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This study is concerned with Albanian children speaking a nonstandard dialect who learn Standard Albanian (SA) in primary school. Our main research question is whether the phonetic characteristics of these children’s first dialect are influenced by their learning of SA. We followed longitudinally 48 children in 1st, 2nd, and 5th grades (24 girls, 24 boys, 6–11 years old), some of whom grew up in a village, the others in a city. A picture-naming task was used to record four vowel features of interest, which were analyzed acoustically, then statistically with distributional regression models and generalized additive models. We found evidence that the children’s first dialect was affected by SA, suggesting that by 5th grade, they were not fully proficient at distinguishing between the two systems. The four analyzed features followed different developmental trajectories, similar to adults acquiring a second dialect, and similar to feature selectivity observed in language change.
Acoustic resonance is a critical issue in turbomachinery that induces noise and structural vibrations. The resonant mechanism for stator blade rows was first revealed more than half a century ago, along with the well-known concept of stationary Parker modes. However, despite various efforts based on this mechanism, previous studies have failed to explain the experimental Parker-type resonance results observed in rotor blade rows. This study establishes a theoretical model to elucidate acoustic resonance phenomena in rotating annular cascades, with focus on the effects of inlet distortion. The results demonstrate that the present model captures the experimental trends for Parker-type rotor acoustic resonances, which also implies that the conventional stationary Parker modes no longer exist in rotor blade rows due to rotation and the frequency scattering effect. Meanwhile, theoretical predictions on inlet-distortion–rotor interaction reveal that the unsteady blade loading is significantly higher at resonance frequencies compared to the cut-on frequency in duct acoustics. Accordingly, a modified Campbell diagram incorporating acoustic natural frequencies is proposed to aid in avoiding resonance-induced blade vibrations during the design stage. It is shown that the acoustic resonance frequencies intersect with the synchronous excitation frequencies across a wide speed range. High-amplitude unsteady blade loading is induced at these frequency crossings, due to the Parker-type acoustic resonance eigenmodes being excited by inlet-distortion–rotor interactions.
The central feature of the final phase of clearance was the linkage of mass eviction with schemes of assisted emigration. Financial fluctuations in the wider economy helped to shape the policies of clearance in the later 1840s. The catastrophic failure of the potatoes in 1846 and the continuation of the blight for several years thereafter was an important watershed in the history of the Highland clearances. The famine removals were different, because their social costs were greater. The famine clearances have a special significance in the history of the Highland clearances as a whole. They were the last in the cycle of great evictions which transformed Gaelic society from the last quarter of the eighteenth century. It was the large-scale removals which helped to put the crofting question firmly on the national political map and created the context for the attack on Highland landlordism later in the nineteenth century.
This article examines how, since the late 1980s, Hong Kong directors have reimagined China’s western frontiers in the wuxia genre through collaborations with the mainland amid a process of deepening cross-border integration. To contextualize these representations for English-language readers, this study employs a comparative lens. It first examines the cultural and historical significance of the American Old West and China’s premodern western borderlands and then analyzes how Hong Kong wuxia filmmakers construct particular forms of nationalism through mythic depictions of geopolitical peripheries in dialogue with Hollywood Westerns’ frontier portrayals. The analysis reveals that, as Hong Kong directors’ mainland coproduction has increasingly integrated into China’s film industry and cultural discourse, their depiction of frontier space has gradually shifted from an extralegal, anti-authoritarian martial world of cultural ambivalence and abstract nationalism – echoing the anti-establishment ethos characteristic of revisionist Hollywood Westerns – toward a symbol of state-centered nationalism and global cultural outreach, paralleling the golden-age Hollywood Western’s construction of the American frontier as a unified national myth reinforcing U.S. exceptionalism.
This chapter examines the tensions surrounding the place of ‘woman’ in Freethought ideology. It discusses ‘infidel feminism’ and Freethought support for woman's rights alongside its more problematic definitions of ‘woman’ and her relationship to religion. At stake in these debates were fundamental questions about the compatibility of religion with women's rights, the possibility of re-interpreting ancient texts according to ‘modern’ values, the impact of the rise of science and rationalism on the role of women, and from what authority feminists derived their claims for equality.
Although local authorities worked within a common framework of national legislation and policy directives from the government, policy was also determined by local problems, council politics, the attitude of local authority officials and the distinct urban culture in which cities operated. This chapter highlights the significance of locality in the decision-making process by comparing and contrasting broad aspects of housing policy between different cities across the century. During 1919-1932, Birmingham, Leeds, Liverpool, Manchester and Sheffield demolished less than 4,000 slums, even though they were able to build more than 100,000 council homes in the same period. In Sheffield, at least twenty-three groups were formed to protest about everything from the lack of recreation facilities to changes to rent-rebate schemes. Public expectations, which had risen after the war with the welfare state and economic growth, were being frustrated, giving rise to a tenant backlash.
This chapter investigates the causes of the mortality, and how it was mediated. It aims to achieve a model which provides as much explanatory power as possible for the survival pattern of the foundlings. The chapter shows the results of investigating the variables for the two youngest datasets: infant under the age of one, and infants who had not yet been placed with a nurse. In each case, the results represent the impact of that variable alone. The dataset following those children who were placed with nurses examines the effects of hospital policy and the institutional environment. It should be noted that this dataset excludes the least healthy children, who were most likely those who died in the hospital. The hazards models highlight a set of factors which set the stage for high mortality, in particular gender, the season of abandonment and the distance travelled to reach a nurse.
This chapter considers the first stage of the communist life cycle as it unfolded in the context of the communist home. According to 'Molly' Murphy, it was not uncommon for communist parents in 1920s Britain to favour giving their children a 'proletarian education' at home. Beyond the rearing of the 'communist baby', the chapter also looks at how older children were raised in the communist home. The chapter also considers the role of the Communist Party woman within the framework of communist mothering and parentcraft. In the narrative of mothercraft, parenting and the home, the Soviet Union was held up as a model to emulate. From early 1936, and for the next few years, childrearing advice to communist mothers was being provided through the columns of the Daily Worker on a regular basis by 'Nurse Jane Geddes'.
This article addresses sonic experimentalism in Latin America from a critical perspective based on a review of artistic projects that have been active in recent years in different countries of the region. Its main objective is to discuss whether there are features that can be conceived as characteristic of Latin American sonic experimentalism, whether it is relevant to define issues that affect the people and communities that practice it in a cross-cutting manner, and, if so, whether it is feasible to talk about strategies that bring together people and groups who, although they work in different countries and conditions, consider themselves as part of the same community. Through the three axes chosen to structure this article (sonority, technology, and collaborative platforms), several aspects will be addressed that link a significant number of sound and experimental music artists in different locations within the territory in question. This will lead to a discussion about identity expressed in sound practices, using a cultural studies approach. By foregrounding voices that “ruin the algorithm” of coloniality, this research enriches Latin American sound studies debates and seeks to contribute to the study of experimentalism in the Global South.
The logical place to start a new study of Down and Connor would be to examine the careers of its bishops. Francis Hutchinson is fitted for such a study, because there is enough extant primary source material to enable a detailed picture to be built up of his time as bishop between 1721 and 1739. Hutchinson was convinced that the Church and state in Ireland would be served by devising and implementing conversion schemes designed to remove the political threat posed by the mass of the population's adherence and political deference to Roman Catholicism and the pope. In the Church of Ireland, the day-to-day running of the Church was handled by the lower clergy, which left bishops with three main duties. The duties are to perform regular visitations of their diocese, to ensure the Church had a ready supply of ordinands and to confirm the laity.
The large mound of Herlaugshaugen, on the island of Leka off the coast of Norway, has long been associated with the legendary storeroom (and burial place) of Herlaug, a pre-Viking king of the region Namdalen. Excavations at the site in 2023 recovered iron clinker nails and wooden fragments, identifying one of the earliest ship burials in Scandinavia. Here, the authors detail these findings and explore the significance of Herlaugshaugen in expanding our understanding of the region and its maritime connections in the seventh and eighth centuries AD, arguing that Leka may have been a node in a much wider network.
Joel Sternfeld's Treading on Kings: Protesting the G8 in Genoa is a series of twenty-seven formal portraits published on the occasion of an exhibition of Sternfeld's project at the White Box Gallery in New York. The main body of the book consists of portraits of participants and activists who travelled to Genoa to protest against the policies of the eight richest countries of the world. The activists' reported statements, on the left page of the portrait, vary from statement to statement, from describing feelings and intentions to long explanatory texts arguing against capitalism, economic inequalities and exploitation of the poor countries and ecological destruction. Sternfeld's avoidance of spontaneous shooting on the streets of Genoa is based on anti-photojournalistic principles. This distance from the tradition of photojournalism and its obsession with the worthwhile picture that would make headlines was also highlighted by the curators at the White Box Gallery.