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This Element highlights the role of constraints in shaping multilingualism. It discusses their conceptualisation, starting from Michel de Certeau's view of action in everyday life, and operationalisation for the study of migrants. The results of the research conducted among Gambian migrants in Italy show not only constraints but also the tactics to inhabit them, as well as non-language related aspects, for example suffering, which are grouped into five clusters. These are (1) lack of support; (2) limited interaction in the 'local' language; (3) immigration status in conjunction with life events; (4) others' behaviour; and (5) other concerns and suffering. The conclusion presents a discussion on the wider significance of what incorporating constraints means for our understanding of multilingualism and migration, including policy implications, and for intercultural communication research.
This Element explores the relationship between creativity, poetry, and cognition through the lenses of cognitive linguistics and cognitive poetics. Section 1 situates poetic creativity within the frameworks of conceptual metaphor theory, cognitive grammar, and text world theory, reconsidering traditional views of creativity by showing how linguistic structures underpin both writing and reading poetry. Section 2 adopts an autoethnographic approach, documenting the writing of poems, demonstrating how cognitive-poetic principles shape decisions and highlight the embodied, subjective nature of creativity. Section 3 shifts focus to analysis, applying stylistic frameworks to original poems to illustrate how linguistic methods illuminate textual patterns, conceptual structures, and interpretative effects. Section 4 turns to reception, examining empirical reader-response data to show how readers engage with poems through cognitive-poetic processes, creating a cyclical interplay between production, analysis, and response. Together, these sections highlight the value of cognitive linguistics for understanding poetic creativity, interpretation, and experience.
This Element is a critical analysis of Kierkegaard's Philosophical Fragments, attributed to the pseudonymous author Johannes Climacus. The philosophical content of Kierkegaard's work is developed in the form of an ironical, humorous jest in which Climacus pretends to invent a philosophical view that he claims cannot be humanly invented, and which bears a strong resemblance to Christian faith. The invention is proposed as an alternative to “the Socratic view” of the Truth that, if possessed, leads to eternal life. The crucial underlying issue is whether eternal life could be linked to history. This Element explores the purpose of this literary form, and its relation to the philosophical content, highlighting the importance of Fragments for philosophy of religion, theology, and even the contemporary relation of religion to politics and culture, and arguing that Kierkegaard's view is not a form of irrational fideism.
This Element traces the history of Shakespearean bibliography from its earliest days to the present. With an emphasis on how we enumerate and find scholarship about Shakespeare, this Element argues that understanding bibliographies is foundational to how we research Shakespeare. From early modern catalogs of Shakespeare plays, to early bibliographers such as Albert Cohn (1827–1905) and William Jaggard (1868–1947), to present-day digital projects such as the online World Shakespeare Bibliography, this Element underscores how the taxonomic organization, ambit, and media of enumerative Shakespearean bibliography projects directly impact how scholars value and can use these resources. Ultimately, this Element asks us to rethink our assumptions about Shakespearean bibliography by foregrounding the labor, collaboration, technological innovations, and critical decisions that go into creating and sustaining bibliographies at all stages. This title is also available as Open Access on Cambridge Core.
This Element introduces PrInDT (Prediction and Interpretation in Decision Trees), a statistical approach for modeling relationships between extra- and intralinguistic variables in World Englishes. It is based on decision trees and controls their size in a way that they are easy and straightforward to interpret. Furthermore, PrInDT optimizes their accuracy so that they best fit the data and can be reliably used for prediction. Moreover, it can handle unbalanced classes that occur, for example, when comparing non-standard with standard linguistic realizations. The various PrInDT functions can deal with classification and regression tasks and can analyze multiple endogenous variables jointly, even for models combining classification and regression. The authors introduce these features in some detail and apply them to World Englishes and sociolinguistic datasets. As examples, they draw on L1 child data from England and Singapore as well as linguistic landscapes data from the Eastern Caribbean island of St. Martin.
Drawing on critical insights from the history of emotion and Shakespearean emotion studies, this Element offers a pedagogy rooted in a historicist approach as a stimulating alternative to the teaching of Shakespeare's emotions as universally and transhistorically relatable. It seeks to provide a roadmap – by way of contextual and analytical frameworks and suggested learning activities – for teaching students how to mind the gap between Shakespeare's emotional moment and their own. The benefits to this approach include not only students' enhanced understanding of Shakespeare's plays in the context of early modern emotion culture but also their enhanced ability to think historically and critically about emotions, both in Shakespeare's day and now.
How does archaeoastronomy assist archaeologists in comprehending the past of human societies? Archaeoastronomy is an interdisciplinary field that combines scientific principles and astronomical measurements to enhance our understanding of ancient cultures. Its interdisciplinary character appears by blending areas of the natural sciences, such as astronomy, physics, mathematics, and even geology or biology, with others of the social sciences and humanities, such as archaeology, history, prehistory, geography, or anthropology. Throughout this Element we are going to see what archaeoastronomy is about, how it works, and what topics it is applied to, for which we are going to introduce a series of concepts from astronomy, mathematics, and other disciplines.
Across the world, most people are religious or spiritual, and many have a strong relational-emotional bond (attachment relationship) with God(s). This Element summarizes social-scientific theory and research on these relationships. Part I outlines basic principles of attachment and religion/spirituality. Part II describes normative (human-universal) processes and patterns. It explains how God and other supernatural beings often serve as irreplaceable relational caregivers (attachment figures), safe havens, and secure bases for people. Then it examines how religious/spiritual development interacts with attachment maturation across the lifespan. Part III explores individual differences in human and religious/spiritual attachment. After describing human-attachment differences, it examines how such differences can manifest jointly in forms of emotionally/socially correspondent or emotionally compensatory human attachment and religion/spirituality. Part IV discusses applied theory and research on religious/spiritual attachment. It explores the relationship between religious/spiritual attachment and health/well-being and concludes discussing how transformation in religious/spiritual attachment can occur through psychospiritual intervention or healthy relationships.
The Shakespeare family occupies five gravesites on the chancel steps at Holy Trinity Church in Stratford-upon-Avon. Anne Shakespeare's grave is the only one commemorated with a brass plaque and an epitaph in original Latin poetry, eulogizing her as a beloved mother, pious woman, and 'so great a gift'. For nearly four hundred years, this epitaph has remained largely unreadable to visitors, enabling a long history of undervaluing Anne's significant maternal role in the Shakespeare family. Anne Shakespeare's Epitaph offers a new reading of the content and the related material conditions and interpersonal connections behind this text. It provides new evidence about the identity of the engraver and suggests several possible scenarios for how the Shakespeare family came to memorialize Anne as a cherished maternal figure. This Element reinscribes the original significance of Anne's epitaph, and reclaims it as an important Shakespearean text that offers traces of a lost documentary record.
Identifying ourselves, others, writers, with their opinions—and taking the form of the opinion as the epitome of political engagement—we assert a picture of the self that ought to be scrutinized. Mass print generated, along with the railways, telegraph, information-relays national and global, as well as the development of specialized forms of technological, scientific, economic, and medical knowledge, a sea of discourse belying any vision of a cogent public sphere: disinformation is not a purely 21st century, internet phenomenon. Poetry helps us understand this situation. Appearing in verse, claims about reality have been characterized, or have self-characterized, as virtual. As such, Romantic and post-Romantic poetry makes perceptible other ways in which, in other precincts, utterance becomes virtualized. Sometimes, by the psychological turbulences of the citizen-as-creature, appropriating world events to the need to self-assert; sometimes, as a result of affective matrices that challenge the idea that we are the authors of our own opinions.
This Element explores online harms experienced by children in the metaverse and considers the implications through a criminological lens. Drawing on research from the VIRRAC project, funded by REPHRAIN, it includes insights from industry experts, practitioners, and young people. The Element examines how criminological theories help us understand children's experiences online, while highlighting gaps in knowledge, resources, and training among professionals responsible for safeguarding against online harms, particularly child sexual exploitation and abuse in metaverse spaces. It explores complexities faced by those trying to detect, prevent, and respond to online harms in immersive environments, revealing the challenges of professional practice in this field. By amplifying children's voices, the Element offers critical findings on their needs for support and safety. Combining research and practical perspectives, it informs future policy and interventions to better protect vulnerable children in virtual reality platforms. This title is also available as Open Access on Cambridge Core.
This Element examines the history, beliefs, and practices of the QAnon movement, described by supporters as a military intelligence operation meant to restore 'American greatness,' and by opponents as a threat to American democracy. Although it began as a fringe conspiracy theory when it emerged on anonymous internet image boards in the fall of 2017, the lockdown measures of the COVID-19 pandemic sent most people online for social participation, facilitating greater awareness of the movement amidst an environment of rising social tension and personal anxiety. QAnon's emergence online offers an observable and real-time record of the way communities of meaning-making and identity develop through the consumption, construction, and circulation of ideas in a digital communication medium. By studying QAnon, this Element provides a better understanding of the relationship between conspiracy theory and religion and demonstrates how new religious movements emerge and evolve today in relation to consumerism and communication complexity.
The regular public transmission of news was one of the great inventions of the Renaissance. This Element, while offering a general account of news in the period, will convey the latest research results concerning the dynamics and significance of this major development. Drivers of change, apart from sheer curiosity, included state officials seeking opportunities, merchants seeking markets, writers seeking jobs. Traditional oral settings for news exchange, in homes, at court, and in public squares, from this period onward would have a constant supply of new topics of conversation originating not only from local occurrences but from far away, and not only from books, pamphlets and private letters, but also from regularly produced news sheets – first handwritten, then printed –covering what were thought to be the major events of the day, with significant effects on widespread ways of thinking and behaving.
In the past quarter of a century, or longer, popular cultures and musics both popular and 'new' have become concerned, rather than with futurity, with their own pasts, in a world where, after Fukuyama's 'end of history' or Berardi's 'cancellation of the future', the idea of fundamental historical change has seemed increasingly incredible. This Element is a critical study of music in what Fisher calls 'nostalgia mode', a flattened, high-gloss reproduction of a music indistinguishable from that which already exists, save for its technical perfection, and of hauntological musics critical of this stance, which deploy the music of the past not in reassuring fashion, but to stress that, in 'unwounded' history, they would not still be here. Although normally treated separately, this paradigm applies not only to popular music but also to new music, which has historically claimed the music of the future as its privileged territory.
Anthropologists have struggled with the concept of the food taboo for over a century; and archaeologists struggle with detecting them in the material signatures of the past. Yet by recognizing that ancient peoples must have followed taboos, some of which may have persisted for thousands of years, we gain insight into how cultural traditions shaped the ways in which people ate and interacted with their environments. This Element concerns food and the cultural structures that surround it. It provides an overview of the history and anthropological understandings of food taboos, and offers critical engagement with the current archaeological method and theory investigating these. Archaeological case studies, including the pig taboo in Judaism and ethnoarchaeological analysis of various mammalian taboos among the Nukak of Amazonia, shed light on the difficulties and prospects of studying food taboos in the material record.
Theophrastus' so-called Metaphysics presents a series of difficulties for various accounts of first principles, including Platonist ones but also – and especially – Aristotle's. Hence, many scholars think that Theophrastus abandons some of his teacher's core commitments, such as the prime mover or natural teleology. Other interpreters, by contrast, emphasize the aporematic character of the work and do not take Theophrastus to be truly critical of Aristotle. In the author's view, neither reading captures the character of the treatise. For, as argued in this Element, Theophrastus probes the Aristotelian account of first principles in earnest. But this is not to say that he abandons it. Rather, Theophrastus is an internal critic of an Aristotelian framework to which he himself is committed but of which he thinks that it requires further elaboration.
The aim of this Element is to explore borders in ancient Egypt – both the territorial and ideological boundaries of the state as well as the divisions such lines draw between 'Egyptians' and 'Others.' Despite the traditional understanding of ancient Egypt as an insular society isolated by its borders, many foreigners settled in Egypt over the course of the longue durée, significantly impacting its culture. After examining the applicability of territorial state borders to the ancient world, the boundaries of ancient Egypt are investigated, questioning how they were defined, when, and by whom. Then a framework is presented for considering the reflexive ontological relationship between borders and immigrants, grappling with how identity is affected by elements like geography, the state, and locality. Finally, case studies are presented that critically examine ancient Egypt's northern, eastern, western and southern 'borders' and the people who crossed them.
Intra-dural spinal tumours are a rare, yet diverse group of neoplasms, which may occur anywhere along the spinal neuroaxis. Their clinical presentations are typically slow and progressive in nature. Signs and symptoms are dictated by tumour location and size, and occur due to the sequalae of mass effect, oedema, ischaemia and subsequent metabolic dysfunction of neural tissue occurring secondary to compression of neural elements and neural vasculature. Back/neck pain and stiffness are the most common presenting complaint for patients presenting with intra-dural spinal tumours. Further symptoms are dependent on the location of the tumour. Lesions that compress or develop within the spinal cord are associated with upper motor neuron (myelopathic) signs and symptoms, whilst lesions compressing spinal nerves alone are associated with lower motor neuron (radicular) signs and symptoms. In some circumstances, a mixed picture of both upper and lower motor neuron symptoms may also be observed.
This Element examines Tian Qinxin (1969– ), one of the most prominent theatre directors in contemporary China, and her significant contribution to the development of mainstream Chinese theatre in the 21st century. Since her debut productions in the late 1990s, Tian has cultivated a distinctive directorial style, marked by a syncretic fusion of Western and traditional Chinese theatrical elements. While she has worked across a variety of genres, her primary focus has been on stage adaptations. Adaptation is not only a defining feature of her theatrical practice but also a central aspect of her professional life, where shifting political and cultural contexts necessitate her “performance” of various expressions of both femininity and masculinity. Tian's remarkable adaptability enables her to skillfully navigate the evolving landscape of Chinese theatre, the demands of state cultural policy, and the requirements of the commercial theatre sector.
This Element examines how gender shapes political participation across Europe, analyzing eight forms of political activity over 10 waves of the European Social Survey (2002–2020) in 26 democracies. Challenging the assumption that women participate less than men, we find evidence for gender differentiation: women vote, sign petitions, and boycott as much or more than men. Men dominate activities such as contacting politicians and party work. When political interest is accounted for, women demonstrate and post online at rates similar to men. Gender gaps remain stable over time, but national context matters: women in more gender-equal societies participate significantly more than those in less equal nations. By integrating individual resources, temporal trends, and cross-national variation, this book offers the most comprehensive analysis to date of gendered political participation in European democracies and its implications for equality and democratic engagement. This title is also available as Open Access on Cambridge Core.