The most significant book of this review is Richard Beacham and Hugh Denard's Living Theatre in the Ancient Roman House, a volume in which the authors’ previous accomplishments, expertise in theatre and leading roles at Kings Visualisation Laboratory (which is reflected in the use of digital visualizations throughout the volume, both to recreate architectural spaces and to test the viability of painted architecture), is brought to bear on domestic space. The subject, epic length, and format of the book immediately evoke the memory of Cambridge University Press's last major publication on wall painting, Eleanor Leach's 2004 The Social Life of Painting in Ancient Rome and on the Bay of Naples and the comparison shows up very sharply the development of attitudes towards both wall painting and its theatrical referents in the last twenty years. In Leach's book, much was made of the theatrical influence on Pompeian interiors, particularly in the architectural Second Style and the Fourth Style. Leach relied on the theatre in order to search for signs of actual theatrical influence on frescoes painted in these styles, for example discussing whether their scenographic ‘sets’ were based on permanent or temporary theatres, and then to tie the way the two styles presented theatrical performance to the political circumstances of the times in which they flourished. Leach saw Second Style as a reflection of the active competition of elites during the late republic whilst Fourth Style was symptomatic of the tyranny of the Neronian age, in which these same elites were now largely reduced to passive spectators of the emperor's performance.

Gaetano Salvemini (1873–1957) is one of the most influential intellectuals of Italian and European twentieth-century history. As 2023 marks the 150th anniversary of Salvemini's birth, this special issue of Modern Italy aims to attract the attention of an international readership and contribute to filling the gap in scholarly publications in English, offering a tool to approach Salvemini's intellectual production and biography. We have chosen to focus on four aspects of Salvemini's life that we consider particularly suitable for introducing his personal trajectory and the evolution of his thinking, adopting a transnational approach: his interpretation of the Great War and the Adriatic question; his antifascist exile in Great Britain and, from 1934, in the United States; and the publication of his most important studies on Fascist Italy. The choice of these topics aims to shed light on Salvemini's contacts and stimulating exchanges with foreign scholars, his international experiences, and how these transformed his ideas on Liberal and Fascist Italy.

I propose a novel measure to identify family firms based on the number of family links between high-ranking coworkers. Leveraging this measure, I reexamine previous findings in the literature and derive four novel facts: i) Measures of stock ownership misclassify firms with a large family presence. ii) Family-run firms exhibit value stock characteristics, whereas founder-CEO firms display growth stock characteristics. iii) Family-run firms pay lower costs. iv) Family managers behave myopically. I conclude that failing to consider family links can lead to highly misleading results in the study of family firms.

In Catullus 50, after an enjoyable day writing poetry with Licinius Calvus, the poet warns his friend not to ignore him lest Nemesis punish him for it, ne poenas Nemesis reposcat a te (‘lest Nemesis demand punishment from you’). It will be proposed in this article that, in keeping with neoteric ideals, Catullus is playing on the phrase a te to create a bilingual pun on the Greek word ἄτη ‘delusion’, ‘mental blindness (often divinely sent)’.

This article examines scatology in Aristophanes Assemblywomen, and argues that the play sets out to subvert comedy's normal scatological poetics. Old Comedy is usually a genre characterized by corporeal and scatological freedom. The constipation scene in Assemblywomen 311–73 is therefore highly unusual, since, while its language is scatological almost to the point of excess, it spotlights not scatological freedom but scatological obstruction. This article argues that this inversion is expressly linked to the play's reversal of gender roles as part of its ‘women on top’ plot, which is in turn conceived as a direct challenge to Old Comedy's normative poetics. The article further suggests that recognizing the Assemblywomen's less than straightforward relationship to the norms of Old Comedy may help us to reassess how, and indeed whether, we should use Aristophanes’ plays to make conjectures about the genre as a whole.

In this article, we give generalizations of the well-known Fermat’s Little Theorem, Wilson’s theorem, and the little-known Gegenbauer’s theorem.

Two splendid Oxford Handbooks deserve the opening slot of my review. The Handbook of Greek and Roman Mythography contains forty chapters, each of which closes with a helpful section on recommended further reading. The editors have organized the material in five very well-conceived parts. The first section, ‘Mythography from Archaic Greece to the Empire’, naturally wrestles with the question: When does mythography start? Two initial chapters provide their answers, and the rest of the contributions in this section offer an overview of mythography in Greek (Hellenistic and Imperial period) and Latin. The second section aims to provide an overview of individual mythographers: the stars of this section are Apollodorus, Antoninus Liberalis, Parthenius, Conon, and Hyginus. The eighteen chapters provide informative and concise introductions to authors who specialized in mythography, but also to the mythographic tendencies in authors such as Pausanias or Ovid, as well as in the scholia and even mythographical papyri. The third section is on the typical genres or interpretative models with which mythography tends to intersect: rationalizing historical approaches, philosophical allegoresis, etymologizing, catasterism, local historiography, paradoxography, creative approaches to mythography in ancient education, the role of mythography in political discourse, geography, and, finally, an investigation of the ancient terms used to designate the activity and the writings of a mythographer. The fourth section, ‘Mythography and the visual arts’, is a provocative and highly interesting experiment in viewing visual representations of myth as a mythography of sorts: can vases, frescoes, and sarcophagi be seen as visual pendants to literary mythography? These three contributions are all highly rewarding and thought-provoking. The closing, fifth, section offers richly rewarding discussions of the role of mythography in the age of Christianity, starting with the way early Christian writers draw on Greek and Latin mythographers, followed by chapters on mythography in the Byzantine Empire, the Latin West, and in the Renaissance.

This study investigates whether the management earnings forecasts of Republican and Democratic CEOs differ due to systematic differences in their information disclosure preferences. We find that Republican CEOs prefer a less asymmetric information environment than Democrat CEOs, and thus make more frequent, timelier, and more accurate disclosures than Democrat CEOs. Results using the propensity score matched sample and difference-in-differences analysis show that our results are unlikely to be driven by potential endogeneity. Our results are robust to controlling for various CEO characteristics and are stronger for firms with higher levels of institutional ownership and litigation risk.

In this study a representative sandwich panel is investigated statically in two different configurations under similar bending loads. In one configuration serrations are introduced in the honeycomb core while the other one has un-modified core. Three-point bend test (TPBT) has been performed on both configurations through Finite Element Analysis (FEA) technique using ANSYS Workbench considering American Society for Testing and Materials (ASTM) standards. In both configurations the same aluminium honeycomb core is modelled having an adhesive layer in between adjacent foils to simulate actual scenario instead of relying on the block properties. Honeycomb core offers highest strength in its thickness (T) direction or the z-direction by virtue of its shape. Any distortion in the shape of the honeycomb adversely affects its strength. During bending the honeycomb core witnesses multidirectional forces consequently leading to distortion or crumpling. The serrations in the structure allow bending of the honeycomb core with minimal loss of strength by limiting the deformation to a specific region consequently preserving the shape as well as the strength of the honeycomb core. The results of both samples are compared with respect to deflection, strain and reaction force. It proves that serrated core is more favourable to be used in bent or curved sandwich panels.

When COVID-19 reached Sierra Leone, the government responded by implementing strict containment measures. While the effectiveness of such actions has been debated, the socioeconomic and political implications were undeniable. This qualitative study reveals that people suffered tremendously from economic insecurity, strains on social relationships, and civil rights violations, prompting many to perceive the COVID-19 pandemic as worse than the 2014–15 Ebola epidemic. These hardships have driven distrust of the government, which threatens continuing mitigation efforts. Using a feminist global health security frame, which recenters the protection of vulnerable individuals in relation to the state, we call for more contextually-relevant, civil society-informed pandemic responses.