powers and the State, which assesses a decade and a half of transformative constitutionalism in Kenya through the lens of landmark constitutional judgments, discussing their international import and suggesting new pathways towards democratic constitutionalism.

In 2010, after more than two decades of struggle, Kenya's new Constitution was born. Widely accepted to be "transformative" in nature, in the decade and a half since it was enacted, the Constitution has been at the centre of national discourse. And in that time, the country's courts have been confronted with crucial and high-stakes constitutional disputes, which are both distinctively Kenyan in nature, but also, are disputes that have long been common to constitutional democracies around the world: they include issues around constitutional change, federalism, imperial presidencies, the role of the legislature, election disputes, land rights, and horizontality, among others. Drawing comparisons with constitutional jurisdictions globally, which often rely upon precedent from each other's jurisdictions, this book examines transformative constitutionalism under the 2010 Constitution, and shows that while Kenyan courts have been informed by - and been in conversation with - global precedent, they have crafted unique and particular solutions.

The book excavates the engagement of Kenyan Courts with the 2010 Kenyan Constitution to highlight the unique and innovative contributions that Kenyan courts have made to global constitutional problems and to suggest pathways for the future. Showcasing the jurisprudence of the courts in action, this book discusses how and when the power to amend a constitution can be limited or constrained and how constitutional change can be insulated from political interference. It examines issues of parliamentarianism and devolution in the context of the national controversy around constituency development funds, and reveals how Kenya provides a model for understanding constitutional separation of powers. It looks at the process for challenging presidential elections, and details how the Supreme Court has aimed to set out clear legal and evidentiary standards for how a court ought to deal with a pure political dispute - something with which judiciaries around the world have struggled. It explores the evolution of socio-economic rights, including the right to housing, non-discrimination, and equality before the law, as well as the question of how transformative constitutionalism interrogates private power. Placing contemporary Kenyan constitutionalism at its heart, this work of comparative constitutional law asks what the ongoing, global constitutional conversation can learn from the Kenyan experience under its new order.

Offers a historical context in which to understand how Brahms's three most intensely political and nationalistic works interact with questions of German patriotism, liberalism and nationalism.

Johannes Brahms rarely composed music that engaged the national-political issues of the day. Three of his works, though, do precisely this: the Fünf Lieder für Männerchor; the Triumphlied for eight-part chorus and orchestra; and the Fest- und Gedenksprüche for eight-part chorus a cappella. In Brahms Patriotic and Political, David Brodbeck challenges notions that Brahms's political music evinces embarrassing anticipations of later Prussian militarism and German chauvinism. Instead, he provides a thick historical context in which to read these works and offers a more nuanced understanding of the intersections of Brahms's music and questions of German patriotism, liberalism, and nationalism than has been customary in the field of historical musicology.

In particular, Brodbeck relates the Männerchor-Lieder to the debate over how and in what form a German nation-state might be achieved; he relates the Triumphlied to the euphoria but also the solemnity that attended the foundation of the German Reich; and he relates the Fest- und Gedenksprüche to the necessary work of instilling in the diverse German people a genuine sense of national belonging. At the same time, he traces Brahms's changing attitude toward Otto von Bismarck, the "Blacksmith of the Reich," whom he originally loathed but, in time, came to venerate.

Brahms Patriotic and Political will appeal to readers with interests in both nineteenth-century German music and Central European history.

"This innovative, wide-ranging and erudite book illuminates the sophistication of artistic exchange at this time and place." Costanza Beltrami, Stockholm University.

Sculptors and painters produced exceptional, and sometimes eccentric works of art in the middle decades of the twelfth century in Iberia. The high-level artistic expertise needed to produce such works could be gifted, loaned, and even stolen in the same way as other precious items. It could be moved, like a commodity, across networks forged by reforming churchmen and rulers that traversed the Pyrenees and the Peninsula. Much of this sculpture and wall-painting shows an ability to play with the different repertoires that emerged from these established routes of exchange.

The pilgrimage roads of the Codex Calixtinus have had a strong imaginative pull and even been invoked to explain such artistic production. By contrast, this book argues that the more playful and satirical aspects of that manuscript - the pseudonyms, exaggerated claims, and pointed selections - resonate not only with a wider culture of forged charters and re-invented institutional histories but also with the imaginative, eclectic, and sometimes ludic art of these decades. This art encompasses sculpted church façades, painted interiors, illuminated missals and cartularies, as well as carved Atlas figures that encapsulate the complex status of the artists who made them.

Newest research into drama and performance from the Middle Ages and the Tudor period.

Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.

This volume is testament to the lively range of current research across the field of medieval theatre. It investigates different traditions of performance, through a variety of theatrical, theological, and material approaches. It opens with an analysis of a fascinating Dutch rhetoricians play-text, revealing how its engagingly disruptive female character, "Everyday Chitchat", proves central to a serious discussion of censorship - in a play which was itself censored. Although no play-text survives from medieval Beverley, the next contribution shows how local records of its Corpus Christi plays offer rich details of a range of pageants and organisation not dissimilar from its more famous neighbour, York. The two following articles investigate theological issues. A nuanced re-reading of The Treatise of Miracles Playing considers how priestly involvement in performance raised anxieties about the role and authority of priests, including at the Mass. Attitudes to "dread", revealed through the taxonomies of fear developed by medieval theologians, then illuminate the didactic role of fear, engendered in the protagonists and audiences of the Macro morality plays. The volume closes with the second part of an investigation into "John Blanke's Hat". Following the first part's demonstration, in the previous volume of METh, that the Black trumpeter's headgear was not a marker of his faith, this uncovers the true identity of the hat, asking how far it can offer evidence for his history. The present volume thus throws new light on familiar texts and questions, offering important contributions to newly developing fields of study.

Shows how poetic recitation and the interweaving of music and poetry contributed to the advent of a German identity in late eighteenth- and early nineteenth-century Europe.

The art of reciting a text out loud, known as Vortragskunst, be it in a private circle or in a concert hall, originated in German-speaking countries in the 1760s, and by the nineteenth century had become a well-established practice subjected to an artistic blossoming unparalleled in the rest of Europe.

In this book Jacqueline Waeber explains and examines how and why this happened, focusing on the origins of poetic recitation and its development during the late eighteenth and early nineteenth centuries, a period essential to the development of modern German literature and theatre, bookended by the two main figures who contributed to the theoretical and aesthetical tenets of poetic recitation, the poet Friedrich Gottlieb Klopstock (1724-1803) and Johann Wolfgang von Goethe (1749-1832).

Poetic recitation quickly gained attraction for the Lied and the musical melodrama, both musical genres that were driven by a search for new declamatory styles. As a result, poetic recitation became increasingly 'musicalized' by the frequent addition of a musical accompaniment. As the book shows, this intertwining of music and poetry made a huge contribution to the advent of German identity through the reappraisal of its language.

Examines the violin's evolution as not just instrument but valued objet d'art through the eyes of musicians, collectors, makers, dealers, connoisseurs, journalists, auctioneers and traders.

The nineteenth century saw developments in the composition, performance and reception of classical music that led to an unprecedented shift in how the violin was appreciated, from humble craft object to one of art. A utilitarian tool defined in 1800 by its tonal properties became by century's end an expensive objet d'art, classified almost exclusively in terms of physical, visible properties. In London's vibrant musical life, Cremonese violins acquired special significance and in turn helped shape the beliefs, knowledge and behaviour of the disparate actors connected to the instrument: musicians, collectors, makers, dealers, connoisseurs, journalists, auctioneers and traders.

By 1880, London had supplanted Paris as the centre of the international violin trade. One firm in particular, W.E. Hill & Sons, emerged as a major presence in both the local musical community and the global violin market. The Hills were makers, restorers, dealers, and connoisseurs. They were also writers, collectors, and melomaniacs deeply implicated in London's instrument auction and exhibition scene. The mutually reinforcing nature of these activities - which they consciously turned to account for commercial reasons - bear witness to events and developments earlier in the century. Their story illuminates this first study of the violin's nineteenth-century journey from simple musical instrument to mystified work of art.